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Napoleon: A Life by Andrew Roberts – Review

April 21, 2015 / Michael Nail / 0 Comments

The Blurb on the Jacket:

Andrew Roberts’s Napoleon is the first one-volume biography to take advantage of the recent publication of Napoleon’s thirty-three thousand letters, which radically transform our understanding of his character and motivation. At last we see him as he was: protean multitasker, decisive, surprisingly willing to forgive his enemies and his errant wife Josephine. Like Churchill, he understood the strategic importance of telling his own story, and his memoirs, dictated from exile on St. Helena, became the single bestselling book of the nineteenth century.

Before encountering this book, I had not read any other biography of Napoleon. I had exposed myself to plenty of modern European history, and I felt like I know the “gist” of Napoleon’s life, but I hadn’t ever delved deeply into the man himself. When I approached this massive tome, I worried that my less-that-rigorous foreknowledge might render Napoleon, if not inaccessible, at least a chore.

This was not the case.

Rarely have I ever had the pleasure of reading a portrait of an important man or woman that was simultaneously as immersive and as insightful as Roberts’ Napoleon. Biographers who struggle to find a balance between giving their subjects personality and keeping their writing educationally valuable should take note. It often seems that this balance is a zero-sum game. Any account vastly endowed with one put pay for its endowment with the other. Roberts cheats this system by letting his primary sources stand front-and-center. Napoleon (the man, not the book) had enough moxie and humor of his own to buoy the tone of this book from dust jacket to dust jacket.

That sounds like I’m giving the credit to Monsieur Bonaparte rather than the author, doesn’t it? This is not my intention. All of the credit belongs to Mr. Roberts for pulling off this feat. Napoleon’s original words could not have filled this book. If they could, he wouldn’t have had time to govern. The majority of the mass of this massive pack of pulp owes its existence to Roberts’ careful work of contextualization. The author takes extraordinary care to include the reader in a conversation about the external factors weighing in on the scenarios he describes.

My most common frustration when reading a biography is it is not entirely clear why some important action X was taken rather than Y. Usually, a simple explanation would do. No such frustration could find a stable home in my consciousness while I read this book. Simple explanations regularly precede the description of the actions taken here, and these descriptions are regularly followed by exhaustive investigations into the minutia revolving the decisions made. It is not boring at all. It sucks you in. It makes you feel like you can appreciate the situations as acutely as the people involved. If you read biographies because you want to better understand people and the times you choose to read about, then this sense that you might as well have been there should be exactly what you’re searching for. If not, then stop searching for whatever you’re searching for, and pick up this book. If I didn’t make that clear enough, let me make this very clear.

If you think that it is within the realm of possibility that the life and times of Napoleon Bonaparte could appeal to you as subject matter, then you need to get a copy of Andrew Robert’s book into your possession, and swallow it like a python swallows an alligator. Unhinge your brain’s jaw and shove this hunk of gold down its distended gullet before you consider taking care of less important matters… like hygiene… and nutrition.

Back Behind Enemy Lines by Chris Bridge PLUS GIVEAWAY

April 14, 2015 / Kyle Wendy Skultety / 2 Comments

It is 1944 and Anna is parachuted into Normandy as a special agent working with Resistance Groups, spying on the Germans and wiring the information back to the Special Operations Executive, escaping capture and the inevitable torture that would follow.

She falls in love with Pierre, another SOE agent but finds he is not what he purports to be. Then there is the little matter of the Gestapo officer who has guessed her secret. Alone, Anna has to make some terrifying decisions to survive and to ensure the impending invasion remains secret.

It is 2006 in England, where her husband has died and Anna lives alone. Her children are spying on her and plot to put her in a home so that they can sell her house for their own ends. Anna is determined to retain her independence. She falls back on her wartime skills, recruiting Nathan and his girl friend Gemma to help her and becomes close to them as she never was with her own children.

But it is only when she returns to Normandy and confronts the ghosts of her past that she realises how the war had taken its toll on her loveless marriage and her children. She makes the ultimate sacrifice and finally finds the peace and redemption that had evaded her all these years.

Many thanks to Publishing Push for offering this book in exchange for this honest review. At the end of the review there’s a link to enter our contest for a FREE ePub version of this book!!

