Reviews of what you should be reading next.

Category: Non Fiction (Page 2 of 10)

MEN OF 18 IN 1918 by Frederick James Hodges

In the spring of 1918 German forces broke through Allied lines in a last-ditch attempt to overcome their enemies. To hold back this tide young, inexperienced men from France, Britain, the United States, Australia and Canada were sent into war against battle-hardened and desperate German soldiers. What was it like to be an eighteen-year-old and sent to the frontlines in the First World War? Frederick James Hodges was one of these young men and his book, Men of 18 in 1918, provides insight into the ordeals of an ordinary soldier who left Britain as a teenager but returned as a man having witnessed the full horrors of war. Hodges charts his progress through the conflict from his short period of training to being thrown into defending Allied lines against the onslaught before being ordered, as part of Britain’s prime assault troops, into a ninety-five-day non-stop attack which only ended with the armistice of November 1918.

Thanks to NetGalley and Sapere Books for this review copy!

The author tells a terrifying and true story of his experience in one of the most brutal wars known to man.

His memories of names, places, and battles is amazing – a good part of the book is recollections of the men he knew and their fate. At times I did find it tedious to read name after name, but I understand that the author wanted to ensure that they weren’t forgotten over time. The descriptions of life in the trenches are full of detail and heartbreaking to read. Boys that turned eighteen were eligible to enlist for battle, and by the time they turned nineteen they were hardened men, inured to death and destruction.

The story follows Hodges as he enlists, trains, and eventually is called up to the Western Front. Even though he is only involved in the war for a brief time, he experiences an immense amount of physical and mental struggles. Despite these hardships, Hodges continually writes that his experience in the war is exhilarating and fascinating. He and his fellow soldiers try to make the best of their days as they bond and support each other.

One thing I enjoyed about this book is how the author described his surroundings as a juxtaposition to the horrors around him. He mentions singing birds, fields of poppies, and bright blue skies, and makes sure to note that he is able to appreciate the world around him as nature continues to thrive despite the horrors of war and the bloody casualties.

The author includes many anecdotes about how the soldiers pass the time by talking about life back home and making lighthearted jokes. Each soldier is doing his best to fight the Germans (known as “Jerry” among the men) and maintain their hold on the Western Front. There are also stories about the tedious tasks that must be done: polishing their weapons, digging out trenches, and repairing the miles of barbed wire that provided a barrier to No Mans Land.

This story is poignant and gripping at the same time. I enjoyed the author’s insights on his harrowing experience as well as the opinions he shared about the war. His writing style is easy to read, and you will learn about life in the trenches firsthand.  The more I read about WW1, the more I respect the men that gave their lives for this pointless conflict. I highly recommend this book.

You can pick up your copy here.

DEATH INTERRUPTED by Blair Bigham, MD

In Death Interrupted, ICU doctor Blair Bigham shares his first-hand experiences of how medicine has complicated the way we die and offers a road map for dying in the modern era. Doctors today can call on previously unimaginable technologies to help keep our bodies alive. In this new era, most organs can be kept from dying almost indefinitely by machines. But this unprecedented shift in end-of-life care has created a major crisis. In the widening grey zone between life and death, doctors fight with doctors, families feel pressured to make tough decisions about their loved ones, and lawyers are left to argue life-and-death cases in the courts. Meanwhile, intensive care patients are caught in purgatory, attached to machines and unable to speak for themselves. In Death Interrupted, Dr. Blair Bigham seeks to help readers understand the options facing them at the end of their lives. Through conversations with end-of-life professionals — including ethicists, social workers, and nurses and doctors who practice palliative care — and observations from his own time working in ambulances, emergency rooms, and the ICU, Bigham exposes the tensions inherent in this new era of dying and answers the tough questions facing us all. Because now, for the first time in human history, we may be able to choose how our own story ends.

Many thanks to NetGalley and House of Anansi Press for this review copy!

This book will make you think long and hard about your final wishes. The author explains why death and dying is such a taboo subject, how technology is making us think that we should live forever, and continually reminds us that “mors vincit omnia” (which means death conquers all in Latin). Bigham shows his compassion in every chapter, as he explores the new frontiers of end-of-life care and human euthanasia.

