Author: Kyle Wendy Skultety (Page 1 of 32)

99 WAYS TO DIE AND HOW TO AVOID THEM by Ashely Alker, MD

January 13, 2026 / Kyle Wendy Skultety / 0 Comments

An illuminating, hilarious, and practical guide to 99 of the most terrifying ways to die and how to avoid them from an emergency medicine doctor.

Dr. Ashely Alker is a self-described death escapologist—or, in more familiar terms, an emergency medicine doctor. She has seen it all, from flesh-eating bacteria to the work of a serial killer to the more mundane but no less deadly, and her work outwitting the end has uniquely prepared her to write this book.
Dr. Alker manages to shock readers while making them laugh, educating them on how to outsmart a wide range of deadly situations and conditions. Many of the chapters include stories from her experiences in life and medicine, at times heartwarming, others heartbreaking. Sections include explorations of sex, poison, drugs, biological warfare, disease, animals, crime, the elements, and much more.
An Anthony Bourdain-style greatest hits tour of death, 99 Ways to Die is entertaining while it informs. Full of valuable advice and wild stories, this riveting read might just save your life.

Thanks to NetGalley and St. Martin’s Press for this advanced review copy!

If you’ve ever wondered just how many ways the world can take you out — from bacteria to bad choices — Dr. Ashley Alker has you covered. 99 Ways to Die is a riveting and darkly entertaining field guide to everything that can go wrong with the human body (and the environment conspiring against it).

Each chapter examines a specific category of danger — viruses, bacteria, the elements, warfare, poisons, vaccine-preventable diseases, even food — written with the precision of a clinician and the flair of a storyteller. The structure makes it easy to digest (pun intended) but also leaves you slightly terrified of your next sushi roll or deli sandwich. Alker’s background as an emergency physician gives the book a grounded, real-world authenticity. She doesn’t just explain the science; she shows it in motion — patients arriving with mysterious fevers, strange neurological symptoms, or the consequences of underestimating nature.

What makes this book stand out is Alker’s ability to break down complex medical concepts in clear, relatable language. She’s thorough without ever being clinical, weaving in stories from her real-life work as an emergency physician to illustrate how quickly things can go from “minor symptom” to “life-threatening situation.” Her cases remind you that medicine isn’t just science — it’s detective work, empathy, and sometimes pure chaos.

Her explanations are detailed but never dry. Alker walks readers through how pathogens invade, how the immune system fights back, and why something as small as a misfired protein can overthrow an entire body. There’s enough molecular detail to satisfy the science-minded reader — mentions of cytokine storms, viral mutations, and the delicate biochemistry that keeps us alive — but it’s always filtered through human stories. The result feels like watching House, M.D. written by someone who’s actually pulled night shifts in the ER.

One of the book’s strongest sections explores how diagnosis can be as much art as science. Doctors, she notes, often have to play detective — and sometimes their suspects aren’t forthcoming. She recalls a patient interaction that’s both hilarious and horrifying:

Doctor: “Do you have any medical conditions?”
Patient: “No.”
Doctor: “But I see you take eight different medications.”
Patient: “Yes, but since I’m taking the medications, I don’t have those conditions anymore.”

That blend of absurdity and reality underscores how fragile the line between wellness and disaster can be.

Alker’s humor keeps the pages turning even when the material veers into the macabre. In the “Brain Diseases” chapter, for instance, she discusses Campylobacter jejuni — a bacteria found in undercooked meat, raw milk, and, yes, pet kisses — she notes its potential link to Guillain-Barré Syndrome before deadpanning:

“And don’t let Lassie kiss your face, I don’t care how famous she is.”

That mix of authority and humor makes the science stick — and keeps the book from feeling like a doomsday manual. By the end, I felt smarter, a bit spooked, and oddly appreciative of just how resilient the human body is despite everything it’s up against. It’s science communication at its best: factual, funny, and a little terrifying.

By the time you close the book, you’ll have gained a crash course in microbiology, epidemiology, toxicology, and plain common sense — and maybe a new respect for soap, vaccines, and refrigeration.

99 Ways to Die is the perfect mix of education and existential dread — a medical thrill ride for readers who love learning what can go wrong with the human body and how our doctors heroically (and sometimes hilariously) try to stop it. You’ll laugh, you’ll shudder, and you’ll definitely think twice before skipping hand sanitizer.

If you’re a fan of Mary Roach (Stiff, Gulp), Atul Gawande (Being Mortal), or Caitlin Doughty (Smoke Gets in Your Eyes), you’ll absolutely devour this. 🧬☠️💉

You can pick up your copy here.

NAGASAKI: The Last Witnesses by M. G. Sheftall

December 4, 2025 / Kyle Wendy Skultety / 0 Comments

The second volume in a prize-worthy two-book series based on years of irreplicable personal interviews with survivors about each of the atomic bomb drops, first in Hiroshima and then Nagasaki, that hastened the end of the Pacific War.
On August 6, 1945, the United States unleashed a weapon unlike anything the world had ever seen. Then, just three days later, when Japan showed no sign of surrender, the United States took aim at Nagasaki.
Rendered in harrowing detail, this historical narrative is the second and final volume in M. G. Sheftall’s “Embers” series. Sheftall has spent years personally interviewing hibakusha—the Japanese word for atomic bomb survivors. These last living witnesses are a vanishing memory resource, the only people who can still provide us with reliable and detailed testimony about life in their cities before the use of nuclear weaponry.
The result is an intimate, firsthand account of life in Nagasaki, and the story of incomprehensible devastation and resilience in the aftermath of the second atomic bomb drop. This blow-by-blow account takes us from the city streets, as word of the attack on Hiroshima reaches civilians, to the cockpit of Bockscar, when Charles Sweeney dropped “Fat Man,” to the interminable six days while the world waited to see if Japan would surrender to the Allies–or if more bombs would fall.

Thanks to the publisher and NetGalley for this review copy!

History hums through the quiet aftermath — Nagasaki: The Last Witnesses is less about the blast and more about the echo.

