Reviews of what you should be reading next.

Month: August 2025

Q&A *plus GIVEAWAY* with “What’s Yours Is Mine” author Jennifer Jabaley

A must-read for those who love psychological thrillers with layered female relationships and shocking twists!

Valerie Yarnell is a hardworking single mother who’d do anything for her daughter, Kate. Kate is a dancer with dreams of stardom, just like her talented best friend, Colette. Despite Valerie’s sacrifices, it’s Colette’s mother, former prima ballerina Elise, whom Kate adores. And Colette has become like the practically perfect sister Kate never had. How can Valerie not feel frustrated, ineffectual, and a little jealous of the queen bee of dance moms? Not only has she hijacked her daughter, but Elise is married to the man Valerie pines for.

Rivalries are forming. Tension is mounting. In preparation for an elite dance competition, Kate outshines the more promising Colette onstage, and the pressure is on for Colette to keep her position in the spotlight―and especially to keep her demanding mother happy. Who could have foreseen the violent attack that sabotages everything? Anyone who’s been watching closely.

As ruthless and sinister ambitions are exposed, a media firestorm and an explosive town scandal erupt. Before it’s over, two mothers and two daughters will learn just how fierce and dangerous a rivalry can still get.

 

Thanks to Lake Union Publishing and the author for this early reviewer giveaway copy! If you didn’t win, come back here to get your copy.

Giveaway link is posted following the Q&A with Jennifer Jabaley.

 

  1. What is the most unusual place where you’ve found inspiration for your writing?

Most authors have dazzling origin stories for their books – tales of inspiration sparked by an eerie dream, a peculiar stranger, an evocative discovery buried in a box in the back of a closet. My first venture into suspense writing launched a bit differently. The idea for my book didn’t strike during a stormy night or a brush with danger. Rather, an idea formed while I was sitting in the cramped cold bleachers at one of my kid’s sporting events. Because nothing stirs up raw, unfiltered emotions quite like youth sports.

  1. Who was your hardest character to write?

The hardest character to write was easily Chad, Kate’s father. I wanted Valerie to be a single mother, but I also wanted her ex to be a factor in the story. Initially I had written him as a good guy driving a conflict where Valerie was the pragmatic parent and Chad was the easy-going, give in to anything counterpoint. My agent felt he didn’t really bring anything to the story and suggested either I eliminate him, or create more suspense with him. I chose the latter. But it was not an easy rewrite.

  1. Do you keep your rejection letters?

Heck, no! I definitely don’t want to keep negativity in my space. I did read them all, though, and tried to learn from each one.

  1. If you were to host a dinner party with three authors, who would you invite?

Liane Moriarty and Sally Hepworth are my two of favorite authors in the genre I write. I have tons of auto-buy authors but I feel like I’d get along with these two women because their style of writing is somewhat similar to mine (well, I aim very much to be as incredible as they are). Plus, they both are Australian and hilarious. It would be so fun. My third guest would be Reese Witherspoon because I adore her. She’s made reading on trend and she is so generous with her promotion of authors. And, she has co-written a book with Harlan Coben so now she is a full-fledged author as well. (If I could piggy-back and have Harlan come as well, that’d be awesome because I love him, too.)

  1. What’s the strangest or most unexpected feedback you’ve received about your writing?

Many years ago, when I first started writing, I had an editor critique at a conference for an adult manuscript. She told me my natural voice was very teen-like and I should switch the book to young adult. I flipped the pov from the aunt to the niece and my first young adult novel, Lipstick Apology was born. After writing a second young adult novel, I really felt pulled to go back to the adult space – that was what I read, that was where all my ideas generated. I didn’t want to try and force myself into the young adult world anymore. Interestingly, What’s Yours is Mine does have a teen pov in addition to the two mothers, so I guess there is a place inside of me that is eternally a teenager.