BACK BEHIND ENEMY LINES is two stories in one. The first part of the book follows Anna as she fights in WWII as a spy: her triumphs, her fears, her growth as a person, and ultimately, her tragedies that shape the rest of her life. The wartime details were gritty and captured the sense of despair and hardship throughout France at that time. The story is completely plausible, and paints Anna as a steady and hard working woman, with perhaps too tight a hold on her emotions. When her situation develops a twist, she has no one to rely upon except herself. I found a good deal of suspense in this part kept me reading, wondering what would happen next.

The second part of the story takes place in 2006; Anna is home and suffering the expected health and mental issues of a 90 year old woman. Her children are hateful, greedy, and loathsome, gathering together to see how quickly they can put her in a home and take her house and money for themselves. Anna, decrepit as she is, digs deep inside herself to regain the mental strength she once possessed and thwart her offspring. Purely by chance she develops a friendship with two teenagers, who help her in her final quest to return to France and put answers to questions that have plagued her all her life.

This part also held suspense for me; I liked elderly Anna much better and felt she was a very sympathetic character. Unfortunately this situation is all too true in today’s world, and people forget that seniors have memories dear to them and were accomplished people in their younger days, they should not be viewed as a burden or problem. It was heartening to see how Anna grew interested in life again, and the reader will feel her getting stronger as the book progresses. Each scene with one of the horrid children is appropriately enraging–there was plenty of times I wanted to smack each one of the ingrates over and over again.

Finally Anna is able to lay down the burden she has been carrying for years as she shares her memories with Nathan and Gemma. Their dialogue is realistic, and the author does a great job of contrasting the elderly Anna and youthful Gemma, by accurate physical descriptions and also by both characters’ internal monologues. The ending is thought provoking, wistful, and triumphant at turns. There could have been many ways the story would come to a close, and Bridge brings everything together in a satisfying and real way. Anna is strong and maintains her sense of self throughout, right up to the ending, which will not be obvious until the book is almost over. I spent some time thinking about Anna and her motivations; the author has created a masterpiece with this fictitious woman who will warm your heart and make you think about how your own life will be when you get old. BACK BEHIND ENEMY LINES is one of the most unique books I’ve read this year so far. I look forward to more by Chris Bridge.

Want your own copy? Click [easyazon_link asin=”B00PQO85RK” locale=”US” new_window=”default” nofollow=”default” tag=”gimmethatbook-20″ add_to_cart=”yes” cloaking=”default” localization=”yes” popups=”yes”]here[/easyazon_link].

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Pilgrim by Terrence Atwood

April 9, 2015 / Kyle Wendy Skultety / 0 Comments

An exploratory probe is launched into space on a mission to investigate the possibility of extraterrestrial life. However, a cabal of military forces have covertly converted the probe into a weapon of mass destruction – arming it with a nuclear payload.
When the launch of the craft, code named PILGRIM, goes awry, the probe crashes back on Earth and begins carrying out its mission – eradicating all life. It’s up to Catherine Tennison, an intrepid NASA scientist, and Army Colonel Walt Macken to capture and disarm the probe before it brings about Armageddon.

Thanks to author Terrence Atwood for providing this review copy.

Weighing in at a quick 146 pages, this is a quick and easy read. The plot is promising, and the tension starts fairly quickly, when there is a failure during the launch. There is back stabbing, politics, and a murderous probe named PILGRIM, that immediately starts performing its mission as planned–except it didn’t land on the new planet as expected. PILGRIM landed back on Earth, and cannot be stopped.

There are portions of awkward dialogue plus some bad punctuation (most glaring is the use of capital letters and exclamation points to force home the point that this is WILD STUFF HAPPENING HERE!!). I also had to suspend my beliefs for a bit at times, that the military would acquiese to the demands of a NASA scientist (character Catherine Tennison). There are also a few too many narrow escapes by Tennison and her companion Colonel Walt Macken, to make things ring true.

However, I did enjoy the science and implications of the story itself, even if the writing could have been a little smoother. The images of the rogue probe rampaging across bucolic areas were done well, and the juxtaposition of nature and technology was appropriately jarring. The possibility of the military doing something like this isn’t that far fetched, and the conspiracy theorists would love this book. I’m sure.

I think the plot would make a good science fiction film. As I was reading, I could picture the action in my head. That alone means Atwood did his job: making the reader visualize and become one with the story.

The author had some good ideas–with a little more character development and better editing, PILGRIM would be a 5 star read. I’ll give it 3 and a half. Want your own copy? You can pick it up [easyazon_link identifier=”B00UC7NRJM” locale=”US” tag=”gimmethatbook-20″]here[/easyazon_link].