In Nagasaki, M.G. Sheftall delivers a haunting, meticulously layered follow-up to his earlier masterpiece Hiroshima. Where Hiroshima explored the moment the world split open, Nagasaki lingers in the silence that followed — the echoing questions, the invisible scars, and the resilience of a city often overshadowed in collective memory.

The author returns to familiar ground but digs even deeper, tracing not only what happened on that fateful August day but what lingered afterward — in the ruins, in the hearts of survivors, and in the uneasy quiet of a city learning to live again.

I adored Hiroshima, and I couldn’t wait to see where Sheftall would take us next. Nagasaki feels like a companion piece, yes, but also its own living, breathing entity — one that insists we remember what came after the explosion. Hiroshima often dominates the public consciousness, but Nagasaki’s story has always felt like the quieter, forgotten sibling. The bomb itself was different, and so were the circumstances surrounding it. Sheftall doesn’t let that difference fade into footnotes; he gives Nagasaki the depth and dignity it deserves.

Sheftall’s prose is articulate and immersive, blending his historian’s precision with a novelist’s empathy. Every street corner, every ruined fragment of the city feels alive with the weight of what came before. His gift lies in how he builds atmosphere through meticulous context: you don’t just read about Nagasaki, you walk its hills, smell the ash and salt air, and hear the hum of life returning to a place once unthinkably devastated. This gifted author paints with history — not just describing the facts but creating atmosphere through sensory detail and emotional nuance. I could almost feel the humid summer air and hear the faint murmur of life trying to return amid devastation. The city becomes a character in its own right: scarred, defiant, and enduring.

Nagasaki’s children were born into a world where they had never known peace; war was the only constant. What strikes me most is how quickly the extraordinary became ordinary — how easily childhood was reshaped into service, obedience, and survival.

As the author writes, “In October 1943, as the war steadily drained the nation’s supply of prime working-age men, the Japanese government cancelled classroom instruction for all formerly draft-deferrable male college students… In April 1944… the classroom cancellations were extended to every child in the country 15 years or older… Three months after this edict… the war labor mobilization age was dropped again to 12.”

By then, innocence itself had been conscripted. “On campus and under direct teacher supervision, the youngest students — the 12 to 13-year-old first graders — did unpaid ‘volunteer’ war work, tending vegetable patches on the school grounds or assembling cartridge magazines for machine guns in the school workshop.”

Even the sanctity of home life dissolved under the weight of war. “There was even a maid’s bedroom, although this was redundant in 1945 Japan; the nation’s domestic servants had long since been hauled away to work in war plants, giving Michiko’s mother dishpan hands for the first time in history.”

And while Nagasaki itself remained physically untouched for much of the war, scarcity gnawed at daily life: “…the most immediately dire of which was food.” Families hovered “at or just above the lowest level of Maslow’s pyramid, their lives increasingly focused on desperate efforts to find food and a dwindling ability to enjoy what was found when these efforts succeeded.”

While Hiroshima dominates the historical and literary landscape, Sheftall reminds us that Nagasaki’s story is equally vital — and uniquely complex. The different type of bomb dropped there, and the distinct cultural, political, and geographic circumstances surrounding it, make this account essential reading for anyone who believes history deserves its full breadth.

Sheftall doesn’t sensationalize; he illuminates. He brings forward the voices too often drowned out — the survivors, the scientists, the ordinary citizens whose days began like any other and ended in unrecognizable worlds. His narrative choices carry a quiet reverence, and his structure mirrors the slow, painful rebuilding of identity and faith after catastrophe.

What I love most about Sheftall’s approach is that he doesn’t write tragedy for shock value. He writes to reconnect us to empathy — to remind us that history isn’t static. It breathes through those who lived it, and through those of us who bear witness now.

Nagasaki is not a retelling of horror for its own sake. It’s a study of endurance, humanity, and the way memory bends but does not break. It stands as both a necessary companion and a powerful standalone testament — reminding us that the aftermath can be just as defining as the event itself.

In a literary landscape where Hiroshima has long held the spotlight, Sheftall’s Nagasaki steps forward not to compete, but to complete the story.

Nagasaki is not an easy book, but it’s an essential one. It asks for your attention and your compassion in equal measure. And when you close the final page, you carry the echo with you — quiet, resonant, and unforgettable.

For anyone who thought the story ended with Hiroshima, M.G. Sheftall gently, powerfully reminds us: it didn’t.

You can grab it here and walk the streets of Nagasaki for yourself. It’s an experience that lingers long after the last page.

ONCE UPON A CLOCK by Jenny and Christine Harrison

September 2, 2025 / Kyle Wendy Skultety / 0 Comments

An original and humorous anthology of stories and poems, with animals and nature at its heart.

Many thanks to the author for graciously providing this review copy! (You can check out her Instagram here.)

Once Upon a Clock by Christine and Jenny Harrison is a whimsical and heartwarming anthology that blends stories, poems, and cartoons into a delightful celebration of animals and nature. Created during the 2020 lockdowns, this book is a true family collaboration—one handled the illustrations and some writing, the other contributed the majority of the text.

This isn’t a grand fantasy quest, but rather a collection of whimsical moments and observations from the natural world, infused with a gentle wit.

Each page is infused with humor and charm, making it suitable for readers of all ages. Each piece feels like a small window into a world where tails wag with wisdom and time ticks to the rhythm of rhymes. The illustrations, particularly the animal cartoons, add a playful and endearing layer to the reading experience. This book is crafted with affection for its subjects.

Once Upon A Clock is the kind of book you can pick up and enjoy a few pieces from or read cover-to-cover for a dose of warmth and gentle humor. It’s perfect for anyone who loves animals, enjoys short, digestible reads, or just needs a little bright spot in their day. Forget epic battles and ticking chronometers – this book offers a quiet, delightful escape into a world where everyday nature takes the spotlight.