Years ago, our life expectancy was a lot shorter than it is now. Families were used to each other dying at home in their own beds. As they were forced to confront their mortality in a very tangible way, there were no taboos surrounding death. It was, quite literally, a major part of their lives. Since our life expectancy has increased, and there is so much innovative technology such as ventilators and ECMO machines that can prolong life, we are determined to avoid death for as long as we can. Every medical show on TV shows doctors snatching patients out of the jaws of death via “code blue” situations and miracles. The author describes this equation: technology X (resuscitation glorification + death denialism) = FALSE HOPE.  We come to a hospital armed with the belief that recovery is imminent, therefore there is no reason to consider end-of-life planning or care.

Despite the leaps and bounds made by new medical technology, doctors hesitate to rely on machines sometimes. Airline pilots are taught to trust their instruments completely; after all, when they can’t see out of the plane’s window, they fly using the altimeter, directional gyro, and other instruments that let them know how fast and high they are going. In the medical world, things are different. A patient on a respirator is not guaranteed to wake up and resume his normal life. Transplanted organs may be rejected. And thereby lies the “death dilemma”. When is it time to pull the plug? Who decides to sentence their loved ones to the Great Beyond? Why don’t doctors talk honestly about death and dying, or palliative care? We all want the kitchen sink thrown at our mom or brother, in hopes that they will be with us longer, having cheated death.

But that is not always possible, or even desired. Those who stipulate “no feeding tube” or choose to be a DNR are choosing control over their own death, relieving the family countless hours of arguing, or wondering what Dad would really want done in case of mortal injuries or sickness. The author discusses ethics, communication, and myths surrounding death, to enlighten us and understand the predicament our doctors are in. There is a chapter on euthanasia and on cryogenics. There are conversations with scientists and ethicists who find the death dilemma fascinating. There are stories about real patients who lived against all odds, and others who died despite hours long codes and hundreds of pints of blood pumped into their bodies. Bigham provokes the reader to truly confront their own fears about death, suffering, and not being able to go peacefully, on their own terms.

I find the death dilemma very fascinating and have read extensively on this subject (as I have mentioned multiple times in my reviews, I wanted to be a mortician when I was deciding my path through life). DEATH INTERRUPTED is one of the best books I have read on this subject. The author shows his human side through his compassion and quest to make every one of his patients have the best death possible. His writing is not too technical or difficult to understand, and he tries to show the pros and cons of prolonging life for distinct reasons. I am happy to report that I also learned some new things, such as the various “types” of death (brain-dead, suspension to keep organs alive for donation, and dead-dead) and the problems doctors face before they are able to declare one dead.

(On a similar note – this article appeared in the New York Times and I found it quite appropriate to add to this review.)

If you are wondering why you would need to make a living will or are putting off thinking about a morbid subject like your own death, please read this book. You will be shocked, saddened, scared, and motivated to consider your own end-of-life wishes. Many thanks to Blair Bigham for bringing this subject to the forefront in a new and stimulating way.

Want your own copy? You can pick it up here.

THE FACEMAKER by Lindsey Fitzharris

The poignant story of the visionary surgeon who rebuilt the faces of the First World War’s injured heroes, and in the process ushered in the modern era of plastic surgery.
From the moment the first machine gun rang out over the Western Front, one thing was clear: mankind’s military technology had wildly surpassed its medical capabilities. The war’s new weaponry, from tanks to shrapnel, enabled slaughter on an industrial scale, and given the nature of trench warfare, thousands of soldiers sustained facial injuries. Medical advances meant that more survived their wounds than ever before, yet disfigured soldiers did not receive the hero’s welcome they deserved.

In The Facemaker, award-winning historian Lindsey Fitzharris tells the astonishing story of the pioneering plastic surgeon Harold Gillies, who dedicated himself to restoring the faces – and the identities – of a brutalized generation. Gillies, a Cambridge-educated New Zealander, became interested in the nascent field of plastic surgery after encountering the human wreckage on the front. Returning to Britain, he established one of the world’s first hospitals dedicated entirely to facial reconstruction in Sidcup, south-east England. There, Gillies assembled a unique group of doctors, nurses, and artists whose task was to recreate what had been torn apart. At a time when losing a limb made a soldier a hero, but losing a face made him a monster to a society largely intolerant of disfigurement, Gillies restored not just the faces of the wounded but also their spirits. Meticulously researched and grippingly told, The Facemaker places Gillies’s ingenious surgical innovations alongside the poignant stories of soldiers whose lives were wrecked and repaired. The result is a vivid account of how medicine and art can merge, and of what courage and imagination can accomplish in the presence of relentless horror.

