opera – gimmethatbook

An opera singer uncovers the dark secrets of her cruel and alluring understudy when a shocking murder disrupts her disciplined world.
After years of rigorous instruction and ensemble work, Kit finally gets her big break when she’s hired to play the lead role in a new opera based on the 1960s cult classic film Barbarella. Entrusted with playing the beautiful and seductive titular role, Kit is on her way to the top. But then she walks in to rehearsal and meets her understudy. Stunning, suggestive, and wildly confident, Yolanda is physically everything Barbarella is meant to be. Because Yolanda lacks formal training, Kit isn’t threatened, until Yolanda reveals that she believes she deserves the role—and will do anything to get it.

Yolanda is as cunning as she is glamorous, and as her schemes become increasingly dangerous, she draws an unwitting Kit into her orbit. But when a shocking murder destabilizes the company and threatens her role, Kit begins to discover the wickedness beneath her understudy’s glittery surface. Hunting down the betrayed friends and discarded lovers from Yolanda’s past and unearthing secrets she’s worked hard to conceal, Kit discovers just how far Yolanda is willing to go to get what she wants.

Thanks to NetGalley and the publisher for this review copy!

Morgan Richter’s The Understudy delves into the cutthroat world of opera, where ambition, jealousy, and obsession collide with potentially deadly consequences. The novel centers around Kit, a seasoned opera singer who finally lands her big break as the lead in a new production based on the cult classic film Barbarella. However, her rise to the top is threatened by the arrival of her understudy, Yolanda, a stunningly beautiful and unnervingly confident young woman who seems determined to usurp Kit’s place, no matter the cost.

The author carefully crafts a tense and suspenseful atmosphere from the very beginning. The reader is immediately immersed in the high-stakes environment of the opera world, where talent and hard work are often overshadowed by ruthless ambition and personal connections. Kit, the protagonist, is portrayed as a dedicated and disciplined artist who has poured her heart and soul into her career. She is initially dismissive of Yolanda, viewing her as an inexperienced novice. However, as Yolanda’s manipulative tactics become increasingly apparent, Kit is forced to confront her own insecurities and fight for her place in the spotlight. Their dynamic is the driving force of the novel, a simmering tension that threatens to boil over at any moment.

Richter expertly develops the characters, revealing their complexities and vulnerabilities layer by layer. Kit is not simply the established star threatened by a newcomer; she grapples with insecurities and past disappointments that fuel her determination. Yolanda, with her enigmatic charm and unwavering focus, is more than just an ambitious understudy; she is a force of nature, driven by a deep-seated need for recognition. The author skillfully avoids simplistic portrayals of good versus evil, instead presenting two women locked in a battle for survival in a fiercely competitive world.

Yolanda, the antagonist, is a truly captivating and chilling character. She is the embodiment of unchecked ambition, willing to exploit and betray anyone who stands in her way. Richter skillfully peels back the layers of Yolanda’s charming facade, revealing a deeply disturbed and manipulative personality. The dynamic between Kit and Yolanda is the driving force of the narrative, creating a constant sense of unease and anticipation. The reader is left wondering just how far Yolanda will go to achieve her goals, and whether Kit will be able to protect herself from her understudy’s machinations.

The supporting characters in The Understudy are equally well-developed and contribute to the overall richness of the story. From the demanding director to the eccentric costume designer, each character adds depth and texture to the opera world that Richter has created. The novel also explores the complex relationships between women in a competitive environment, highlighting the challenges and pressures they face.

The narrative takes a darker turn when a cold-blooded murder disrupts the company, adding a layer of suspense to the already tense atmosphere. As the story unfolds, the reader is drawn into a web of secrets and hidden agendas, unsure of who to trust. The psychological tension escalates, with both Kit and Yolanda pushed to their limits. The question becomes not just who will take the stage, but how far each is willing to go to achieve their desires. As Kit delves deeper into the circumstances surrounding the murder, she uncovers dark secrets and hidden connections that threaten to unravel everything she has worked for.