What truly shines in this collection is its heart. Each piece, whether a short tale or a playful poem, showcases a keen appreciation for the creatures and landscapes around us. You’ll find yourself smiling at the antics of various animals and nodding along to poems that capture the simple beauty of nature’s rhythm. The “humorous” aspect mentioned in its description truly comes through, making it a light and enjoyable read that can bring a chuckle or a moment of reflection.

The collection’s core strength lies in its profound appreciation for its subject matter. Each individual piece, be it a short story or a poetic verse, demonstrates a keen and discerning appreciation for the diverse creatures and natural landscapes it portrays. Readers will find themselves engaged by the spirited portrayals of animal behavior and resonate with the poetic depictions that artfully capture the inherent beauty and rhythm of nature. The promised humorous elements are consistently delivered, rendering the collection a pleasant and enriching read capable of eliciting both amusement and thoughtful contemplation.

What I loved about this book: connection to nature, imagination and whimsy, family and creativity, with resilience and joy. There are opportunities for learning new vocabulary words (such as pompous and peripheral) with some science added in (“Surfy says waves are made by the moon (?!!!?!”). Other stories leave the ending open for readers to come up with their own thoughts and create an ending. The dog drawings are endearing and hilarious (loved the canine banging his long snout on a chair and the scruffy dog running away with knickers in his mouth, and expecially the two little doggies in love), while Little Miss Ruffet is drawn as a quite opinionated little girl.

One story touches on the myth of the Phoenix rising from the ashes – another chance for the parent to do some teaching, as they explain how “Phoenix Nick” is a play on another character.

Nestled amongst the short stories and rhyming poems is a longish tale entitled “The Tale of a Tail and Bark’s Lost Bark”. Whimsical characters (an aardvark, dogs, a mouse, and a horse, just to name a few) share adventures and silliness, and the story comes to a satisfying conclusion.

I definitely recommend this sweet collection to kids of all ages. Want your own copy? You can pick it up here.

Q&A plus GIVEAWAY with “What’s Yours Is Mine” author Jennifer Jabaley

August 19, 2025 / Kyle Wendy Skultety / 0 Comments

A must-read for those who love psychological thrillers with layered female relationships and shocking twists!

Valerie Yarnell is a hardworking single mother who’d do anything for her daughter, Kate. Kate is a dancer with dreams of stardom, just like her talented best friend, Colette. Despite Valerie’s sacrifices, it’s Colette’s mother, former prima ballerina Elise, whom Kate adores. And Colette has become like the practically perfect sister Kate never had. How can Valerie not feel frustrated, ineffectual, and a little jealous of the queen bee of dance moms? Not only has she hijacked her daughter, but Elise is married to the man Valerie pines for.

Rivalries are forming. Tension is mounting. In preparation for an elite dance competition, Kate outshines the more promising Colette onstage, and the pressure is on for Colette to keep her position in the spotlight―and especially to keep her demanding mother happy. Who could have foreseen the violent attack that sabotages everything? Anyone who’s been watching closely.

As ruthless and sinister ambitions are exposed, a media firestorm and an explosive town scandal erupt. Before it’s over, two mothers and two daughters will learn just how fierce and dangerous a rivalry can still get.

Thanks to Lake Union Publishing and the author for this early reviewer giveaway copy! If you didn’t win, come back here to get your copy.

Giveaway link is posted following the Q&A with Jennifer Jabaley.

What is the most unusual place where you’ve found inspiration for your writing?

Most authors have dazzling origin stories for their books – tales of inspiration sparked by an eerie dream, a peculiar stranger, an evocative discovery buried in a box in the back of a closet. My first venture into suspense writing launched a bit differently. The idea for my book didn’t strike during a stormy night or a brush with danger. Rather, an idea formed while I was sitting in the cramped cold bleachers at one of my kid’s sporting events. Because nothing stirs up raw, unfiltered emotions quite like youth sports.

Who was your hardest character to write?

The hardest character to write was easily Chad, Kate’s father. I wanted Valerie to be a single mother, but I also wanted her ex to be a factor in the story. Initially I had written him as a good guy driving a conflict where Valerie was the pragmatic parent and Chad was the easy-going, give in to anything counterpoint. My agent felt he didn’t really bring anything to the story and suggested either I eliminate him, or create more suspense with him. I chose the latter. But it was not an easy rewrite.

Do you keep your rejection letters?

Heck, no! I definitely don’t want to keep negativity in my space. I did read them all, though, and tried to learn from each one.

If you were to host a dinner party with three authors, who would you invite?

Liane Moriarty and Sally Hepworth are my two of favorite authors in the genre I write. I have tons of auto-buy authors but I feel like I’d get along with these two women because their style of writing is somewhat similar to mine (well, I aim very much to be as incredible as they are). Plus, they both are Australian and hilarious. It would be so fun. My third guest would be Reese Witherspoon because I adore her. She’s made reading on trend and she is so generous with her promotion of authors. And, she has co-written a book with Harlan Coben so now she is a full-fledged author as well. (If I could piggy-back and have Harlan come as well, that’d be awesome because I love him, too.)

What’s the strangest or most unexpected feedback you’ve received about your writing?

Many years ago, when I first started writing, I had an editor critique at a conference for an adult manuscript. She told me my natural voice was very teen-like and I should switch the book to young adult. I flipped the pov from the aunt to the niece and my first young adult novel, Lipstick Apology was born. After writing a second young adult novel, I really felt pulled to go back to the adult space – that was what I read, that was where all my ideas generated. I didn’t want to try and force myself into the young adult world anymore. Interestingly, What’s Yours is Mine does have a teen pov in addition to the two mothers, so I guess there is a place inside of me that is eternally a teenager.

How does your thought process differ when writing young adult versus adult books?

While I still very much enjoy exploring the ideas of young adult novels – coming of age, self-discovery, first love – the older I get (sigh) the harder it becomes to tap into the current real life experience of teenagers. I didn’t have a phone when I was in high school. My parents didn’t track my location on GPS. There wasn’t helicopter parenting and huge pressure with sports that current kids endure. I was of the free-range generation! Writing Colette’s pov in What’s Yours is Mine required a lot of research and running things by my daughter to see if they were authentic. Writing in the adult space, now, comes a lot more naturally.