Binary Star by Sarah Gerard

April 7, 2015 / Michael Nail / 0 Comments

From the publisher:

“The language of the stars is the language of the body. Like a star, the anorexic burns fuel that isn’t replenished; she is held together by her own gravity.

“With luminous, lyrical prose, Binary Star is an impassioned account of a young woman struggling with anorexia and her long-distance, alcoholic boyfriend. On a road trip circumnavigating the United States, they stumble into a book on veganarchism, and believe they’ve found a direction.“

Not every book needs to be a masterpiece. If it were so, then there wouldn’t be any pleasure in discovering uncommonly good books. For the most part, it is good enough for a book to merely know what it has set out to do, and to accomplish whatever that is in a capable manner.

Binary Star traces the codependent relationship of an anorexic astrophysics teacher and her alcoholic boyfriend. I say “traces” rather than “follows” because the reader is never allowed to deduce of him or herself what the subtext is. The outlines of every contour of every personality is writ in bold as characters’ outlines are in cartoons. It’s all tell and no show. This deficit is buried underneath layers of poetic prose and obfuscated by astrophysical metaphors that reveal the author’s imperfect understanding of astrophysics. Strip away all of the nonsense, and you would be left with a compelling 40- or 50-page short story. Instead, we have 40 pages of poetry followed by about 120 pages of prose-poetry soup reminiscent of the drunken meandering of Stephen Daedalus in Ulysses without the benefit of James Joyce’s genius.

This book, I presume, had the intention of putting a human face on the struggle of anorexia as it told its tale. However, Binary Star fails to facilitate a bond between the reader and the main character because, telling all and showing little, the book leaves the reader little room to engage her in the way that humans engage each other. We humans come to know each other by startling each other, revealing the mystery of our personalities one or several pieces at a time. There is no way for me to learn about you in a way that will get me emotionally involved if you present your life to me as a series of facts. The layers of poetry and metaphor do not change the fact that Gerard presents her characters to her readers as collections of facts rather than as dynamic, startling individuals.

The final wound on this novel is that the plot, being the strongest part of the tale, has so much difficulty finding its way out from under the heavy coats of language that it takes a back seat to the characters themselves, about who I seemed to know everything but feel nothing.

Gerard’s potential as an author is extraordinary, but I believe that little more than the fact of that potential is on display in this effort. Although I had few positive remarks to offer about Binary Star, I will await the author’s next effort.

Want your own copy? You can pick it up [easyazon_link asin=”1937512258″ locale=”US” new_window=”default” nofollow=”default” tag=”gimmethatbook-20″ add_to_cart=”yes” cloaking=”default” localization=”yes” popups=”yes”]here[/easyazon_link].

Inspector of the Dead by David Morrell

March 31, 2015 / Kyle Wendy Skultety / 0 Comments

Many thanks to NetGalley for providing this Advance Readers’ Copy for review.

The year is 1855. The Crimean War is raging. The incompetence of British commanders causes the fall of the English government. The Empire teeters. Amid this crisis comes opium-eater Thomas De Quincey, one of the most notorious and brilliant personalities of Victorian England. Along with his irrepressible daughter, Emily, and their Scotland Yard companions, Ryan and Becker, De Quincey finds himself confronted by an adversary who threatens the heart of the nation.

This killer targets members of the upper echelons of British society, leaving with each corpse the name of someone who previously attempted to kill Queen Victoria. The evidence indicates that the ultimate victim will be Victoria herself.

Once again author David Morrell has produced a winner. INSPECTOR OF THE DEAD has the wonderfully grim De Quincey as a main character, wintry Victorian England as a backdrop, and a plot full of double and triple crosses that will delight and confound the reader.

I’ll admit, this book started off slow. Truly slow. Morrell’s writing style took a bit to get used to–but as I progressed I noticed his sly use of sarcasm in the dialogue, the fatalistic attitude of De Quincey (which endeared me to the character quickly; no overly macho man here), and the on-point description of gaslight England, down to the terrors lurking in the Seven Dials district.

More on the style of writing: Morrell uses the third party omniscient narrator for the bulk of the book–but includes a first person narrative under the guise of De Quincey’s daughter Emily’s journal. There are also flashbacks contributing to the unsettling way the story is told. As you get drawn into the plot, it gets easier to roll with the narration switches and flashbacks.