Richter’s prose is sharp and evocative, capturing the beauty and drama of the opera world while also delving into the darker aspects of human nature. The pacing is expertly controlled, building suspense gradually and culminating in a dramatic climax. The author’s attention to detail, whether describing the intricacies of an opera performance or the inner turmoil of the characters, adds depth and authenticity to the narrative. The author also makes effective use of foreshadowing and red herrings, keeping the reader guessing until the very end, until the thrilling climax is revealed.

The Understudy is more than just a thriller; it is an exploration of the human psyche, the relentless pursuit of dreams, and the sacrifices made in the name of ambition. It is a story that will resonate with anyone who has ever felt the pressure to succeed, the fear of being replaced, or the allure of the spotlight. Richter has crafted a compelling and thought-provoking novel that will stay with the reader long after the final curtain falls.

Strengths: Compelling characters, suspenseful plot, evocative prose, insightful exploration of ambition and jealousy.
Weaknesses: Some readers might find the pacing slow in the initial chapters as the author establishes the characters and setting.

The Understudy is a unique and suspenseful thriller that explores the dark side of ambition and the destructive power of jealousy. Morgan Richter has crafted a captivating story with complex characters, a richly detailed setting, and a plot that will keep readers on the edge of their seats. This novel is sure to appeal to fans of psychological thrillers, suspenseful dramas, and stories that delve into the complexities of human relationships.

Want your own copy? You can pick it up here.

Georgia Pattison, an early-music soprano with a nose for a mystery made her first appearance in the introductory novella Whistles After Dark. Now she is in action again in the first full-length mystery, Dearly Ransomed Soul.
Georgia finds herself in Worcester as a last-minute substitute soloist in the prestigious Three Choirs Festival. She also finds the body of Ariana Staithes, murdered in the cathedral immediately after her superlative performance as the Angel in Elgar’s Dream of Gerontius.
The method of murder speaks of deep hatred, but who would want this fantastic emerging talent dead? A lot of people as it turns out. And not just the musical ones. Her estranged husband? Her rival? A jealous wife? One of her blackmail victims? Is there anyone this woman has not alienated?
Superintendent Hamilton knows nothing of the musical world, but she does know this murder was planned and, Georgia, being a latecomer, is innocent. Hamilton is also desperate. The festival is world-renowned and she is in the spotlight and under pressure.

Against every regulation, she persuades Georgia to help her. For Georgia, the investigation starts as something of a crossword puzzle game, but soon she finds herself floundering in a mesh of confusion with suspects at every turn as the mystery deepens and her position becomes fraught with danger. Can she find the killer before the killer finds her?

Many thanks to Publishing Push for this review copy!

The world of murder mysteries can get a bit weary as the same-old continues. Not so in this unique story! The backdrop of choir singers makes it a fun and educational read.

The plot seems simple enough – a drama loving diva is murdered immediately after giving the best performance of her life. Almost everyone surrounding her has a motive, making the case rather difficult for the local police. Our heroine, Georgia Pattison, is willing to help out any way she can, like an operatic Nancy Drew. That is where the fun begins! Many characters provide red herrings galore, while the author gets to show off her considerable knowledge of choir singers and music. Georgia is no shrinking violet, and takes to her role like a duck to water (soprano to a solo?).

The descriptions of Worcester cathedral and musical terms force you to slow down and truly enjoy the writing. The author is keen to display the surroundings, along with Georgia’s inner monologues in a thoroughly enjoyable way. Definitely not the same-old here!

Best of all, Georgia is not one to hold back, either in word or deed. She plunges into the fray wholeheartedly, disregarding any danger she may encounter along the way. Other gifts for the reader are the many composers and songs noted as the book progresses. There are links provided in the e-book (quite thoughtful) so the reader can listen and learn to the songs mentioned. I thought this was an impressive way to make the experience multi-dimensional; as you listen to the music the story comes alive.

Brava! to the author for giving us a great start to this brand new series. You can pick up your copy [easyazon_link identifier=”B01IBCI4QA” locale=”US” nw=”y” tag=”gimmethatbook-20″]here[/easyazon_link].