A piece of advice you give to aspiring authors is to “read widely”. What are your favorite genres, when do you have time to read?

Yes, I think reading is the best prep work for writing. I do read wide across all genres with the exception of sci-fy and fantasy. My favorite genres are book club fiction and domestic suspense. At all times I have a physical book that I read at night before bed and sometimes on lunch if I have the time. I also, at all times, have an audiobook that I listen to while I walk the dogs, drive, and do housework.

Are you working on your next book yet? Any hints you’d like to drop?

Yes. In fact, I just finished a draft. I’m revising and then hopefully will be sending it to my agent shortly. It’s another domestic suspense about kindergarten mothers and their secrets set in an exclusive private school in Atlanta. It has one of my favorite characters of all time that I’ve written. She’s hysterical, or at least I think she is.

What’s something you believed about writing at the start of your career that you no longer believe?

I think the biggest thing I’ve learned is there is no quantifiable measure of success. Typically, when someone begins writing, it is with the goal to be published. The first step is to finish the draft. Then find an agent. Then get a publishing contract. Then have good sales and reviews. Then get another book deal. On and on, the goal posts keep moving. It’s taken me a while to realize I can’t measure my writing success by these outside markers because all of them are outside my control. The only thing I can do is write the best book I am capable of writing. If I do that, and I enjoy the process, that is success.

What is your go-to writing snack?

In the mornings, it’s constant coffee. In the afternoons, it’s gobstoppers. I know, so bad for teeth! I use to suck on fireballs but I had so many I burned the inside of my mouth. So I went to gobstoppers. I ordered a huge box from a movie theater distributor. It’s really a problem.

What’s one thing you’re excited about right now – book related or totally random?

My daughter’s basketball team just won the State Championship. She’s the point guard and played the entire game as a sophomore. It was a huge accomplishment and our little small town literally exploded in celebration. Our high school hasn’t won a championship in twenty-six years. As incredible as it is to see my own dreams come to fruition with the publication of What’s Yours is Mine, absolutely nothing beats witnessing your child fulfill their ambitions.

Are you excited to enter the giveaway? Hope you enjoyed the Q&A with Jennifer Jabaley, and may the odds be ever in your favor 🙂

THE UNDERSTUDY by Morgan Richter

August 5, 2025 / Kyle Wendy Skultety / 0 Comments

An opera singer uncovers the dark secrets of her cruel and alluring understudy when a shocking murder disrupts her disciplined world.
After years of rigorous instruction and ensemble work, Kit finally gets her big break when she’s hired to play the lead role in a new opera based on the 1960s cult classic film Barbarella. Entrusted with playing the beautiful and seductive titular role, Kit is on her way to the top. But then she walks in to rehearsal and meets her understudy. Stunning, suggestive, and wildly confident, Yolanda is physically everything Barbarella is meant to be. Because Yolanda lacks formal training, Kit isn’t threatened, until Yolanda reveals that she believes she deserves the role—and will do anything to get it.

Yolanda is as cunning as she is glamorous, and as her schemes become increasingly dangerous, she draws an unwitting Kit into her orbit. But when a shocking murder destabilizes the company and threatens her role, Kit begins to discover the wickedness beneath her understudy’s glittery surface. Hunting down the betrayed friends and discarded lovers from Yolanda’s past and unearthing secrets she’s worked hard to conceal, Kit discovers just how far Yolanda is willing to go to get what she wants.

Thanks to NetGalley and the publisher for this review copy!

Morgan Richter’s The Understudy delves into the cutthroat world of opera, where ambition, jealousy, and obsession collide with potentially deadly consequences. The novel centers around Kit, a seasoned opera singer who finally lands her big break as the lead in a new production based on the cult classic film Barbarella. However, her rise to the top is threatened by the arrival of her understudy, Yolanda, a stunningly beautiful and unnervingly confident young woman who seems determined to usurp Kit’s place, no matter the cost.

The author carefully crafts a tense and suspenseful atmosphere from the very beginning. The reader is immediately immersed in the high-stakes environment of the opera world, where talent and hard work are often overshadowed by ruthless ambition and personal connections. Kit, the protagonist, is portrayed as a dedicated and disciplined artist who has poured her heart and soul into her career. She is initially dismissive of Yolanda, viewing her as an inexperienced novice. However, as Yolanda’s manipulative tactics become increasingly apparent, Kit is forced to confront her own insecurities and fight for her place in the spotlight. Their dynamic is the driving force of the novel, a simmering tension that threatens to boil over at any moment.

Richter expertly develops the characters, revealing their complexities and vulnerabilities layer by layer. Kit is not simply the established star threatened by a newcomer; she grapples with insecurities and past disappointments that fuel her determination. Yolanda, with her enigmatic charm and unwavering focus, is more than just an ambitious understudy; she is a force of nature, driven by a deep-seated need for recognition. The author skillfully avoids simplistic portrayals of good versus evil, instead presenting two women locked in a battle for survival in a fiercely competitive world.

Yolanda, the antagonist, is a truly captivating and chilling character. She is the embodiment of unchecked ambition, willing to exploit and betray anyone who stands in her way. Richter skillfully peels back the layers of Yolanda’s charming facade, revealing a deeply disturbed and manipulative personality. The dynamic between Kit and Yolanda is the driving force of the narrative, creating a constant sense of unease and anticipation. The reader is left wondering just how far Yolanda will go to achieve her goals, and whether Kit will be able to protect herself from her understudy’s machinations.

The supporting characters in The Understudy are equally well-developed and contribute to the overall richness of the story. From the demanding director to the eccentric costume designer, each character adds depth and texture to the opera world that Richter has created. The novel also explores the complex relationships between women in a competitive environment, highlighting the challenges and pressures they face.

