Tag: review (Page 1 of 27)

ROMAN EMPERORS AND THEIR ILLNESSES by Nick Summerton

April 1, 2026 / aylah234@hotmail.com / 0 Comments

Medical history has been particularly unkind to some historical figures. The, so-called, ‘mad emperors’ Caligula, Tiberius and Nero cannot question their various psychiatric diagnoses or request a second opinion. Neither can Maximinus Thrax, Nero or Caligula demand further testing to refute or confirm the suggestions that they all suffered from a type of hormonal disorder.

By undertaking a detailed evaluation of the ancient sources relating to Augustus, he has been re-characterised as an individual surviving to the age of 75 with a long-term lung condition. Perhaps some of his enigmatic behaviours and actions represented a reaction to developing a chronic disease at a young age?

Claudius suffered from a movement disorder that affected his mobility and speech. Although highly intelligent, the response of the Imperial family to his disability was to keep him in the shadows, out of politics and public affairs. He became of figure of fun, ridiculed within Roman high society and subjected to insults and cruel tricks. The indignities and hardships he experienced in his youth probably had an impact on his character, health and behaviour. Also, it seems much more likely that he died due to a stroke or a heart attack rather than from consuming poisoned mushrooms!

Marcus Aurelius might not have been as physically unwell as has been suggested by both modern and ancient historians. Despite suffering from sinusitis, gastroenteritis plus various aches and pains, there is no evidence that he had any longer-term health problems.

Diagnosing the illnesses of Roman emperors might not be viewed as an appropriate line of enquiry given the enormous gulf that separates ancient and modern medicine. However, although there are certainly some major challenges in using present medical knowledge to identify past diseases, there are potential opportunities too in augmenting – or even correcting – the historical record.

Thanks to Pen & Sword and NetGalley for this review copy!

This book approaches an inherently tempting subject — the illnesses and deaths of Roman emperors — with admirable restraint, rigor, and intellectual honesty. From the outset, Roman Emperors and Their Diseases makes clear that it is not interested in exploiting the past for novelty or easy diagnostic speculation. Instead, it opens with a thoughtful methodological framework that challenges what the author describes as a “presentist” approach to medical history — the assumption that modern medical knowledge can be cleanly mapped backward onto ancient lives.

As the author notes, many modern doctors are keen to exploit the past as a source of amusing anecdotes, yet far less attention is given to understanding ancient medical writing or archaeology as tools that might inform modern healthcare or population wellbeing. This mindset, the book argues, risks portraying ancient medicine as inherently inferior and history as a simple, linear march toward improvement — an assumption that oversimplifies both medicine and the human experience of illness.

Before addressing individual emperors, the book carefully prepares the reader by examining the nature of retrospective diagnosis, the problem of language, the concept of disease, and the limitations of historical sources. The author repeatedly emphasizes that we cannot exhume bodies, conduct examinations, interview family members, or even be certain that recorded symptoms reflect what a patient truly experienced. What survives is filtered through cultural expectations, political motives, and linguistic constraints.

One particularly effective section explores the distinction between illness, disease, and sickness. As the text explains, illness refers to a person’s subjective experience of poor health (including situations where no disease can be identified), while sickness reflects a socially negotiated role. How a condition is labeled — or whether it is acknowledged at all — depends heavily on societal metaphors, stigma, and expectations. These frameworks may even explain the behavior of historical figures, including the feigning of illness or the denial of certain conditions.

This attention to sociocultural framing carries through the book’s discussion of diagnosis itself. Drawing on historians of medicine, the author argues that diseases do not possess a fixed identity across time. Rather, diagnosis emerges from a compound of biological, cultural, and social elements — of which the medical component is sometimes the least important. What constituted “disease” in Roman medicine often diverges sharply from modern classifications; for example, fever was considered a disease in its own right by writers such as Celsus and Galen, rather than a symptom as we understand it today.

When the book turns to the emperors themselves, it does so with admirable caution.

Throughout the text, there is a recurring acknowledgment that many emperors may not have died of natural disease at all. Poisoning — subtle, chronic, or acute — remains a plausible alternative in numerous cases, and the author does not shy away from that reality. Rather than forcing definitive conclusions, the book presents competing possibilities and weighs them thoughtfully against available evidence.

The section on Augustus is notably long and detailed, reflecting both the abundance of surviving material and the complexity of his prolonged decline. In general, the book draws on an impressive range of primary and secondary sources, weaving together historical writings, medical interpretation, and political context. The scholarship feels thorough without being pedantic.

Readers should be aware that the text makes liberal use of Latin (and occasionally Greek), often presenting original phrases alongside English translations. While this will delight readers with a classical background, others may find it slows the pacing at times — though it does reinforce the author’s emphasis on linguistic precision and source fidelity.

Overall, Roman Emperors and Their Diseases succeeds because it resists easy answers. It respects both the limits of modern medicine and the complexities of the ancient world, offering a careful, well-researched exploration rather than speculative certainty. This is a rewarding read for those interested in medical history, Roman history, or the intersection of power, health, and mortality — provided they appreciate nuance over neat conclusions.

99 WAYS TO DIE AND HOW TO AVOID THEM by Ashely Alker, MD

January 13, 2026 / Kyle Wendy Skultety / 0 Comments

An illuminating, hilarious, and practical guide to 99 of the most terrifying ways to die and how to avoid them from an emergency medicine doctor.