Thanks to NetGalley and Farrar, Straus and Giroux for this review copy!

THE FACEMAKER is an impressive, intense, and fact-packed book, not only about the development of plastic surgery, but also an insight into World War One and its devastating effects. I admit my understanding of the war was negligible prior to reading this, but now I have learned enough to have my interest piqued and I want to learn more. I have just requested a review copy of MEN OF 18 IN 1918 by Frederick James Hodges, a book that I would have certainly passed over if I had not read THE FACEMAKER.

Dr Harold Gillies is the titular surgeon who is constantly creating new ways to help disfigured soldiers (warning! Link leads to extremely graphic photos that may be disturbing) live normal lives. It is noted that those who had lost limbs were celebrated as heroes fighting for their country, while those who sustained facial injuries were shunned and considered freaks. The reasoning behind this is: faces and their ability to create expressions are what makes us “human”, and any deviation of what is considered “normal” creates discomfort. A face without a nose, or with a shattered jaw is difficult to look at, and so those poor soldiers were hidden away from the general public. The wards where those men were kept contained no mirrors, lest they catch a glimpse of themselves and lose the will to live.

Gillies is not the only doctor mentioned in this book; many other courageous surgeons contributed to the effort to repair these poor soldiers. The book is interspersed with descriptions of action on the Western Front, excerpts from diary entries from the soldiers that were lucky enough to have their journals survive (even if they didn’t), and accounts of how collaboration among the doctors furthered their knowledge and experience.

What fascinated me the most was hearing about the soldier’s activity on the battlefield, how he came to be injured, then his ordeal with Dr Gillies, enduring multiple operations while new techniques were tried time and time again. The book does contain a lot of graphic detail, so if you are squeamish, be aware.

I learned about artwork bringing attention to the soldier’s plight – one of the more poignant ones is the painting by John Singer Sargent entitled Gassed. The human cost of war is depicted in this 21-foot-long epic work. Other paintings and drawings are noted throughout the book, explaining how these methods helped the physicians rebuild faces. Sculpture was also used; multiple casts were made as the recreation and correction of each visage progressed.

The epilogue of THE FACEMAKER notes how plastic surgery evolved from a necessity to a luxury; rhinoplasty, facelifts, and the like were performed by Gillies long after the war was over. He continued to help others feel better about themselves until he died in 1960. He was a true visionary whose work ethic and kindness made the world a better place for many, many others.

Want your own copy? You can pick it up here.

TORNADO OF LIFE by Jay Baruch

Stories from the ER: a doctor shows how empathy, creativity, and imagination are the cornerstones of clinical care.

To be an emergency room doctor is to be a professional listener to stories. Each patient presents a story; finding the heart of that story is the doctor’s most critical task. More technology, more tests, and more data won’t work if doctors get the story wrong. Empathy, creativity, and imagination are the cornerstones of clinical care. In Tornado of Life, ER physician Jay Baruch offers a series of short, powerful, and affecting essays that capture the stories of ER patients in all their complexity and messiness.

Patients come to the ER with lives troubled by scales of misfortune that have little to do with disease or injury. ER doctors must be problem-finders before they are problem-solvers. Cheryl, for example, whose story is a chaos narrative of “and this happened, and then that happened, and then, and then and then and then,” tells Baruch she is “stuck in a tornado of life.” What will help her, and what will help Mr. K., who seems like a textbook case of post-combat PTSD but turns out not to be? Baruch describes, among other things, the emergency of loneliness (invoking Chekhov, another doctor-writer); his own (frightening) experience as a patient; the patient who demanded a hug; and emergency medicine during COVID-19. These stories often end without closure or solutions. The patients are discharged into the world. But if they’re lucky, the doctor has listened to their stories as well as treated them.

Thanks to NetGalley and MIT Press for this review copy!

TORNADO OF LIFE is a quick read, filled with short stories about patients presenting to the emergency room and how they provoke the doctor’s thoughts and actions. For example, one of the first patients the author sees (as a brand-new doctor) is a woman, presenting with vague symptoms, but appearing well. It turns out that she may have been abused by her husband, and just needed someone to talk to, and perhaps have someone suggest a course of action for her. Baruch regrets not seeing the patient’s true needs and says that case stayed in his mind for a while. He attributes his lack of communication to his inexperience and explains to the reader why it is important to consider the whole patient, not just what they are telling you. He also says an ER doctor should not judge a patient on how they look when they show up to the ER. Sometimes the most disheveled need the least care, and vice versa.