The narrative takes a darker turn when a cold-blooded murder disrupts the company, adding a layer of suspense to the already tense atmosphere. As the story unfolds, the reader is drawn into a web of secrets and hidden agendas, unsure of who to trust. The psychological tension escalates, with both Kit and Yolanda pushed to their limits. The question becomes not just who will take the stage, but how far each is willing to go to achieve their desires. As Kit delves deeper into the circumstances surrounding the murder, she uncovers dark secrets and hidden connections that threaten to unravel everything she has worked for.

Richter’s prose is sharp and evocative, capturing the beauty and drama of the opera world while also delving into the darker aspects of human nature. The pacing is expertly controlled, building suspense gradually and culminating in a dramatic climax. The author’s attention to detail, whether describing the intricacies of an opera performance or the inner turmoil of the characters, adds depth and authenticity to the narrative. The author also makes effective use of foreshadowing and red herrings, keeping the reader guessing until the very end, until the thrilling climax is revealed.

The Understudy is more than just a thriller; it is an exploration of the human psyche, the relentless pursuit of dreams, and the sacrifices made in the name of ambition. It is a story that will resonate with anyone who has ever felt the pressure to succeed, the fear of being replaced, or the allure of the spotlight. Richter has crafted a compelling and thought-provoking novel that will stay with the reader long after the final curtain falls.

Strengths: Compelling characters, suspenseful plot, evocative prose, insightful exploration of ambition and jealousy.
Weaknesses: Some readers might find the pacing slow in the initial chapters as the author establishes the characters and setting.

The Understudy is a unique and suspenseful thriller that explores the dark side of ambition and the destructive power of jealousy. Morgan Richter has crafted a captivating story with complex characters, a richly detailed setting, and a plot that will keep readers on the edge of their seats. This novel is sure to appeal to fans of psychological thrillers, suspenseful dramas, and stories that delve into the complexities of human relationships.

Want your own copy? You can pick it up here.

THE BUSINESS TRIP by Jessie Garcia

January 14, 2025 / Kyle Wendy Skultety / 0 Comments

THE BUSINESS TRIP is a gripping, page-turning debut from author Jessie Garcia.

Stephanie and Jasmine have nothing and everything in common. The two women don’t know each other but are on the same plane. Stephanie is on a business trip and Jasmine is fleeing an abusive relationship. After a few days, they text their friends the same exact messages about the same man—the messages becoming stranger and more erratic.
And then the two women vanish. The texts go silent, the red flags go up, and the panic sets in. When Stephanie and Jasmine are each declared missing and in danger, it begs the questions: Who is Trent McCarthy? What did he do to these women— or what did they do to him?

Twist upon twist, layer upon layer, where nothing is as it seems, THE BUSINESS TRIP takes you on a descent into the depths of a mastermind manipulator. But who is playing who?

Thanks to NetGalley and the publisher for this review copy!

THE BUSINESS TRIP by Jessie Garcia is a gripping psychological thriller that keeps readers on the edge of their seats. The story revolves around two women, Stephanie and Jasmine, who find themselves entangled in a web of mystery and danger after boarding the same flight to Denver. Stephanie is on a business trip, while Jasmine is fleeing an abusive relationship. Their lives take a dramatic turn when they both send identical, increasingly erratic messages about the same man, Trent McCarthy, before vanishing without a trace.

As the women’s lives intertwine, their texts become increasingly erratic and disturbing, leading to their disappearance. The novel delves into the depths of human psychology, exploring themes of trust, deception, and the lengths people will go to protect themselves. Stephanie and Jasmine’s lives become increasingly intertwined and dangerous, leaving readers questioning who is truly in control. Garcia masterfully weaves a complex web of intrigue, keeping readers guessing and constantly questioning the motives of the characters.

The characters are well-developed and relatable, making it easy to become invested in their stories. Stephanie is a driven professional on a business trip to Denver. She is portrayed as a strong, independent woman who is dedicated to her career. However, beneath her composed exterior, she harbors insecurities and past traumas that gradually surface as the story unfolds.

Jasmine is fleeing an abusive relationship, seeking a fresh start and safety. She is resilient and resourceful, having endured significant hardships. Her journey is one of survival and self-discovery. Jasmine’s character highlights the struggles of escaping a toxic environment and the courage required to rebuild one’s life. Her connection with Stephanie, despite their diverse backgrounds, underscores the theme of solidarity and shared experiences.

Trent is the enigmatic figure at the center of the mystery. His character is shrouded in ambiguity, making readers question his true intentions. As the book progresses, Trent goes from villain to victim; becoming sympathetic, then someone you love to hate. Trent’s interactions with both Stephanie and Jasmine are pivotal to the plot, driving the suspense and tension. His manipulative nature is gradually revealed, adding layers of complexity to the story.

The novel’s triple narrative, alternating between Stephanie, Trent, and Jasmine’s perspectives, adds to the suspense and tension. As the characters’ stories unfold, readers are drawn into their lives, becoming invested in their fate and unraveling the mystery that binds them together.

The novel touches on the idea of identity and how easily it can be manipulated or misunderstood. The impact of technology on our lives is demonstrated for nefarious purposes, such as the use of text messages as a central plot device. This serves to highlight the ways in which our digital interactions can shape our relationships and our identities. In addition to the psychological suspense, the novel also explores themes of loneliness, isolation, and the search for connection. Stephanie and Jasmine are both seeking something more in their lives, and their encounter on the plane offers them a chance to find a sense of belonging.

Garcia’s writing is both captivating and thought-provoking. She skillfully creates a sense of unease and paranoia, building a palpable atmosphere of suspense. The novel’s pacing is expertly crafted, with each chapter revealing new clues and keeping readers hooked. The alternating perspectives and detailed descriptions create a vivid and immersive reading experience, with a constant undertone of who might be an unreliable narrator. However, some readers might find certain parts of the story overly detailed, which can slow down the pace at times.

The novel’s ending is both satisfying and thought-provoking, leaving readers with a sense of closure while also hinting at the possibility of further consequences. THE BUSINESS TRIP is a well-crafted and compelling debut that will leave readers engaged and entertained from beginning to end. Fans of psychological thrillers will find this book particularly enjoyable.