Dr. Ashely Alker is a self-described death escapologist—or, in more familiar terms, an emergency medicine doctor. She has seen it all, from flesh-eating bacteria to the work of a serial killer to the more mundane but no less deadly, and her work outwitting the end has uniquely prepared her to write this book.
Dr. Alker manages to shock readers while making them laugh, educating them on how to outsmart a wide range of deadly situations and conditions. Many of the chapters include stories from her experiences in life and medicine, at times heartwarming, others heartbreaking. Sections include explorations of sex, poison, drugs, biological warfare, disease, animals, crime, the elements, and much more.
An Anthony Bourdain-style greatest hits tour of death, 99 Ways to Die is entertaining while it informs. Full of valuable advice and wild stories, this riveting read might just save your life.

Thanks to NetGalley and St. Martin’s Press for this advanced review copy!

If you’ve ever wondered just how many ways the world can take you out — from bacteria to bad choices — Dr. Ashley Alker has you covered. 99 Ways to Die is a riveting and darkly entertaining field guide to everything that can go wrong with the human body (and the environment conspiring against it).

Each chapter examines a specific category of danger — viruses, bacteria, the elements, warfare, poisons, vaccine-preventable diseases, even food — written with the precision of a clinician and the flair of a storyteller. The structure makes it easy to digest (pun intended) but also leaves you slightly terrified of your next sushi roll or deli sandwich. Alker’s background as an emergency physician gives the book a grounded, real-world authenticity. She doesn’t just explain the science; she shows it in motion — patients arriving with mysterious fevers, strange neurological symptoms, or the consequences of underestimating nature.

What makes this book stand out is Alker’s ability to break down complex medical concepts in clear, relatable language. She’s thorough without ever being clinical, weaving in stories from her real-life work as an emergency physician to illustrate how quickly things can go from “minor symptom” to “life-threatening situation.” Her cases remind you that medicine isn’t just science — it’s detective work, empathy, and sometimes pure chaos.

Her explanations are detailed but never dry. Alker walks readers through how pathogens invade, how the immune system fights back, and why something as small as a misfired protein can overthrow an entire body. There’s enough molecular detail to satisfy the science-minded reader — mentions of cytokine storms, viral mutations, and the delicate biochemistry that keeps us alive — but it’s always filtered through human stories. The result feels like watching House, M.D. written by someone who’s actually pulled night shifts in the ER.

One of the book’s strongest sections explores how diagnosis can be as much art as science. Doctors, she notes, often have to play detective — and sometimes their suspects aren’t forthcoming. She recalls a patient interaction that’s both hilarious and horrifying:

Doctor: “Do you have any medical conditions?”
Patient: “No.”
Doctor: “But I see you take eight different medications.”
Patient: “Yes, but since I’m taking the medications, I don’t have those conditions anymore.”

That blend of absurdity and reality underscores how fragile the line between wellness and disaster can be.

Alker’s humor keeps the pages turning even when the material veers into the macabre. In the “Brain Diseases” chapter, for instance, she discusses Campylobacter jejuni — a bacteria found in undercooked meat, raw milk, and, yes, pet kisses — she notes its potential link to Guillain-Barré Syndrome before deadpanning:

“And don’t let Lassie kiss your face, I don’t care how famous she is.”

That mix of authority and humor makes the science stick — and keeps the book from feeling like a doomsday manual. By the end, I felt smarter, a bit spooked, and oddly appreciative of just how resilient the human body is despite everything it’s up against. It’s science communication at its best: factual, funny, and a little terrifying.

By the time you close the book, you’ll have gained a crash course in microbiology, epidemiology, toxicology, and plain common sense — and maybe a new respect for soap, vaccines, and refrigeration.

99 Ways to Die is the perfect mix of education and existential dread — a medical thrill ride for readers who love learning what can go wrong with the human body and how our doctors heroically (and sometimes hilariously) try to stop it. You’ll laugh, you’ll shudder, and you’ll definitely think twice before skipping hand sanitizer.

If you’re a fan of Mary Roach (Stiff, Gulp), Atul Gawande (Being Mortal), or Caitlin Doughty (Smoke Gets in Your Eyes), you’ll absolutely devour this. 🧬☠️💉

You can pick up your copy here.

NAGASAKI: The Last Witnesses by M. G. Sheftall

December 4, 2025 / Kyle Wendy Skultety / 0 Comments

The second volume in a prize-worthy two-book series based on years of irreplicable personal interviews with survivors about each of the atomic bomb drops, first in Hiroshima and then Nagasaki, that hastened the end of the Pacific War.
On August 6, 1945, the United States unleashed a weapon unlike anything the world had ever seen. Then, just three days later, when Japan showed no sign of surrender, the United States took aim at Nagasaki.
Rendered in harrowing detail, this historical narrative is the second and final volume in M. G. Sheftall’s “Embers” series. Sheftall has spent years personally interviewing hibakusha—the Japanese word for atomic bomb survivors. These last living witnesses are a vanishing memory resource, the only people who can still provide us with reliable and detailed testimony about life in their cities before the use of nuclear weaponry.
The result is an intimate, firsthand account of life in Nagasaki, and the story of incomprehensible devastation and resilience in the aftermath of the second atomic bomb drop. This blow-by-blow account takes us from the city streets, as word of the attack on Hiroshima reaches civilians, to the cockpit of Bockscar, when Charles Sweeney dropped “Fat Man,” to the interminable six days while the world waited to see if Japan would surrender to the Allies–or if more bombs would fall.