The plot is taken from true events and embellished. Wherever he goes, De Quincey is simultaneously self deprecating and larger than life, openly drinking from his omnipresent laudanum bottle and quoting Emmanuel Kant. Emily keeps him quietly in check most of the time, but there are instances where the Opium-Eater runs off at the mouth, confounding his audience. Some of the best dialogue came from De Quincey’s talks with Lord Palmerston, the British statesman who becomes Prime Minister. Morrell also captures the class differences quite well, contrasting the stiff upper lips of Mayfair with the street urchins of the London slums.

INSPECTOR OF THE DEAD was such a joy, it made me want to read the first De Quincey book, [easyazon_link asin=”0316216798″ locale=”US” new_window=”default” nofollow=”default” tag=”gimmethatbook-20″ add_to_cart=”yes” cloaking=”default” localization=”yes” popups=”yes”]MURDER AS A FINE ART[/easyazon_link]. When I finally get to it, I’m sure I’ll be delighted.

Want your own copy of INSPECTOR? You can pick it up [easyazon_link asin=”0316323934″ locale=”US” new_window=”default” nofollow=”default” tag=”gimmethatbook-20″ add_to_cart=”yes” cloaking=”default” localization=”yes” popups=”yes”]here[/easyazon_link].

Angels At The Gate by T.K. Thorne PLUS GIVEAWAY!

March 24, 2015 / Kyle Wendy Skultety / 4 Comments

Little is known about Lot’s wife, the unnamed biblical figure who was turned into a pillar of salt as she fled the destruction of Sodom. But for writer T.K. Thorne, just one reference was enough to ignite her imagination and form the basis for her dazzling new novel, ANGELS AT THE GATE (Cappuccino Books, March 2015). Like Noah’s Wife, Thorne’s highly praised debut, this book brings the ancient world to life through the eyes of an extraordinary woman.

Based on historical, biblical, and archaeological research, visits to the Middle East, and a large measure of creativity, ANGELS AT THE GATE is the story of Adira, destined to become Lot’s wife. A daughter of Abram’s tribe, Adira is an impetuous young girl whose mother died in childbirth. Secretly raised as a boy in her father’s caravan and schooled in languages and the art of negotiation, Adira rejects the looming changes of womanhood that threaten her nomadic life and independence.

But with the arrival of two mysterious strangers – Northmen rumored to be holy or possibly even “Angels” – Adira’s world unravels. Raiders invade the caravan, and she loses everything she values most – her father, her freedom, and even the “Angels.”

Caught between her oath to her father to return to her tribe and the “proper life for a woman” and tormented by an impossible love, she abandons all she has known in a dangerous quest to seek revenge and find her kidnapped “Angel.” With only her beloved dog, Nami, at her side, Adira must use the skills she learned in the caravan to survive the perils of the desert, Sodom, and her own heart.

ANGELS AT THE GATE is a story of adventure and the power of love, exploring themes about choice – the importance of asking the right questions and walking the fine edge between duty and personal freedom.

Many thanks to Felicia at Jane Wesman Public Relations for offering me this book in exchange for an honest review. Even more thanks for working with us to do this book giveaway! Click the link, or enter at the bottom of the page. Both are fine!
I will admit I was a little hesitant going into this book because I don’t care to read things with a religious slant. However, I was delightfully surprised to realize though there was a strong undercurrent of religion in the book, it consisted of the character’s beliefs and how those beliefs affect their actions.

There is so much goodness in this book I’m not sure where to start. The character of Adira is wonderfully written: a strong and impetuous girl on the cusp of womanhood, torn between her own yearnings and her devotion to her father and the promises he made when she was born. I felt her passion on every page, and suffered along with her as the cruel desert showed its ugliness.

The amount of research the author did was staggering, and it’s evidenced in the exquisite description of the nomads and their existence. The constant quest for water, the undying Sahara sun, and the beautiful Saluki named Nami come to life as the story unfolds. We learn about honor, promises, the fragility of life, and the unforgiving nature of the desert.

To take an unnamed character and create a book around her is a daunting undertaking, and Thorne does Adira true justice. I loved that she was a girl who wasn’t afraid to take risks, who defended her caravan, and loved her dog Nami with every bone in her body. For me, the book took on an extra dimension as Nami was an essential character.