He tells the story of a patient asking for pain meds; and is unsure if he should prescribe them. He discusses the dilemma of drug-seeking patients and how pain is unmeasurable, unlike a temperature or a heart rate. Baruch says that “do no harm” is a doctor’s first tenet, but when it comes to pain, you may be damned if you do or damned if you don’t. If someone is in real pain, he is obligated to help them. But if a patient is looking for drugs to feed his habit, then prescribing them could harm them as Baruch encourages them to continue their addiction.

Each chapter holds a new patient’s story and the lesson the ER doctor learned from the case. Communication and empathy are a recurring theme, which makes sense. An ER visit is fraught with anxiety, and it can be comforting if a caring physician examines you. Often the doctor has only a few minutes to connect with the patient, which makes getting through the layers of each person’s needs exceedingly difficult. The chapters are stand-alone stories, making the book easy to read in small bites.

Baruch touches on each of those layers in depth, ruminating on how he could have helped some patients better, how some patients helped him learn more about himself, and detailing the psychic struggle that doctors experience daily. Baruch comes across as an extremely caring and empathetic person; I would appreciate his care should I ever need to visit his ER.

The only thing that frustrated me about TORNADO OF LIFE was that I never got closure on any of the patient’s ailments. The author states that in the beginning of the book – there will only be a few details about the ER visit and then the rest of the chapter will be introspection. I found myself wanting to know more about each patient, what their diagnosis was and how they were addressed before they were discharged. I learned to put my dismay aside as I got through each chapter, understanding that the point of each story was Baruch’s rumination and a lesson learned.

This is an unusual book, as the doctor’s thoughts are shared front and center. Most books written by those in the medical field will give a great deal of detail on their patients with a bit of introspection added. TORNADO OF LIFE is the opposite, and the reader needs to take time to digest the deep thoughts Baruch shares. Reading this will give you new respect for ER doctors and all that they handle on a daily basis.  

Want to read this book? You can pick up your copy here.

CABIN FEVER by Michael Smith & Jonathan Franklin

The true story of the Holland America cruise ship Zaandam, which set sail with a deadly and little-understood stowaway—COVID-19—days before the world shut down in March 2020. This riveting narrative thriller takes readers behind the scenes with passengers and crew who were caught unprepared for the deadly ordeal that lay ahead.

In early 2020, the world was on edge. An ominous virus was spreading on different continents, and no one knew what the coming weeks would bring. Far from the hot spots, the cruise ship Zaandam, owned by Holland America, was preparing to sail from Buenos Aires, Argentina, loaded with 1,200 passengers—Americans, Europeans and South Americans, plus 600 crew.

Most passengers were over the age of sixty-five. There was concern about the virus on the news, and it had already killed and sickened passengers on other Holland America ships. But that was oceans away and escaping to sea at the ends of the earth for a few weeks seemed like it might be a good option. The cruise line had said the voyage (three weeks around the South American coastline to see some of the world’s most stunning natural wonders and ancient ruins) would carry on as scheduled, with no refunds. And it would be safe.
Among the travelers there is a retired American school superintendent on a dream vacation with his wife of fifty-six years, on a personal quest to see Machu Picchu. There is an Argentine psychologist taking this trip to celebrate her sixty-fourth birthday with her husband, though she finds herself fretting in her cabin on day one, trying to dismiss her fears of what she’s hearing on the news. There is an Indonesian laundry manager who’s been toiling on Holland America cruise ships for thirty years, sending his monthly paycheck to his family back home.

Within days, people aboard Zaandam begin to fall sick. The world’s ports shut down. Zaandam becomes a top story on the news and is denied safe harbor everywhere. With only two doctors aboard and few medical supplies to test for or treat COVID-19, and with dwindling food and water, the ship wanders the oceans on an unthinkable journey. 

Thanks to NetGalley and Doubleday Books for this review copy!

CABIN FEVER is an amazing, scary, well-written book about the pariah cruise ship Zaandam, one of the last ships to depart before the Covid-19 pandemic forced a worldwide lockdown. The book follows a few passengers’ stories as well as some of the crew’s; these are told with humanity and a lot of detail. Reading about the passengers’ confinement to their cabins made me feel as claustrophobic as they must have been.