Thanks to the publisher and NetGalley for this review copy!

History hums through the quiet aftermath — Nagasaki: The Last Witnesses is less about the blast and more about the echo.

In Nagasaki, M.G. Sheftall delivers a haunting, meticulously layered follow-up to his earlier masterpiece Hiroshima. Where Hiroshima explored the moment the world split open, Nagasaki lingers in the silence that followed — the echoing questions, the invisible scars, and the resilience of a city often overshadowed in collective memory.

The author returns to familiar ground but digs even deeper, tracing not only what happened on that fateful August day but what lingered afterward — in the ruins, in the hearts of survivors, and in the uneasy quiet of a city learning to live again.

I adored Hiroshima, and I couldn’t wait to see where Sheftall would take us next. Nagasaki feels like a companion piece, yes, but also its own living, breathing entity — one that insists we remember what came after the explosion. Hiroshima often dominates the public consciousness, but Nagasaki’s story has always felt like the quieter, forgotten sibling. The bomb itself was different, and so were the circumstances surrounding it. Sheftall doesn’t let that difference fade into footnotes; he gives Nagasaki the depth and dignity it deserves.

Sheftall’s prose is articulate and immersive, blending his historian’s precision with a novelist’s empathy. Every street corner, every ruined fragment of the city feels alive with the weight of what came before. His gift lies in how he builds atmosphere through meticulous context: you don’t just read about Nagasaki, you walk its hills, smell the ash and salt air, and hear the hum of life returning to a place once unthinkably devastated. This gifted author paints with history — not just describing the facts but creating atmosphere through sensory detail and emotional nuance. I could almost feel the humid summer air and hear the faint murmur of life trying to return amid devastation. The city becomes a character in its own right: scarred, defiant, and enduring.

Nagasaki’s children were born into a world where they had never known peace; war was the only constant. What strikes me most is how quickly the extraordinary became ordinary — how easily childhood was reshaped into service, obedience, and survival.

As the author writes, “In October 1943, as the war steadily drained the nation’s supply of prime working-age men, the Japanese government cancelled classroom instruction for all formerly draft-deferrable male college students… In April 1944… the classroom cancellations were extended to every child in the country 15 years or older… Three months after this edict… the war labor mobilization age was dropped again to 12.”

By then, innocence itself had been conscripted. “On campus and under direct teacher supervision, the youngest students — the 12 to 13-year-old first graders — did unpaid ‘volunteer’ war work, tending vegetable patches on the school grounds or assembling cartridge magazines for machine guns in the school workshop.”

Even the sanctity of home life dissolved under the weight of war. “There was even a maid’s bedroom, although this was redundant in 1945 Japan; the nation’s domestic servants had long since been hauled away to work in war plants, giving Michiko’s mother dishpan hands for the first time in history.”

And while Nagasaki itself remained physically untouched for much of the war, scarcity gnawed at daily life: “…the most immediately dire of which was food.” Families hovered “at or just above the lowest level of Maslow’s pyramid, their lives increasingly focused on desperate efforts to find food and a dwindling ability to enjoy what was found when these efforts succeeded.”

While Hiroshima dominates the historical and literary landscape, Sheftall reminds us that Nagasaki’s story is equally vital — and uniquely complex. The different type of bomb dropped there, and the distinct cultural, political, and geographic circumstances surrounding it, make this account essential reading for anyone who believes history deserves its full breadth.

Sheftall doesn’t sensationalize; he illuminates. He brings forward the voices too often drowned out — the survivors, the scientists, the ordinary citizens whose days began like any other and ended in unrecognizable worlds. His narrative choices carry a quiet reverence, and his structure mirrors the slow, painful rebuilding of identity and faith after catastrophe.

What I love most about Sheftall’s approach is that he doesn’t write tragedy for shock value. He writes to reconnect us to empathy — to remind us that history isn’t static. It breathes through those who lived it, and through those of us who bear witness now.

Nagasaki is not a retelling of horror for its own sake. It’s a study of endurance, humanity, and the way memory bends but does not break. It stands as both a necessary companion and a powerful standalone testament — reminding us that the aftermath can be just as defining as the event itself.

In a literary landscape where Hiroshima has long held the spotlight, Sheftall’s Nagasaki steps forward not to compete, but to complete the story.

Nagasaki is not an easy book, but it’s an essential one. It asks for your attention and your compassion in equal measure. And when you close the final page, you carry the echo with you — quiet, resonant, and unforgettable.

For anyone who thought the story ended with Hiroshima, M.G. Sheftall gently, powerfully reminds us: it didn’t.

You can grab it here and walk the streets of Nagasaki for yourself. It’s an experience that lingers long after the last page.

ONCE UPON A CLOCK by Jenny and Christine Harrison

September 2, 2025 / Kyle Wendy Skultety / 0 Comments

An original and humorous anthology of stories and poems, with animals and nature at its heart.

Many thanks to the author for graciously providing this review copy! (You can check out her Instagram here.)