  1. How does your thought process differ when writing young adult versus adult books?

While I still very much enjoy exploring the ideas of young adult novels – coming of age, self-discovery, first love – the older I get (sigh) the harder it becomes to tap into the current real life experience of teenagers. I didn’t have a phone when I was in high school. My parents didn’t track my location on GPS. There wasn’t helicopter parenting and huge pressure with sports that current kids endure. I was of the free-range generation! Writing Colette’s pov in What’s Yours is Mine required a lot of research and running things by my daughter to see if they were authentic. Writing in the adult space, now, comes a lot more naturally.

  1. A piece of advice you give to aspiring authors is to “read widely”. What are your favorite genres, when do you have time to read?

Yes, I think reading is the best prep work for writing. I do read wide across all genres with the exception of sci-fy and fantasy. My favorite genres are book club fiction and domestic suspense. At all times I have a physical book that I read at night before bed and sometimes on lunch if I have the time. I also, at all times, have an audiobook that I listen to while I walk the dogs, drive, and do housework.

  1. Are you working on your next book yet? Any hints you’d like to drop?

Yes. In fact, I just finished a draft. I’m revising and then hopefully will be sending it to my agent shortly. It’s another domestic suspense about kindergarten mothers and their secrets set in an exclusive private school in Atlanta. It has one of my favorite characters of all time that I’ve written. She’s hysterical, or at least I think she is.

  1. What’s something you believed about writing at the start of your career that you no longer believe?

I think the biggest thing I’ve learned is there is no quantifiable measure of success. Typically, when someone begins writing, it is with the goal to be published. The first step is to finish the draft. Then find an agent. Then get a publishing contract. Then have good sales and reviews. Then get another book deal. On and on, the goal posts keep moving. It’s taken me a while to realize I can’t measure my writing success by these outside markers because all of them are outside my control. The only thing I can do is write the best book I am capable of writing. If I do that, and I enjoy the process, that is success.

  1. What is your go-to writing snack?

In the mornings, it’s constant coffee. In the afternoons, it’s gobstoppers. I know, so bad for teeth! I use to suck on fireballs but I had so many I burned the inside of my mouth. So I went to gobstoppers. I ordered a huge box from a movie theater distributor. It’s really a problem.

  1. What’s one thing you’re excited about right now – book related or totally random?

My daughter’s basketball team just won the State Championship. She’s the point guard and played the entire game as a sophomore. It was a huge accomplishment and our little small town literally exploded in celebration. Our high school hasn’t won a championship in twenty-six years. As incredible as it is to see my own dreams come to fruition with the publication of What’s Yours is Mine, absolutely nothing beats witnessing your child fulfill their ambitions.

 

Are you excited to enter the giveaway? Hope you enjoyed the Q&A with Jennifer Jabaley, and may the odds be ever in your favor 🙂

 

THE UNDERSTUDY by Morgan Richter

An opera singer uncovers the dark secrets of her cruel and alluring understudy when a shocking murder disrupts her disciplined world.
After years of rigorous instruction and ensemble work, Kit finally gets her big break when she’s hired to play the lead role in a new opera based on the 1960s cult classic film Barbarella. Entrusted with playing the beautiful and seductive titular role, Kit is on her way to the top. But then she walks in to rehearsal and meets her understudy. Stunning, suggestive, and wildly confident, Yolanda is physically everything Barbarella is meant to be. Because Yolanda lacks formal training, Kit isn’t threatened, until Yolanda reveals that she believes she deserves the role—and will do anything to get it.

Yolanda is as cunning as she is glamorous, and as her schemes become increasingly dangerous, she draws an unwitting Kit into her orbit. But when a shocking murder destabilizes the company and threatens her role, Kit begins to discover the wickedness beneath her understudy’s glittery surface. Hunting down the betrayed friends and discarded lovers from Yolanda’s past and unearthing secrets she’s worked hard to conceal, Kit discovers just how far Yolanda is willing to go to get what she wants.

Thanks to NetGalley and the publisher for this review copy!

Morgan Richter’s The Understudy delves into the cutthroat world of opera, where ambition, jealousy, and obsession collide with potentially deadly consequences. The novel centers around Kit, a seasoned opera singer who finally lands her big break as the lead in a new production based on the cult classic film Barbarella. However, her rise to the top is threatened by the arrival of her understudy, Yolanda, a stunningly beautiful and unnervingly confident young woman who seems determined to usurp Kit’s place, no matter the cost.