Not everything is beauty and pleasure, however. Adira runs afoul of desert marauders and this affects the rest of her existence. My heart broke as this injustice was done, thanks to the author’s skill in showing, not telling. At that point she becomes Lot’s wife and enters the city of Sodom to live, which brings the book towards its conclusion. I so wanted Adira to be happy and loved…and I was hanging on every word at the end when she had a choice to make.

ANGELS AT THE GATE is phenomenally, hauntingly, fantastically written. Adira is a character not soon forgotten, and the images of the nomads and the blistering hot city of Sodom will stay with you long after you close the book. Even if you have no knowledge or interest in the Bible or the characters–pick this up. The story is wonderful all by itself. You can get your own copy [easyazon_link asin=”390619602X” locale=”US” new_window=”default” nofollow=”default” tag=”gimmethatbook-20″ add_to_cart=”yes” cloaking=”default” localization=”yes” popups=”yes”]here[/easyazon_link].

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Internal Medicine by Terrence Holt

March 17, 2015 / Kyle Wendy Skultety / 0 Comments

A collection of essays about life as a surgical intern.

Terrence Holt, whose In the Valley of the Kings was hailed as a “work of genius” (New York Times) and made Amazon’s Top Ten Short Story Collections of the year, brings a writer’s eye and a doctor’s touch to this powerful account of residency.

Intense, ironic, heartfelt, and heartbreaking, these nine vivid stories put us at the bedside of a patient dying in a house full of cursing parrots, through a nightmarish struggle to convince a man that he has cancer, at a life-and-death effort to keep an oxygen mask on a claustrophobic patient, and in the lounge of a snowbound hospital where doctors swap yarns through the night.

Out of these “dioramas from the Museum of Human Misery”, Holt draws meaning, beauty, wonder, and truth. Personal, poignant, and meticulously precise, these stories evoke Chekhov, Maugham, and William Carlos Williams, admitting readers to the beating heart of medicine. Internal Medicine is an account of what it means to be a doctor, to be mortal, and to be human.

This book was on my “to-read” list, so I picked it up from the library. Attempts to reach the author for a review/giveaway copy were unsuccessful.

It only took a few pages for INTERNAL MEDICINE to become a great read. Told in the voice of a doctor, explaining how he handled difficult cases during his internship, this book is alternately chilling and poignant. The take away message is this: doctors have self doubt and fatigue just like everyone else, despite the brave front they put on.

Each chapter told the story of one patient, and how Holt learned from their situation. One lesson was patience, one was bravery, one was teamwork, and so on. Brilliant details and situations that everyone can identify with are what makes this such a moving and important read.

As I read about the woman whose oxygen saturation was dipping into the 80’s, yet she kept ripping her O2 mask off due to claustrophobia, I ferverently hoped I would never be ill and lingering in the hospital. The intimate details of how the human body betrays us all is what will stay with you, long after the book is finished. Holt’s writing style is easy to follow, and full of honesty.

Each chapter can be read as a stand alone, and I recommend that–for you will need time to digest the life lessons revealed with each patient’s final outcome. Holt does not hide his fear, his disgust, his anger, and his weariness. He exposes himself – and the entire medical profession – with stories that cannot help but touch your soul. What makes this book so wonderful is that the stories take place during his internship, where each moment is a learning experience and a doctor’s intuition is “make or break”. The spin on each chapter would be totally different if it was written under the guise of a man who was completely comfortable with his medical knowledge, with his ability to heal and comfort. Instead, there are questions and internal monologues, which make the doctor not larger than life, but truly human and with foibles.

The book can be graphic at times, so beware. Seasoned readers of the medical genre will enjoy it, as there are some things that I haven’t read about previously. The scenes and maladies are diverse, and there is a chilling story from a mental hospital thrown in for good measure. The only chapter I had a problem with was the last one: a seemingly out of place fable (told on a regular basis by doctors) about an incident that may or may not have taken place in real life–a rambling and unsatisfying tale told (in this case) by an older doctor in an on call room where others are trying to get some rest. I’m not sure why the author chose to end with this story, as it took the life out of the other eight chapters that went before. Other than that, I have nothing but praise for INTERNAL MEDICINE. This should be on the must read shelf for all those about to enter the medical profession.

Want your own copy? You can pick it up [easyazon_link asin=”0871408759″ locale=”US” new_window=”default” nofollow=”default” tag=”gimmethatbook-20″ add_to_cart=”yes” cloaking=”default” localization=”yes” popups=”yes”]here[/easyazon_link].