Once Upon a Clock by Christine and Jenny Harrison is a whimsical and heartwarming anthology that blends stories, poems, and cartoons into a delightful celebration of animals and nature. Created during the 2020 lockdowns, this book is a true family collaboration—one handled the illustrations and some writing, the other contributed the majority of the text.

This isn’t a grand fantasy quest, but rather a collection of whimsical moments and observations from the natural world, infused with a gentle wit.

Each page is infused with humor and charm, making it suitable for readers of all ages. Each piece feels like a small window into a world where tails wag with wisdom and time ticks to the rhythm of rhymes. The illustrations, particularly the animal cartoons, add a playful and endearing layer to the reading experience. This book is crafted with affection for its subjects.

Once Upon A Clock is the kind of book you can pick up and enjoy a few pieces from or read cover-to-cover for a dose of warmth and gentle humor. It’s perfect for anyone who loves animals, enjoys short, digestible reads, or just needs a little bright spot in their day. Forget epic battles and ticking chronometers – this book offers a quiet, delightful escape into a world where everyday nature takes the spotlight.

What truly shines in this collection is its heart. Each piece, whether a short tale or a playful poem, showcases a keen appreciation for the creatures and landscapes around us. You’ll find yourself smiling at the antics of various animals and nodding along to poems that capture the simple beauty of nature’s rhythm. The “humorous” aspect mentioned in its description truly comes through, making it a light and enjoyable read that can bring a chuckle or a moment of reflection.

The collection’s core strength lies in its profound appreciation for its subject matter. Each individual piece, be it a short story or a poetic verse, demonstrates a keen and discerning appreciation for the diverse creatures and natural landscapes it portrays. Readers will find themselves engaged by the spirited portrayals of animal behavior and resonate with the poetic depictions that artfully capture the inherent beauty and rhythm of nature. The promised humorous elements are consistently delivered, rendering the collection a pleasant and enriching read capable of eliciting both amusement and thoughtful contemplation.

What I loved about this book: connection to nature, imagination and whimsy, family and creativity, with resilience and joy. There are opportunities for learning new vocabulary words (such as pompous and peripheral) with some science added in (“Surfy says waves are made by the moon (?!!!?!”). Other stories leave the ending open for readers to come up with their own thoughts and create an ending. The dog drawings are endearing and hilarious (loved the canine banging his long snout on a chair and the scruffy dog running away with knickers in his mouth, and expecially the two little doggies in love), while Little Miss Ruffet is drawn as a quite opinionated little girl.

One story touches on the myth of the Phoenix rising from the ashes – another chance for the parent to do some teaching, as they explain how “Phoenix Nick” is a play on another character.

Nestled amongst the short stories and rhyming poems is a longish tale entitled “The Tale of a Tail and Bark’s Lost Bark”. Whimsical characters (an aardvark, dogs, a mouse, and a horse, just to name a few) share adventures and silliness, and the story comes to a satisfying conclusion.

I definitely recommend this sweet collection to kids of all ages. Want your own copy? You can pick it up here.

Q&A plus GIVEAWAY with “What’s Yours Is Mine” author Jennifer Jabaley

August 19, 2025 / Kyle Wendy Skultety / 0 Comments

A must-read for those who love psychological thrillers with layered female relationships and shocking twists!

Valerie Yarnell is a hardworking single mother who’d do anything for her daughter, Kate. Kate is a dancer with dreams of stardom, just like her talented best friend, Colette. Despite Valerie’s sacrifices, it’s Colette’s mother, former prima ballerina Elise, whom Kate adores. And Colette has become like the practically perfect sister Kate never had. How can Valerie not feel frustrated, ineffectual, and a little jealous of the queen bee of dance moms? Not only has she hijacked her daughter, but Elise is married to the man Valerie pines for.

Rivalries are forming. Tension is mounting. In preparation for an elite dance competition, Kate outshines the more promising Colette onstage, and the pressure is on for Colette to keep her position in the spotlight―and especially to keep her demanding mother happy. Who could have foreseen the violent attack that sabotages everything? Anyone who’s been watching closely.

As ruthless and sinister ambitions are exposed, a media firestorm and an explosive town scandal erupt. Before it’s over, two mothers and two daughters will learn just how fierce and dangerous a rivalry can still get.

Thanks to Lake Union Publishing and the author for this early reviewer giveaway copy! If you didn’t win, come back here to get your copy.

Giveaway link is posted following the Q&A with Jennifer Jabaley.

What is the most unusual place where you’ve found inspiration for your writing?

Most authors have dazzling origin stories for their books – tales of inspiration sparked by an eerie dream, a peculiar stranger, an evocative discovery buried in a box in the back of a closet. My first venture into suspense writing launched a bit differently. The idea for my book didn’t strike during a stormy night or a brush with danger. Rather, an idea formed while I was sitting in the cramped cold bleachers at one of my kid’s sporting events. Because nothing stirs up raw, unfiltered emotions quite like youth sports.

Who was your hardest character to write?

The hardest character to write was easily Chad, Kate’s father. I wanted Valerie to be a single mother, but I also wanted her ex to be a factor in the story. Initially I had written him as a good guy driving a conflict where Valerie was the pragmatic parent and Chad was the easy-going, give in to anything counterpoint. My agent felt he didn’t really bring anything to the story and suggested either I eliminate him, or create more suspense with him. I chose the latter. But it was not an easy rewrite.