I have never been on a cruise ship, so I found the descriptions of the inner workings of one fascinating. There was a portion of the book noting how much food and beverages are needed on a cruise; over 40,000 eggs, pallets of bottled water, etc. The sheer size of the ship amazed me; I marveled at all the activities that were a regular part of a cruise. Some of you might find the detail gratuitous, but I was enthralled. (I will say that after reading CABIN FEVER I will never go on a cruise; one of my nightmares is being stuck out at sea like the Zaandam was.)

Authors Smith and Franklin did a wonderful job of moving between passengers and crew as their stories were told. It was easy to feel sorry for them as they were shuttled back and forth from port to port, looking for a friendly place to dock. The tension ratchets up as the book goes on, people are getting sick(er) and the Zaandam turns into an exiled Covid vessel.

Even if you had followed the story on the news and know how everything turned out, the authors create a layer of human interest that makes you hang on every word – will your favorite characters get sick, or die? The behind-the-scenes inclusion of the diplomatic struggles are epic, strings are pulled, favors are called in, yet everything continues to be a struggle for the beleaguered ship.

Also emphasized is the abject fear of Covid – these events take place as the virus rapidly spreads around the world; humanity closes ranks and eyes others (especially foreigners) as personae non gratae – virus vectors. The fear is palpable as more people get sick, both on and off the ship. As I kept reading, my own fears came flooding back as I remembered the onset of this emerging disease. We have come so far from those days; a lot of people have taken their masks off due to “Covid fatigue” while others are super cautious and may still be wearing double masks and stocking up on supplies in case of another lockdown.

CABIN FEVER is one of the best books I’ve reviewed this year. It reads like a fictional suspense novel, made more riveting because it’s all true. The authors’ style makes the reading easy as the story flows seamlessly by. The story held my interest as the plot moved between the crew, the passengers, and the massive ship itself. I urge you to grab this book right away. I loved it!

You can pick up a copy here.

VIROLOGY by Joseph Osmundson

A leading microbiologist tackles the scientific and sociopolitical impact of viruses in twelve striking essays.


Invisible in the food we eat, the people we kiss, and inside our own bodies, viruses flourish—with the power to shape not only our health, but our social, political, and economic systems. Drawing on his expertise in microbiology, Joseph Osmundson brings readers under the microscope to understand the structure and mechanics of viruses and to examine how viruses like HIV and COVID-19 have redefined daily life.
Osmundson’s buoyant prose builds on the work of the activists and thinkers at the forefront of the HIV/AIDS crisis and critical scholars like José Esteban Munoz to navigate the intricacies of risk reduction, draw parallels between queer theory and hard science, and define what it really means to “go viral.” This dazzling multidisciplinary collection offers novel insights on illness, sex, and collective responsibility. Virology is a critical warning, a necessary reflection, and a call for a better future.
About the Author:
Joseph Osmundson is a professor of microbiology at New York University. His work has been published in leading biological journals including Cell and PNAS and in the Village Voice, Gawker, the Feminist Wire, and elsewhere. He lives and works in New York City.

Thanks to NetGalley and W.W. Norton for this ARC for review. I was quite excited to read this book, and I ended up quite disappointed. This was a DNF for me, 14% in. The beginning seemed disingenuous as the author kept mentioning “queer” this and that. To me it seemed like he was pushing a gay agenda on the reader even before the book started. I am certainly not a foe of gay or trans people (one of my best friends is trans) but I was expecting a science book, not a diary of a gay man with some mentions of DNA, Covid and Ebola thrown in here and there.

There was also a mention of one of the author’s first sexual experiences in the first few pages of the book. Again, I am not a prude, but I truly don’t believe fellatio belongs in a book claiming to “tackle the scientific….impact of viruses”. The style is not “buoyant prose”, it’s a mishmash of personal stories that are vaguely connected with viruses, by the thinnest of threads.

The author also notes that viruses come out of us in our “piss and shit”. WHY?? Why is this not written using proper scientific words such as urine and feces? This attempting-to-be-glib is so heavy handed.

Yet another sentence starts out with “Even if I were straight, God forbid…” which nearly caused the DNF right there. But no, I kept on struggling along. This interweaving of sexuality and viruses continued to be harsh and disconcerting, as it read more like a diary than a science book.