Hausfrau by Jill Alexander Essbaum

March 10, 2015 / Kyle Wendy Skultety / 1 Comment

Thanks to Net Galley for providing me with this ARC for review purposes.

Anna was a good wife, mostly.

Anna Benz, an American in her late thirties, lives with her Swiss husband, Bruno—a banker—and their three young children in a postcard-perfect suburb of Zürich. Though she leads a comfortable, well-appointed life, Anna is falling apart inside. Adrift and increasingly unable to connect with the emotionally unavailable Bruno or even with her own thoughts and feelings, Anna tries to rouse herself with new experiences: German language classes, Jungian analysis, and a series of sexual affairs she enters with an ease that surprises even her.

But Anna can’t easily extract herself from these affairs. When she wants to end them, she finds it’s difficult. Tensions escalate, and her lies start to spin out of control. Having crossed a moral threshold, Anna will discover where a woman goes when there is no going back.

Intimate, intense, and written with the precision of a Swiss Army knife, Jill Alexander Essbaum’s debut novel is an unforgettable story of marriage, fidelity, sex, morality, and most especially self. Navigating the lines between lust and love, guilt and shame, excuses and reasons, Anna Benz is an electrifying heroine whose passions and choices readers will debate with recognition and fury. Her story reveals, with honesty and great beauty, how we create ourselves and how we lose ourselves and the sometimes disastrous choices we make to find ourselves.

Many of the reviews I’ve seen of HAUSFRAU say that it’s a hard book to review. I agree. As I read it, I wanted to slam it shut and toss it away, multiple times. The only reason I kept going was curiosity–how would things end? Anna Benz is a hard character to like: she’s weak, passive, oversexed, bland, and annoying. For the most part, she spends her time wishing she weren’t in Switzerland with her husband, attending German classes, seeing her psychologist, and having meaningless sex with men. I’m no prude, but her attitude towards these dalliances were repugnant. Anna seems to have no emotions other than depression, ennui, and lust. I know that’s a strange combination, and perhaps that is what disturbed me the most. For all her time spent in bed, it didn’t really seem to help her enjoy life.

The writing is technically correct; and any other plot/ characters in Essbaum’s hands would be wonderful. She has the ability to create wonderful sentences and beautiful mental images; and certainly can get inside the mind of a disturbed person. Some of Anna’s internal dialogue was right on the mark.

I think the more time I’ve spent between finishing this book and recalling it for this review has mellowed my dislike. Perhaps that is too strong, as my loathing of Anna’s character has possibly overshadowed other things about HAUSFRAU that are very good. The plot does have some interesting turns and developments, outside of Anna’s sex addiction and self loathing, and this is what drives the denoument. The last part of the book is the most satisfying, the most shocking, and the most emotionally disturbing part. As I mentioned, I was on the verge of putting HAUSFRAU on my did-not-finish list, but I’ll admit grudgingly that I’m glad I didn’t.

It will be interesting to see if this book is a best seller and will get a lot of hype. You will either love it or hate it–but I guarantee you will spend time thinking about it: Anna’s choices, her mental state, if things really were as tragic as they seemed, and the chilling way the book ended. The last few sentences will be etched in my mind for a while.

Want your own copy? You can pick it up [easyazon_link asin=”0812997530″ locale=”US” new_window=”default” nofollow=”default” tag=”gimmethatbook-20″ add_to_cart=”yes” cloaking=”default” localization=”yes” popups=”yes”]here[/easyazon_link].

The Clock Strikes Midnight by Joan C. Curtis

March 3, 2015 / Kyle Wendy Skultety / 2 Comments

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Many thanks to author Joan C. Curtis for gifting me this book in exchange for an honest review.

Janie Knox wants nothing more than to live her life quietly in Savannah, Georgia and never return to her hometown of Atlanta. At age 17, a week after a jury convicted her stepfather of killing her mother,she packed all her worldly possessions in a single duffle bag, hopped on a bus, and vowed never to return. But, when she learns that she’s got three months to live, she journeys back home to finish what she couldn’t do when she left–kill her stepfather.
As the clock ticks away, Janie uses the last days of her life to right the wrongs that have haunted her for 20 years. She faces more than she bargained for when she discovers her sister’s life in shambles. Meanwhile her stepfather, recently released from prison, blackmails the sisters and plots to extract millions from the state in retribution.
The Clock Strikes Midnight is a race against time in a quest for revenge and atonement. This is a story about unleashing the hidden truths that haunt a quiet Southern family.