Do you keep your rejection letters?

Heck, no! I definitely don’t want to keep negativity in my space. I did read them all, though, and tried to learn from each one.

If you were to host a dinner party with three authors, who would you invite?

Liane Moriarty and Sally Hepworth are my two of favorite authors in the genre I write. I have tons of auto-buy authors but I feel like I’d get along with these two women because their style of writing is somewhat similar to mine (well, I aim very much to be as incredible as they are). Plus, they both are Australian and hilarious. It would be so fun. My third guest would be Reese Witherspoon because I adore her. She’s made reading on trend and she is so generous with her promotion of authors. And, she has co-written a book with Harlan Coben so now she is a full-fledged author as well. (If I could piggy-back and have Harlan come as well, that’d be awesome because I love him, too.)

What’s the strangest or most unexpected feedback you’ve received about your writing?

Many years ago, when I first started writing, I had an editor critique at a conference for an adult manuscript. She told me my natural voice was very teen-like and I should switch the book to young adult. I flipped the pov from the aunt to the niece and my first young adult novel, Lipstick Apology was born. After writing a second young adult novel, I really felt pulled to go back to the adult space – that was what I read, that was where all my ideas generated. I didn’t want to try and force myself into the young adult world anymore. Interestingly, What’s Yours is Mine does have a teen pov in addition to the two mothers, so I guess there is a place inside of me that is eternally a teenager.

How does your thought process differ when writing young adult versus adult books?

While I still very much enjoy exploring the ideas of young adult novels – coming of age, self-discovery, first love – the older I get (sigh) the harder it becomes to tap into the current real life experience of teenagers. I didn’t have a phone when I was in high school. My parents didn’t track my location on GPS. There wasn’t helicopter parenting and huge pressure with sports that current kids endure. I was of the free-range generation! Writing Colette’s pov in What’s Yours is Mine required a lot of research and running things by my daughter to see if they were authentic. Writing in the adult space, now, comes a lot more naturally.

A piece of advice you give to aspiring authors is to “read widely”. What are your favorite genres, when do you have time to read?

Yes, I think reading is the best prep work for writing. I do read wide across all genres with the exception of sci-fy and fantasy. My favorite genres are book club fiction and domestic suspense. At all times I have a physical book that I read at night before bed and sometimes on lunch if I have the time. I also, at all times, have an audiobook that I listen to while I walk the dogs, drive, and do housework.

Are you working on your next book yet? Any hints you’d like to drop?

Yes. In fact, I just finished a draft. I’m revising and then hopefully will be sending it to my agent shortly. It’s another domestic suspense about kindergarten mothers and their secrets set in an exclusive private school in Atlanta. It has one of my favorite characters of all time that I’ve written. She’s hysterical, or at least I think she is.

What’s something you believed about writing at the start of your career that you no longer believe?

I think the biggest thing I’ve learned is there is no quantifiable measure of success. Typically, when someone begins writing, it is with the goal to be published. The first step is to finish the draft. Then find an agent. Then get a publishing contract. Then have good sales and reviews. Then get another book deal. On and on, the goal posts keep moving. It’s taken me a while to realize I can’t measure my writing success by these outside markers because all of them are outside my control. The only thing I can do is write the best book I am capable of writing. If I do that, and I enjoy the process, that is success.

What is your go-to writing snack?

In the mornings, it’s constant coffee. In the afternoons, it’s gobstoppers. I know, so bad for teeth! I use to suck on fireballs but I had so many I burned the inside of my mouth. So I went to gobstoppers. I ordered a huge box from a movie theater distributor. It’s really a problem.

What’s one thing you’re excited about right now – book related or totally random?

My daughter’s basketball team just won the State Championship. She’s the point guard and played the entire game as a sophomore. It was a huge accomplishment and our little small town literally exploded in celebration. Our high school hasn’t won a championship in twenty-six years. As incredible as it is to see my own dreams come to fruition with the publication of What’s Yours is Mine, absolutely nothing beats witnessing your child fulfill their ambitions.

Are you excited to enter the giveaway? Hope you enjoyed the Q&A with Jennifer Jabaley, and may the odds be ever in your favor 🙂

THE UNDERSTUDY by Morgan Richter

August 5, 2025 / Kyle Wendy Skultety / 0 Comments

An opera singer uncovers the dark secrets of her cruel and alluring understudy when a shocking murder disrupts her disciplined world.
After years of rigorous instruction and ensemble work, Kit finally gets her big break when she’s hired to play the lead role in a new opera based on the 1960s cult classic film Barbarella. Entrusted with playing the beautiful and seductive titular role, Kit is on her way to the top. But then she walks in to rehearsal and meets her understudy. Stunning, suggestive, and wildly confident, Yolanda is physically everything Barbarella is meant to be. Because Yolanda lacks formal training, Kit isn’t threatened, until Yolanda reveals that she believes she deserves the role—and will do anything to get it.

Yolanda is as cunning as she is glamorous, and as her schemes become increasingly dangerous, she draws an unwitting Kit into her orbit. But when a shocking murder destabilizes the company and threatens her role, Kit begins to discover the wickedness beneath her understudy’s glittery surface. Hunting down the betrayed friends and discarded lovers from Yolanda’s past and unearthing secrets she’s worked hard to conceal, Kit discovers just how far Yolanda is willing to go to get what she wants.