Want your own copy? You can pick it up here.

LET ME BE ME by Frances Bildner

December 3, 2024 / Kyle Wendy Skultety / 4 Comments

A colorful collection of children’s poetry by Frances Bildner covers the topics of childhood told from a child’s point of view. LET ME BE ME is a plea to adults to let children develop and become at their own pace. It stresses the importance of play, friendships, imagination, and even advocates messy time! Filled with color and Kris Lillyman’s wonderful illustrations, it will enchant children and adults alike.

Frances Bildner is an artist and writer. She has exhibited internationally. Her other books are THE ADVENTURE OF FOUR CREATIVE WIZ KIDS and EXPRESSIONS OF AN ARTIST – a book of paintings and poetry. She is currently working on her book INTERRUPTED LIVES. Frances started her children’s arts groups in New York City in 1990. She believes children are the best artists, especially with minimum adult intervention! She has loved working with kids and now watches with amazement the wonderful art that her grandchildren produce.

Thanks to the author for this review copy!

LET ME BE ME is a delightful little children’s poetry book that celebrates childhood’s joy, wonder, and individuality. Through her whimsical verses and relatable subjects, the author invites young readers to explore the world around them and embrace their unique selves.

One of the strengths of this collection is its emphasis on self-expression and acceptance (“Let Me Be Me”). Bildner encourages children to follow their dreams and celebrate their differences. This message is particularly important in today’s world, where children can often feel pressure to conform to societal expectations.

The poems explore a wide range of themes, from the mundane to the extraordinary. There are lighthearted rhymes about animals, nature (“Jungle Rain”), and the simple joys of playtime, while other poems offer heartfelt reflections on friendship and family (“Funky Family”). Bildner’s writing is thought-provoking, resonating with both children and adults. Her ability to see the world through the eyes of a child is evident in every line, making each poem a precious glimpse into a world of imagination and possibility.

The accompanying illustrations by Kris Lillyman are equally enchanting and bring the poems to life. They complement the text beautifully, adding depth and visual interest to each piece. The bright colors and lively designs create a warm and inviting atmosphere, making the book a pleasure to read and admire.

I loved each poem’s emphasis on individuality and creativity. These are empowering messages and an excellent opportunity for parents and educators to engage with children in deeper conversations about the budding emotions that rise out of the beginnings of friendship and self-discovery. The poems can serve as a starting point for discussions about self-esteem, resilience, and the importance of being true to oneself. Parents may learn more about their child by asking them which poem is their favorite, and why.

The importance of eating healthy (“Fabulous Foods”), respecting our planet (“Our Earth”) and family dinners (“Millie’s Meal Times”) are discussed in a gentle, yet entertaining way. These poems may strike a chord in the parent’s mind as they read them to their child, opening yet another gateway to relevant conversations about how fruit can be a tasty snack, why littering is wrong, and dinner is best served with just food and no cellphones!

LET ME BE ME would be a wonderful addition to any children’s library, and is the perfect bedtime read. It is a book that will inspire, delight, and entertain readers of all ages.

Want your own copy? You can pick it up here.

VAMPIRE VENTURES by LindaAnn LoSchiavo

November 12, 2024 / Kyle Wendy Skultety / 1 Comment

LindaAnn LoSchiavo’s “Vampire Ventures” is a captivating and imaginative collection that weaves together haunting tales of romance, mystery, and the supernatural, offering a fresh and enticing take on the vampire lore, skillfully blending elements of classic gothic romance with modern sensibilities. LoSchiavo masterfully crafts a narrative that unfolds with both elegance and intrigue. The themes of desire, transformation, and the clash between tradition and modernity are skillfully interwoven throughout the chapbook. LoSchiavo’s attention to detail creates a truly immersive experience. “Vampire Ventures” is a captivating journey that melds tradition and innovation.

A must-read for anyone who appreciates a fresh take on timeless themes, as well as those who revel in the art of storytelling that transcends genres and eras.

Thanks to NetGalley and the author for this review copy!

LindaAnn LoSchiavo’s Vampire Ventures is a haunting journey into the underworld of the vampire mythos, reimagined with a modern twist. Through her lyrical verse, Loschiavo offers a fresh perspective on these gothic creatures of the night.

One of the strengths of this collection is the author’s unique talent for creating vivid and memorable characters. Her vampires are not mere stereotypes but individuals with their own unique personalities and histories, with their own desires, fears, and hopes. From the brooding and enigmatic count (A tall, lean figure moved towards me, skullish in his gauntness and unworldly pallor), to the rebellious and free-spirited vampiress, each poem introduces a distinct character that invites the reader to connect on a deeper level.

The poems are steeped in lush descriptions (rosy cheeks as velvety as a ventricle). Readers are transported to shadowy alleyways, grand gothic manors, and moonlit nights where vampires lurk, not as fearsome predators but as creatures in search of meaning. LoSchiavo’s vampires are multifaceted—they embody both the romanticized notion of the seductive, powerful being and the tragic figure haunted by centuries of existence.

The author’s use of language is both evocative and precise. Her imagery is rich and atmospheric, painting pictures of a world that is both familiar and mysterious in the reader’s mind. She skillfully employs various poetic forms, including sonnets, haikus, Fibonacci, and villanelles, demonstrating her versatility as a poet. (Learning about these unusual structures expanded my knowledge of poetry AND instilled new respect for the author. Telling a story under the constrictions of each type of poem is no easy feat.) Each poem is a journey of its own, often blending dark humor with somber reflection. The use of rhythm and meter enhances the haunting, melodic quality of the collection. LoSchiavo’s poetry is accessible yet deeply layered:

Like trees, we’ve bound ourselves below without

Burial, cocooned in soil, still sentient,

Possessed of appetites, required to feast.