The author carefully crafts a tense and suspenseful atmosphere from the very beginning. The reader is immediately immersed in the high-stakes environment of the opera world, where talent and hard work are often overshadowed by ruthless ambition and personal connections. Kit, the protagonist, is portrayed as a dedicated and disciplined artist who has poured her heart and soul into her career. She is initially dismissive of Yolanda, viewing her as an inexperienced novice. However, as Yolanda’s manipulative tactics become increasingly apparent, Kit is forced to confront her own insecurities and fight for her place in the spotlight. Their dynamic is the driving force of the novel, a simmering tension that threatens to boil over at any moment.

Richter expertly develops the characters, revealing their complexities and vulnerabilities layer by layer. Kit is not simply the established star threatened by a newcomer; she grapples with insecurities and past disappointments that fuel her determination. Yolanda, with her enigmatic charm and unwavering focus, is more than just an ambitious understudy; she is a force of nature, driven by a deep-seated need for recognition. The author skillfully avoids simplistic portrayals of good versus evil, instead presenting two women locked in a battle for survival in a fiercely competitive world.

Yolanda, the antagonist, is a truly captivating and chilling character. She is the embodiment of unchecked ambition, willing to exploit and betray anyone who stands in her way. Richter skillfully peels back the layers of Yolanda’s charming facade, revealing a deeply disturbed and manipulative personality. The dynamic between Kit and Yolanda is the driving force of the narrative, creating a constant sense of unease and anticipation. The reader is left wondering just how far Yolanda will go to achieve her goals, and whether Kit will be able to protect herself from her understudy’s machinations.

The supporting characters in The Understudy are equally well-developed and contribute to the overall richness of the story. From the demanding director to the eccentric costume designer, each character adds depth and texture to the opera world that Richter has created. The novel also explores the complex relationships between women in a competitive environment, highlighting the challenges and pressures they face.

The narrative takes a darker turn when a cold-blooded murder disrupts the company, adding a layer of suspense to the already tense atmosphere. As the story unfolds, the reader is drawn into a web of secrets and hidden agendas, unsure of who to trust. The psychological tension escalates, with both Kit and Yolanda pushed to their limits. The question becomes not just who will take the stage, but how far each is willing to go to achieve their desires. As Kit delves deeper into the circumstances surrounding the murder, she uncovers dark secrets and hidden connections that threaten to unravel everything she has worked for.

Richter’s prose is sharp and evocative, capturing the beauty and drama of the opera world while also delving into the darker aspects of human nature. The pacing is expertly controlled, building suspense gradually and culminating in a dramatic climax. The author’s attention to detail, whether describing the intricacies of an opera performance or the inner turmoil of the characters, adds depth and authenticity to the narrative. The author also makes effective use of foreshadowing and red herrings, keeping the reader guessing until the very end, until the thrilling climax is revealed.

The Understudy is more than just a thriller; it is an exploration of the human psyche, the relentless pursuit of dreams, and the sacrifices made in the name of ambition. It is a story that will resonate with anyone who has ever felt the pressure to succeed, the fear of being replaced, or the allure of the spotlight. Richter has crafted a compelling and thought-provoking novel that will stay with the reader long after the final curtain falls.

  • Strengths: Compelling characters, suspenseful plot, evocative prose, insightful exploration of ambition and jealousy.
  • Weaknesses: Some readers might find the pacing slow in the initial chapters as the author establishes the characters and setting.

The Understudy is a unique and suspenseful thriller that explores the dark side of ambition and the destructive power of jealousy. Morgan Richter has crafted a captivating story with complex characters, a richly detailed setting, and a plot that will keep readers on the edge of their seats. This novel is sure to appeal to fans of psychological thrillers, suspenseful dramas, and stories that delve into the complexities of human relationships.

Want your own copy? You can pick it up here.

 

 

 

 

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