Thanks to NetGalley and the publisher for this review copy!

Morgan Richter’s The Understudy delves into the cutthroat world of opera, where ambition, jealousy, and obsession collide with potentially deadly consequences. The novel centers around Kit, a seasoned opera singer who finally lands her big break as the lead in a new production based on the cult classic film Barbarella. However, her rise to the top is threatened by the arrival of her understudy, Yolanda, a stunningly beautiful and unnervingly confident young woman who seems determined to usurp Kit’s place, no matter the cost.

The author carefully crafts a tense and suspenseful atmosphere from the very beginning. The reader is immediately immersed in the high-stakes environment of the opera world, where talent and hard work are often overshadowed by ruthless ambition and personal connections. Kit, the protagonist, is portrayed as a dedicated and disciplined artist who has poured her heart and soul into her career. She is initially dismissive of Yolanda, viewing her as an inexperienced novice. However, as Yolanda’s manipulative tactics become increasingly apparent, Kit is forced to confront her own insecurities and fight for her place in the spotlight. Their dynamic is the driving force of the novel, a simmering tension that threatens to boil over at any moment.

Richter expertly develops the characters, revealing their complexities and vulnerabilities layer by layer. Kit is not simply the established star threatened by a newcomer; she grapples with insecurities and past disappointments that fuel her determination. Yolanda, with her enigmatic charm and unwavering focus, is more than just an ambitious understudy; she is a force of nature, driven by a deep-seated need for recognition. The author skillfully avoids simplistic portrayals of good versus evil, instead presenting two women locked in a battle for survival in a fiercely competitive world.

Yolanda, the antagonist, is a truly captivating and chilling character. She is the embodiment of unchecked ambition, willing to exploit and betray anyone who stands in her way. Richter skillfully peels back the layers of Yolanda’s charming facade, revealing a deeply disturbed and manipulative personality. The dynamic between Kit and Yolanda is the driving force of the narrative, creating a constant sense of unease and anticipation. The reader is left wondering just how far Yolanda will go to achieve her goals, and whether Kit will be able to protect herself from her understudy’s machinations.

The supporting characters in The Understudy are equally well-developed and contribute to the overall richness of the story. From the demanding director to the eccentric costume designer, each character adds depth and texture to the opera world that Richter has created. The novel also explores the complex relationships between women in a competitive environment, highlighting the challenges and pressures they face.

The narrative takes a darker turn when a cold-blooded murder disrupts the company, adding a layer of suspense to the already tense atmosphere. As the story unfolds, the reader is drawn into a web of secrets and hidden agendas, unsure of who to trust. The psychological tension escalates, with both Kit and Yolanda pushed to their limits. The question becomes not just who will take the stage, but how far each is willing to go to achieve their desires. As Kit delves deeper into the circumstances surrounding the murder, she uncovers dark secrets and hidden connections that threaten to unravel everything she has worked for.

Richter’s prose is sharp and evocative, capturing the beauty and drama of the opera world while also delving into the darker aspects of human nature. The pacing is expertly controlled, building suspense gradually and culminating in a dramatic climax. The author’s attention to detail, whether describing the intricacies of an opera performance or the inner turmoil of the characters, adds depth and authenticity to the narrative. The author also makes effective use of foreshadowing and red herrings, keeping the reader guessing until the very end, until the thrilling climax is revealed.

The Understudy is more than just a thriller; it is an exploration of the human psyche, the relentless pursuit of dreams, and the sacrifices made in the name of ambition. It is a story that will resonate with anyone who has ever felt the pressure to succeed, the fear of being replaced, or the allure of the spotlight. Richter has crafted a compelling and thought-provoking novel that will stay with the reader long after the final curtain falls.

Strengths: Compelling characters, suspenseful plot, evocative prose, insightful exploration of ambition and jealousy.
Weaknesses: Some readers might find the pacing slow in the initial chapters as the author establishes the characters and setting.

The Understudy is a unique and suspenseful thriller that explores the dark side of ambition and the destructive power of jealousy. Morgan Richter has crafted a captivating story with complex characters, a richly detailed setting, and a plot that will keep readers on the edge of their seats. This novel is sure to appeal to fans of psychological thrillers, suspenseful dramas, and stories that delve into the complexities of human relationships.

Want your own copy? You can pick it up here.

HIROSHIMA – THE LAST WITNESSES by M.G. Sheftall

January 28, 2025 / aylah234@hotmail.com / 0 Comments

The first volume in a two-book series about each of the atomic bomb drops that ended the Pacific War based on years of irreplicable personal interviews with survivors to tell a story of devastation and resilience

In this vividly rendered historical narrative, M. G. Sheftall layers the stories of hibakusha—the Japanese word for atomic bomb survivors—in harrowing detail, to give a minute-by-minute report of August 6, 1945, in the leadup and aftermath of the world-changing bombing mission of Paul Tibbets, Enola Gay, and Little Boy. These survivors and witnesses, who now have an average age over ninety years old, are quite literally the last people who can still provide us with reliable and detailed testimony about life in their cities before the bombings, tell us what they experienced on the day those cities were obliterated, and give us some appreciation of what it has entailed to live with those memories and scars during the subsequent seventy-plus years.