Readers are invited to engage with the subtext while still enjoying the visceral, gothic beauty of the surface-level narratives. While the collection primarily focuses on the romantic and sensual aspects of vampire lore, LoSchiavo also explores darker themes such as loneliness, isolation, and the consequences of immortality:

“No

One

Begs for

Life-in-death,”

Explained the vampire. “Immortality takes effort.”

Her poems offer a thoughtful and nuanced exploration of these complex issues, inviting the reader to consider the psychological impact of not only living forever, but the challenges of living forever in a world that is constantly changing.

Vampire Ventures is a mesmerizing collection of poems that explore the dark and alluring world of vampires, transforming a well-worn trope into something fresh and introspective. While the collection is brief, each poem leaves a lingering impact, allowing readers to contemplate the complexities of the human (and non-human) condition.

For lovers of gothic literature, horror, and poetry, this collection is a must-read. It will appeal to those who enjoy the darker side of the supernatural but are also looking for more profound emotional depth in their reading. LoSchiavo’s writing is engaging enough to draw in even those new to the genre.

Want your own copy? You can pick it up here.

A HORSE BROUGHT US HERE by Dershie McDevitt

November 5, 2024 / Kyle Wendy Skultety / 0 Comments

Excitement grows all day Friday in the quiet Wyoming cattle town of Juniper as cheerleaders and football players ready themselves for the biggest football game of the year. When the Homecoming Parade finally wends its way down Main Street, everyone strains to see who’s been chosen Homecoming Queen. They clap delightedly when they spot BJ Bonniface in her pink strapless formal sitting high on the back of the big Buick convertible, though no one is surprised. She’s the popular steady girlfriend of star quarterback, Rob Hitchcock. Life continues to unwind as life is expected to on such iconic weekends. The home team even wins the game. But on Monday morning, Juniper High is shaken to its foundations when the announcement is made that the Homecoming Queen is dead.

“Act as if nothing has changed,” advises the Dean of Women. “Carry on as normal for the good of the school.” But there are those in the student body who doubt that BJ died from a bee sting. How are they to carry on? Her best friend, Nella Fortune, and her boyfriend, Rob, have private and personal reasons to question the story, but there is no one to go to and nothing to be done. Both will sleepwalk through the rest of their senior years, consumed with what they know and what they cannot tell. But the clock is ticking. How long can such a secret be kept?

In A HORSE BROUGHT US HERE, Dershie masterfully weaves the tapestry of small-town fiction into a tense, disturbing story. She invites readers to travel back to a time when life looked simple but often was not. With every turn of the page, she evokes our nostalgia for a time in the West when some of life’s mysteries may have been best kept buried.

Thanks to NetGalley and the publisher for this review copy!

Small town Juniper, Wyoming is not what it seems to be. Everyone knows everyone else, but no one knows the dark undercurrents that simmer beneath the surface. It is 1950, and the tragic death of homecoming queen Bobby Jo Bonniface threatens to bring some dark secrets and chilling lies to the attention of the unsuspecting townsfolk. The seemingly idyllic town is revealed to harbor a multitude of concealed truths, each with the potential to disrupt the fragile balance of community life.

Bobby Jo (fondly known as BJ), her quarterback boyfriend Rob, and BJ’s best friends Nella and Midge are all in high school, enjoying themselves with nary a thought to their future. Playing Elvis tunes on the radio, rooting for their school football team, and underage drinking with friends are some of the ways they spend time together.

Rob, much like the town of Juniper, is initially presented as a reliable and steady presence. His relationship with Bobby Jo seems to be perfect, yet there are hints of underlying tensions and unspoken secrets. The revelation of Bobby Jo’s pregnancy adds a layer of complication to their bond, exposing the fragility of their connection and the challenges they faced as young people in a conservative society.

Nella and Bobby Jo have a bond that has withstood the complexities of adolescent friendship and matured along with the both of them. That relationship is tested by the pressures of high school, the changing dynamics of their lives, and ultimately, by tragedy. Midge, whose personality and opinions are markedly different from the other girls, rounds out the trio of friends and confidants.

BJ is the tragic centerpiece of the story. Portrayed as the quintessential small-town sweetheart of the star quarterback, she embodies the idealized image of youthful perfection. Yet, beneath this flawless exterior, she is a multifaceted and troubled young woman. BJ and Rob’s relationship is the main element of the novel’s narrative. On the surface, both teens appear to be typical high school sweethearts, destined for a future together. However, as the story moves forward, a troubling dynamic between the two characters is revealed.

The author has framed the telling of the story such that we are able to experience the events from the point of view of multiple narrators. There is not a lot of overlap, meaning that the same event is not described twice. Each chapter’s voice moves the plot forward, and I was enthralled and horrified as I turned the pages, impatiently waiting to see what would happen next.

BJ’s demise is shrouded in mystery, which helped hold my interest, as it was not immediately obvious what happened to her. Along the way, it is revealed that she was pregnant and facing a frightening and unsure future. BJ and Rob’s connection becomes tenuous, and fraught with the challenges that come with growing up in a rigid, conservative society. Rob and BJ both feel emotional turmoil as they struggle to make the “right” decision as adults, despite their tender age. Bobby Jo’s pregnancy shatters the town’s perception of innocence. The characters’ subsequent actions, including the cover-up of her death, create a miasma of lies and hatred.

One of the novel’s strengths lies in its vivid portrayal of small-town life in 1950s Wyoming. The author fills the storyline with nostalgic references to popular culture, and captures the claustrophobic atmosphere of Juniper, where everyone knows everyone’s business and there is intense pressure to conform. After BJ’s death, a chilling statement by the school’s guidance counselor to Nella and Midge, encouraging them to continue setting a good example by NOT outwardly mourning their beloved friend, stunned me.

Miss Cantor had even called us back to her office as the start of the spring semester to reinforce how important it was to keep setting that good example. Everyone’s senior year didn’t need to be ruined. “I don’t want you to allow yourself to me morose about BJ, girls. We will face our loss quietly and show our character by not imposing our feelings on our classmates.” Those last months of high school, Midge and I sleepwalked through a nightmare from which we could not awake.