The final blow to my reader’s sensibility came when the author talks about how he wanted to contract AIDS to be closer to a man he was in a relationship with, for him to acknowledge their togetherness to the public. Or something like that. I stopped reading right in the middle of that sentence and shut down my Kindle. I had wasted enough time. That is time I will never get back.

Sorry for the straight talk, but this is an honest review. Those of you who seek to learn more about viruses should pass this by and read Richard Preston or one of these five books. I include the link here for those readers who might actually find this book an enjoyable read. You can pick up your copy here.

LAST RITES by Todd Harra

The Untold Story of American Funeral and Mourning Traditions

Why do we embalm the deceased? Why are funerals so expensive? Is there a reason coffins are shaped the way they are? When—and why—did we start viewing the deceased? Ceremonies for honoring the departed are crucial parts of our lives, but few people know where our traditional practices come from—and what they reveal about our history, culture, and beliefs about death. In Last Rites, author Todd Harra takes you on a fascinating exploration of American funeral practices—examining where they came from, what they mean, and how they are still evolving.
Our conventions around death, burial, and remembrance have undergone many great transitions—sometimes due to technology, respect for tradition, shifting sensibilities, or even to thwart grave robbers. Here you’ll explore:
• Influences for American rituals—from medieval Europe, the Roman Empire, and even ancient Egypt
• When mourning fell out of fashion—and how George Washington’s passing brought it back
• Abraham Lincoln’s landmark funeral and its widespread impact
• Flowers, liquor, mourning gifts, and caskets—the reasons behind our grieving customs
• Unknown soldiers—how warfare influenced funeral and bereavement practices … and vice versa
• How growing populations, religion, inventions, and media have changed and continue to shape our traditions
• The future of our death rites—mushroom suits, green burial, body donation, flameless cremation, home funerals, and more
The rich story of the American funeral is one of constant evolution. Whether you’re planning a funeral service or are simply intrigued by the meaning behind American burial practices, Last Rites is an informative and compelling exploration of the history—and future—of the ceremonies we use to say farewell to those who have departed this world.
The rich story of the American funeral is one of constant evolution. Whether you’re planning a funeral service or are simply intrigued by the meaning behind American burial practices, Last Rites is an informative and compelling exploration of the history—and future—of the ceremonies we use to say farewell to those who have departed this world.



Thanks to NetGalley and Sounds True publishing for giving me this ARC to review!

Todd Harra is an excellent writer and extremely knowledgeable about the funeral industry. LAST RITES is not his first book; he has written multiple books about the funeral business and (interestingly enough) some mystery books with an undertaker as the main character. I’ll be checking those out quite soon! You can find the first book on Amazon.

I have always been fascinated about death and funerals – when I was in high school, I was early accepted to the McCallister Academy of Mortuary Science.  The only thing that stopped me from attending was an interaction between me and a funeral director (who was the only woman in my town to own her own business) I approached her for some information and offered to work there, like an externship. I would set up the rooms, clean, etc., and possibly watch an embalming or two just to see what the business was really like. She was quite rude and told me not to bother going to school, since I didn’t have “family in the business” I would never make it. She went on to say that no one would hire me because I was an outsider, not part of a funerary family. I was young and I took her words to heart and chose a different career path. It’s ironic that now, most funeral homes are owned by a corporate entity and employ staff with all kinds of backgrounds…family “in the business” is no longer an issue.

So, back to LAST RITES. The author takes us through the history of everything funerary, from early funeral customs during Egyptian times to the present as well as embalming, mourning customs, burial procedures (especially interesting is the “alarms” that bodies were buried with, in case the person inside the coffin was not truly dead (!), the evolution of hearses, and superstitions surrounding death and dying. There is enough substance for both serious students and curious laypeople to enjoy. There is the occasional yucky detail but not enough to make the book a struggle to read.

The author made this book very information-dense; it can be overwhelming if you choose to read it over the course of a few hours. I preferred to limit my intake to 30-45 minutes, as it helped me to really absorb the details and/or look up more information on a subject that I wanted to learn more about. There are footnotes at the end of every chapter, which helped me to gain a new level of understanding to what was written in the body of the book.

What I liked most about LAST RITES is that there were enough nuggets there to complement the knowledge I had already. The author gives a lot of detail and examples to make the book a multi-layered approach towards death customs and the like.  At times it did read like a textbook, but the information needed to be written in such a way to include the level of detail I mentioned above. The author’s style makes it easy to read, which is a blessing considering the ultra-serious subject matter.  The United States perpetuates the avoidance of death and dying, which is a shame considering everyone must deal with it eventually. Perhaps LAST RITES will help shed some light on the history of this long-standing profession and help people make informed end-of-life decisions.