Sheftall has spent years personally interviewing survivors who lived well into the twenty-first century, allowing him to construct portraits of what Hiroshima was like before the bomb, and how catastrophically its citizens’ lives changed in the seconds, minutes, days, weeks, months, and years afterward. He stands out among historians due to his fluency in spoken and written Japanese, and his longtime immersion in Japanese society that has allowed him, a white American, the unheard-of access to these atomic bomb survivors in the waning years of their lives. Their trust in him is evident in the personal and traumatic depths they open up for him as he records their stories.

Hiroshima should be required reading for the modern age. The personal accounts it contains will serve as cautionary tales about the horror and insanity of nuclear warfare, reminding them—it is hoped—that the world still lives with this danger at our doorstep.

Thanks to NetGalley and the publisher for this review copy!

M.G. Sheftall’s HIROSHIMA offers a riveting and compassionate account of one of the 20^th century’s most significant, devastating, and tragic events: the atomic bombing of Hiroshima on August 6, 1945. By meticulously blending historical research with the intimate testimonies of survivors, the book offers a harrowing and unforgettable account of the devastation, suffering, and resilience of the Japanese people.

The book delves deep into the firsthand experiences of the hibakusha, the survivors of the atomic bomb. Their stories are raw and unfiltered, offering a visceral glimpse into the horrors they endured. From the initial flash of light and the deafening blast to the long-term effects of radiation sickness, Sheftall captures the physical and psychological toll of the catastrophe.

“Survivors guilt” was legion. Sixteen-year-old hibakusha were ashamed of the fact of their own survival when almost all of their classmates were killed. This shame shadowed them their whole lives, even permeating the unveiling of a Hiroshima memorial on August 6^th, 1948. Bereaved parents shot hateful looks at those who had dared to live, even confronting them to ask, “Why are you alive, when my daughter is dead?” Survivors were also ashamed that they did not die as a martyr for the Imperial Empire.

Sheftall’s writing is compassionate, informative, professionally researched and meticulously crafted. He provides historical context while also allowing the survivors’ voices to take center stage, leaving a lasting impression on readers.

The strength of Sheftall’s work lies in its deep exploration of the human experience in the face of incomprehensible destruction. The narrative weaves together first-hand accounts from hibakusha, ordinary citizens, and military personnel, showing how the bomb shattered lives, cultures, and the human psyche. Sheftall demonstrates not only the immediate impact of the bomb but also its lasting effects on individuals, their communities, and even the identity of Japan as a nation.

The Japanese mindset before and during wartime was one of brainwashing and stoicism. To die for the cause and support of the Emperor and Imperialism was ingrained in every boy and girl, starting as soon as they were able to walk and talk. The collective was greater than the individual, and this was accepted without a second thought. During WW2, both boys and girls were part of the war machine, grinding away day and night. As the boys were being educated on kamikaze training, the girls were working in factories recycling worn uniforms (stitching up bullet holes and washing blood out) so they could be worn again by more hapless but devoted soldiers) or sent to the Japan Steel munitions plant to help create ordnance. Bear in mind, these poor souls were barely teenagers – working in a factory setting that was both rigorous and dangerous. The girls considered too immature to endure the demands of factory labor were required to perform unskilled volunteer jobs such as farm work, participating in scrap metal drives, digging trenches, or working at firebreak sites. These tasks were just as dangerous as factory work. However, the hive mind kept all the girls moving forward without a second thought as to personal injury or worse, introspection (questioning why all this backbreaking labor had to be done, or wishing for a simple life spent giggling with friends or having free time).

Sheftall avoids sensationalism and instead focuses on the individual stories of the survivors. We learn about their hopes, dreams, and aspirations before the bombing, then feel their fear, shock, and suffering in the immediate days after the bombing. Finally, we realize the challenges they faced in rebuilding their lives afterward. The book is a powerful reminder that behind every statistic is a human being with a unique story to tell.

Sheftall also explores the far-reaching social and geopolitical implications of the atomic bombing, explaining the political and military factors that led to the bombing, without losing sight of the human toll. He examines the Japanese government’s response to the disaster, the international reaction, and the long-term effects of radiation on the environment and public health. He also raises important questions about the ethics of nuclear weapons and the dangers of nuclear proliferation.

While HIROSHIMA is a powerful and necessary read, some readers might find the detailed historical and military analysis at times overwhelming. However, this does not detract from the overall impact of the book. It enriches the reader’s understanding of the broader context in which the bombing took place, contributing to a more nuanced comprehension of the event.

M.G. Sheftall’s writing is inspired by a deep fascination with Japanese culture and history, particularly with the events surrounding World War II and the atomic bombings of Hiroshima and Nagasaki. As a long-time resident of Japan and a scholar specializing in Japanese history and society, Sheftall’s interest grew from personal encounters with the stories of the hibakusha. Their experiences, combined with the overarching impact of the atomic bomb on Japanese society, motivated him to give voice to the survivors’ stories in a way that blends historical context with personal narratives. Sheftall’s writing is empathetic and precise, capturing the profound human impact while maintaining scholarly rigor.