Growing up in an insular town such as Juniper may serve to both idolize and misunderstand pretty, popular girls. BJ’s character faces pressures exemplified by young women in a society that often prioritizes appearance over substance. The intense emotions of high school, such as first love, issues of belonging, and the desire to be “bigger” than the confines of their small town are expertly rendered as well.

A HORSE BROUGHT US HERE is a coming-of-age story at its core, illustrating the complexities of adolescence and the devastating consequences of a single moment. The characters, particularly Nella and Rob, are forced to confront the challenges and responsibilities of adulthood in the wake of tragedy. They both cycle through the various stages of shock, denial, and acceptance, finally reaching the (sometimes scant) comforts of personal growth. The ending is bittersweet, but very authentic.

Want your own copy? You can pick it up here.

ALWAYS HAUNTED by LindaAnn LoSchiavo

October 29, 2024 / Kyle Wendy Skultety / 1 Comment

Trick or treat, twisted with treachery…..

Haunting and harrowing visions of All Hallows’ Eve here include horrific crimes committed on October 31st, a honeymoon homicide, mysterious witches, amorous vampires, dead serious poltergeists, along with a pageant of autumnal imagery sure to evoke goosebumps beyond the spooky season.
Wearing the cunning costume of a Hallowe’en poetry collection, 24 poems reimagine macabre true crimes and explore injustices.

Thanks to the author for this review copy!

This Halloween anthology is a captivating exploration of the eerie, the mystical, and the supernatural, blending themes of memory, legacy, and the unseen forces that shape our lives. LoSchiavo, known for her rich literary voice and command of language, weaves a collection of poems that evoke both the beauty and the terror of the human experience, exploring what it means to live with constant reminders of the past—whether it be ghosts, memories, or the weight of history.

The title itself, Always Haunted, sets the tone for the collection, suggesting that the hauntings in these poems are not momentary but persistent, a lingering presence in every aspect of life. The author skillfully balances the spectral with the personal, moving between ghost stories and reflections on human existence. Her poems touch on the inevitability of death, the thin veil between the living and the dead, and the remnants of history that refuse to fade.

LindaAnn LoSchiavo’s poems are a masterclass in atmospheric writing. She has a knack for finding the perfect words to evoke a sense of fear and unease, while the vivid imagery of autumn (Crunching frost-crisped leaves underfoot produce a dry crackle like ghosts coughing) and haunting language (Robed figures holding torches silently walk widdershins) transport readers to dark, mysterious worlds. Each poem is a miniature masterpiece, filled with suspense and a sense of foreboding. From ghostly encounters to eerie tales of historical injustice, the author expertly captures the essence of Halloween. LoSchiavo’s use of language is exquisite in these following examples.

Pumpkin thieves are in for a surprise here:

A jack-o-lantern moon illuminates

Gold grinning gourds, arousing appetites…..

Shushed evergreens’ tips whisper “witching hour”

***********************************************

A different take on “Macbeth”:

The patriarchy does its best to warn,

Forbid, discourage daughters, sisters, wives

By commandeering rights to accolades……

Elizabethan dramatists – all men! –

Put witches in the plot for novelty

Meanwhile, witch hunts harassed the innocent…

Mark my words, women have always fought back,

Preserved infernal mysteries. Bewitched,

Dark invocations learned by stealth live on.

*************************************************

Giving life (and love) to Potter’s Field:

Death flattens a corpse’s understory, its ancestry a forgotten dialect, but long bones persevere. Once a potter’s field agitated this soil, 20,000 deceased, indigent New Yorkers were shoveled over, poverty the public’s natural blindfold.

*************************************************

One of my favorite elements of this collection is its ability to blend the supernatural with historical events. These poems often reimagine true crimes and injustices through a Halloween lens, adding a chilling dimension to the stories. This approach is both thought-provoking and haunting, inviting readers to consider the ways in which the past can continue to haunt us. The use of footnotes to provide context adds another element to these poems – such as:

the story of America’s first female tycoon, unfairly portrayed as a miser and eccentric, which could not be further from the truth (Hetty Green, the “Witch of Wall Street”).
what is now Washington Square Park was Manhattan’s Potter’s Field, where thousands of people, including the unidentified, indigent, and those who died of yellow fever, were buried (Babysitting a Bone in Washington Square Park)
former journalist Peter Braunstein is serving an 18 years-to-life sentence at Five Points Correctional Facility in Romulus, NY for crimes he committed on October 31, 2005 (Hallowe’en Horror, October 31, 2005).

Each poem feels like a glimpse into a shadowy world where reality and the supernatural intersect. Whether describing a physical haunting or a more metaphorical one, such as being haunted by family history or past regrets, LoSchiavo’s words linger in the mind, echoing like the spirits she writes about. Her language is both elegant and chilling, offering moments of beauty even in the darker corners of her work.

The illustrations accompanying the poems are a perfect complement to the text. They add a visual dimension to the stories, enhancing the overall atmosphere of the collection. The artwork is both haunting and beautiful, capturing the essence of the poems in a visually striking way. Some of my favorites are the ones accompanying Hetty Green, the “Witch of Wall Street”, Emily Post’s “Etiquette Book for Ghosts”, and The Hallowe’en Homicides on October 31, 1981. The last one is especially poignant, underscoring the melancholy of the words.

The collection’s emotional depth is another highlight. LoSchiavo doesn’t just rely on the macabre to draw readers in; she layers her poems with emotional resonance, exploring themes of loss, guilt, and the passage of time. Readers will find themselves contemplating the nature of memory and the ways in which we are all haunted by our own experiences and the stories of those who came before us.

In Always Haunted, LindaAnn LoSchiavo delivers a powerful collection of poems that lingers long after the final page is turned. It is a book for those who enjoy poetry that delves into the supernatural but also for those who appreciate reflective, introspective work. Her ability to blend the spectral with the emotional makes this collection a haunting, yet human, experience.

Want your own copy? You can pick it up here.