I thoroughly enjoyed reading this book! You can pick up your copy here.

PERFUME by Megan Volpert

Thanks to NetGalley and Bloomsbury Academic for this review copy! This book is part of the Object Lessons series, which is a series of short, beautifully designed books about the hidden lives of ordinary things.

Our sense of smell is crucial to our survival. We can smell fear, disease, food. Fragrance is also entertainment. We can smell an expensive bottle of perfume at a high-end department store. Perhaps it reminds us of our favorite aunt. A memory in a bottle is a powerful thing.
Megan Volpert’s Perfume carefully balances the artistry with the science of perfume. The science takes us into the neurology of scent receptors, how taste is mostly smell, the biology of illnesses that impact scent sense, and the chemistry of making and copying perfume. The artistry of perfume involves the five scent families and symbolism, subjectivity in perfume preference, perfume marketing strategies, iconic scents and perfumers, why the industry is so secretive, and Volpert’s own experiments with making perfume.
Object Lessons is published in partnership with an essay series in The Atlantic.

I have never read any of the Object Lessons books, and I was curious to see what PERFUME held for me. Volpert is a good writer, but she jumps around from subject to subject and it is a bit disconcerting. However, she knows her stuff and each chapter is part autobiographical, part science of smell. There are 8 chapters, with titles such as Time, Science, Technology, and Performance. I ended up ignoring the titles, since each chapter contained a multitude of information, not necessarily matching up with the name the chapter was given.

As I constantly mention, each book that spurs me to Google something I’ve read is always satisfying.  I looked up vetiver, Giorgio Beverly Hills (which I subsequently bought), Germaine Cellier, Bang by Marc Jacobs, the Monell Center in Philadelphia, and the ship of Theseus. Each search entertained and educated, and I grew more satisfied with each Google.

If you are looking for a book with detailed descriptions on how to create a scent, you may not be entirely happy with this book. But you will learn a bit about creation, top and bottom notes, names of ingredients that go into a scent, and the gestalt of 80’s perfume (I felt so nostalgic as I read and recalled that decade, my favorite).

One of the scientific paragraphs that grabbed my attention was the following, taken from the chapter Time, discussing perfume formulas:

Perhaps a formula has 50 elements and the lab tech not only doles out all 50 with exactitude, but also the variations the master perfumer has requested to contemplate, such as a set of 10 options where one molecule is increased by a quarter of a percent each time and a second set of five options for each of those ten where the ratio of two other molecules is reduced proportionally alongside the quarter-percent increase of the other. And all the results may smell like garbage.

I had no idea of the depth of work required to create a fragrance, much less the tweaking that is sometimes done, such as CK One evolving into the variation of other CK perfumes. CK One was truly the scent of a generation, and the author handles this little tidbit with aplomb.

Overall, I was happy with this little book. As I read it, I absorbed its contents without knowing that I would think of this book again and again. After a few days separation I realized that I enjoyed it more than I originally thought. Once you get into the flow of the author’s quirky prose, the contents flow smoothly by until you reach the end, and are left wanting more. I do recommend PERFUME as a quick, enjoyable read. Volpert manages to bring literature, philosophy, and science together, culminating in a compact masterpiece. 

You can pick up your copy here.

SPARE PARTS by Paul Craddock

Paul Craddock’s Spare Parts offers an original look at the history of medicine itself through the rich, compelling, and delightfully macabre story of transplant surgery from ancient times to the present day.

How did an architect help pioneer blood transfusion in the 1660’s?
Why did eighteenth-century dentists buy the live teeth of poor children?
And what role did a sausage skin and an enamel bath play in making kidney transplants a reality?

We think of transplant surgery as one of the medical wonders of the modern world. But transplant surgery is as ancient as the pyramids, with a history more surprising than we might expect. Paul Craddock takes us on a journey – from sixteenth-century skin grafting to contemporary stem cell transplants – uncovering stories of operations performed by unexpected people in unexpected places. Bringing together philosophy, science and cultural history, Spare Parts explores how transplant surgery constantly tested the boundaries between human, animal, and machine, and continues to do so today.
Witty, entertaining, and illuminating, Spare Parts shows us that the history – and future – of transplant surgery is tied up with questions about not only who we are, but also what we are, and what we might become.