This book is truly Southern Gothic—family secrets, manipulation, drinking to ease the pain of loss, plus guilt all around. This is a plot I can sympathize with–trying to right a wrong in your life before you die, knowing that even if you do accomplish murder, you will also be getting away with it because you only have three months to live.

Janie is as strong as Marlene is weak, and the juxtaposition between the two made for an easy read. Stepfather Ralph is a truly odious character, and I cringed every time he was around. The “bad thing” that makes him a target for murder isn’t explained until the end, but I was rooting for him to lose based on how Curtis described him, with his onion breath and mean eyes.

Even though Janie has murderous intentions, she is a sympathetic character and devoted to her sister, as the reader will discover as more of the plot is revealed. Suspense is generated via the reader knowing the clock is ticking both literally and figuratively on Janie’s life. There are a few close calls, and a flashback that will seem a bit out of place at the time, but once you get closer to the end it will all make sense. I’ll admit I was hoping for a different kind of ending (no spoilers here!), but I was satisfied how things turned out.

Almost all of Curtis’ characters have a flaw: weakness, cruelty, denial, self-absorption–you name it, and it’s in here. There is also love, strength, honor, and friendship. Almost all of the female characters are strong ones, trying to remain in control of their lives despite the curves thrown their way. The main thrust here is justice, a departure from the usual fare of girls chasing men under the guise of romance and pillow talk. Descriptions of Atlanta make you feel as if you are experiencing the town for yourself, and I could easily picture the characters in my head.

THE CLOCK STRIKES MIDNIGHT is a sleeper of a book; you turn the pages until you realized you’ve been hooked, quietly, and then you simply must see how things are going to turn out. I’m glad I took a chance on this one. Want your own copy? You can pick it up [easyazon_link asin=”B00NUGACKO” locale=”US” new_window=”default” nofollow=”default” tag=”gimmethatbook-20″ add_to_cart=”yes” cloaking=”default” localization=”yes” popups=”yes”]here[/easyazon_link].

Canine and Feline Behavior for Veterinary Technicians and Nurses by Julie Shaw and Debbie Martin

February 24, 2015 / Kyle Wendy Skultety / 0 Comments

Thanks to Wiley-Blackwell for offering me this textbook in exchange for an honest review.

This comprehensive textbook contains nine chapters and three appendices, and is geared towards the veterinary technician, rather than the veterinarian. Oftentimes, it’s the technician that assesses the patient before the doctor enters the room and can be indispensable in offering guidance and advice to weary pet owners. The chapters read as follows:

The role of the veterinary technician in animal behavior
canine behavior and development
feline behavior and development
the human-animal bond
communication and connecting the animal behavior team
learning and behavior modification
problem prevention
specific behavior modification techniques and practical application for behavior disorders
introductory neurophysiology and psychopharmacology

As you can see, there is a chapter for everything, with the final one discussing medications as a last resort. The chapters can be read progressively or referred to here and there to educate a client on a particular issue. The focus here is to understand the patient and correct unpleasant habits in a way that the pet will accept, without cruelty or harsh discipline. The book advises that shock collars or physical punishment is not akin to learning, and so is not the best method to use.

Also extremely helpful is the chapter about communication and connecting the behavior team. Occasionally there will be that animal that will not resolve its behavior, no matter how hard the owner tries. If euthanasia is being considered, there will be many different ways the owner may react, and the book goes through the stages of grief and how to help the owner through this challenging time.

The book is accompanied by many color photos, graphs, tables, and diagrams illustrating the text and adding another level of understanding. Here is an example of a schematic that gives a great deal of information at a glance:

Flowcharts are typically easy to read, and this one also has notes at the bottom that correlate with the numbers in the red circles. Both beginning and experienced behavior techs will appreciate what this book has to offer–and their patients will too!

The appendices (found after chapter 9) are broken down into Forms and Questionnaires, Training Exercises, and Samples and Letters. There is also a companion website that offers handouts, review questions, and additional images.

There is a lot packed into this text, and technicians will be better able to assist the veterinarian after becoming familiar with the material covered. Even if the technician is not part of the full-time behavioral staff, they will be able to educate the client thoroughly and become more adept at handling patients. Wiley has created another indispensable book for the veterinary technician! You can pick up your copy here.