Thanks to St. Martin’s Press and NetGalley for this ARC! The subtitle of this book is: The Story of Medicine through the History of Transplant Surgery.  There is minimal gore (there are a few exceptions) and a great deal of history. The first chapter starts in the 1500’s and starts out with “Skin” and ends in the 1960’s with “Organs” and “Transplant Future”.  The book also includes illustrations that add another dimension to the written word.

I always love when a book piques my interest so much that I Google the subject to learn more. SPARE PARTS does just that. One of the more…interesting… items was an old YouTube video of disembodied parts living outside the body of deceased dogs. The film was made in 1940 and is found under the title of “Experiments in the Revival of Organisms”.  The highlight (?) of this film is a disembodied dog head reacting to stimuli as it is kept “alive” by an artificial heart and lungs. Not for the faint of heart.

I was totally unaware of the history behind transplants, so reading this book was quite intriguing. Apparently tooth transplants were all the rage in the late 1600’s, with poor children selling their teeth to be transplanted into the mouths of the wealthy. It was poignant to think that the only items of value that those poor children had were their teeth. The book makes note that they were quite eager to sell their dentition in order to make money so they could eat.  I am not sure how satisfying meals were, having to consume their food with minimal or no teeth in their mouth.

The book also discusses blood transfusions between humans and animals, and kidney/heart/organ transplants. There is a great deal of history along with the author’s thoughts on the subjects. SPARE PARTS is written well, in a way that a reader with no medical background will understand. Those with a medical background will enjoy it as well, as the history aspect may add another layer to their knowledge.

I enjoyed reading SPARE PARTS so much, as it taught me more of the historical aspect of transplants and how the practice has evolved over the years. It is always amazing to read about how physicians practiced hundred of years ago, and what they thought about the workings of the human body.

If you are interested in learning more about the unusual history of transplant surgery I definitely recommend this book. Well written and quite interesting!

You can pick up your copy here.

Rare Birds by Natalie Scott

 

 

The ultimate lockdown reading, Rare Birds creatively tells the story of Holloway Prison’s first 100 years through the re-imagined voices of prisoners, staff and others connected to its history. Meticulously researched, the collection brings to life well-known voices such as Ruth Ellis, Sylvia Pankhurst and Edith Thompson, plus a host of lesser-known names, to tell Holloway’s rich and gripping story.

 

 

Thanks to the author for this review copy!

Prison walls seem to talk in RARE BIRDS, a book of poetry about those sentenced to time inside the notorious Holloway Prison. A multitude of characters share their laments with a chorus of voices. These voices come from suffragettes and thieves, pickpockets and murderers, and the author makes nearly all of them sound sympathetic. Some voices are particularly poignant, like the 10 year old pickpocket who marvels at being taught to write his name for the first time (pg.33), or the woman staring through the “hope-sized window” contemplating freedom (pg. 62).

Reading these poems about women fighting hard for the right to vote made me realize how far we have come, for this book brings to life their difficult journey. These voices deserved to be heard in their time, and Scott memorializes their struggle in an imaginative and touching way.

The author truly captures the essence of the prison and its inhabitants in her poems. It is as if she was intimately acquainted with each prisoner and gathered her poem from conversations with each one. Scott did comprehensive work with original documents (you can see which ones, along with a bibliography at the end of the book) to bring the inmates to life. Despite their criminal background (and it’s true some are worse than others) they are all painted in a sympathetic light, as I mentioned before. It is easy to hope that freedom comes quickly for them – even the ones on Death Row. There is a section of poems (pp.124-133) that come from the voices of the executioner, his wife,  a prison officer, a juror, and finally the doomed prisoner herself, Ruth Ellis, who died by hanging on July 13th, 1955. Each voice is different, yet they all contribute to the bigger picture – a prisoner on Death Row who is about to hang. (Ellis was the last woman executed in the United Kingdom; you can read about her here.)

RARE BIRDS is just that – a book of ethereal yet grounded poetry that forces you to think about the prison system and those caught in it. Some are unjustly imprisoned, while others commit unspeakable acts. Whatever the crime, Holloway Prison enveloped its inhabitants in cold bricks and mortar. Scott uses her words here to uncage these birds and immortalize them forever.

You can pick up your copy here. 

 

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