The author has previously explored the human dimensions of war, as seen in his earlier work, BLOSSOMS IN THE WIND, where he examined the experiences of Japanese kamikaze pilots. His continued exploration of the human cost of war is a driving force behind HIROSHIMA. Sheftall was inspired not just by a desire to document history, but also to foster empathy and understanding by illuminating the personal suffering that often gets lost in larger historical narratives. By focusing on individual experiences, Sheftall seeks to convey the full scope of the tragedy and its long-lasting impact on both individuals and society at large.

Hiroshima is remembered as one of the most devastating events in human history, symbolizing the horrors of nuclear warfare and the profound suffering caused by the atomic bomb dropped on August 6, 1945. Its memory is preserved in numerous ways, each reflecting different aspects of the tragedy and its broader implications.

The city stands as a stark reminder of the destructive power of nuclear weapons. The city’s complete devastation within seconds, resulting in the deaths of an estimated 140,000 people by the end of 1945, makes it a powerful symbol in the global conversation about nuclear disarmament. The memory of Hiroshima fuels ongoing movements advocating for peace and the abolition of nuclear weapons, led by organizations such as the Hiroshima Peace Memorial Museum and global anti-nuclear groups.

Hiroshima is commemorated annually through ceremonies at the Hiroshima Peace Memorial Park, which includes the iconic Atomic Bomb Dome, one of the few structures left standing near the hypocenter of the blast. The park also features the Cenotaph for the A-bomb Victims, and its Flame of Peace will burn until the world is free of nuclear weapons. These physical landmarks serve as enduring reminders of the tragedy and as focal points for reflection and mourning.

The bombing of Hiroshima is remembered through various forms of art, literature, film, and music. Books such as John Hersey’s HIROSHIMA and later works, including M.G. Sheftall’s own contributions, help to ensure the event is documented and understood by future generations. Films like Grave of the Fireflies and Barefoot Gen portray the emotional and human cost of the bombing.

Every year, on August 6, Hiroshima holds a solemn Peace Memorial Ceremony. The event includes a moment of silence at 8:15 AM, the exact time the bomb was dropped. The ceremony draws attendees from around the world and serves as a global moment of reflection on the consequences of nuclear warfare, aiming to renew commitments to peace.

The 2024 Nobel Peace Prize was awarded to Nihon Hidankyo (The Japanese Confederation of A- and H-Bomb Sufferers Organization). This underscores both the call to peace and continuing to remember those whose lives were forever changed by this unspeakable tragedy.

In all these ways, Hiroshima is remembered as a tragedy that transformed the global understanding of warfare, leaving a legacy that continues to shape both personal and collective memory. It is a call to never forget the consequences of nuclear weapons and to work toward a world where such destruction is never repeated.

This book is a poignant and essential contribution to the literature of World War II, as well as a testament to the human spirit and the power of resilience, even in the face of unimaginable suffering. The book offers a respectful reminder of the horrors of nuclear warfare, and it compels readers to reflect on the far-reaching consequences of violence and war. Sheftall’s skillful blend of historical narrative and personal testimonies makes this book a must-read for anyone interested in history, ethics, and the profound impact of war on humanity. It is also an imperative for historians, students, and anyone seeking to understand the true cost of conflict.

Want your own copy? You can pick it up here.

THE BUSINESS TRIP by Jessie Garcia

January 14, 2025 / Kyle Wendy Skultety / 0 Comments

THE BUSINESS TRIP is a gripping, page-turning debut from author Jessie Garcia.

Stephanie and Jasmine have nothing and everything in common. The two women don’t know each other but are on the same plane. Stephanie is on a business trip and Jasmine is fleeing an abusive relationship. After a few days, they text their friends the same exact messages about the same man—the messages becoming stranger and more erratic.
And then the two women vanish. The texts go silent, the red flags go up, and the panic sets in. When Stephanie and Jasmine are each declared missing and in danger, it begs the questions: Who is Trent McCarthy? What did he do to these women— or what did they do to him?

Twist upon twist, layer upon layer, where nothing is as it seems, THE BUSINESS TRIP takes you on a descent into the depths of a mastermind manipulator. But who is playing who?

Thanks to NetGalley and the publisher for this review copy!

THE BUSINESS TRIP by Jessie Garcia is a gripping psychological thriller that keeps readers on the edge of their seats. The story revolves around two women, Stephanie and Jasmine, who find themselves entangled in a web of mystery and danger after boarding the same flight to Denver. Stephanie is on a business trip, while Jasmine is fleeing an abusive relationship. Their lives take a dramatic turn when they both send identical, increasingly erratic messages about the same man, Trent McCarthy, before vanishing without a trace.

As the women’s lives intertwine, their texts become increasingly erratic and disturbing, leading to their disappearance. The novel delves into the depths of human psychology, exploring themes of trust, deception, and the lengths people will go to protect themselves. Stephanie and Jasmine’s lives become increasingly intertwined and dangerous, leaving readers questioning who is truly in control. Garcia masterfully weaves a complex web of intrigue, keeping readers guessing and constantly questioning the motives of the characters.

The characters are well-developed and relatable, making it easy to become invested in their stories. Stephanie is a driven professional on a business trip to Denver. She is portrayed as a strong, independent woman who is dedicated to her career. However, beneath her composed exterior, she harbors insecurities and past traumas that gradually surface as the story unfolds.

Jasmine is fleeing an abusive relationship, seeking a fresh start and safety. She is resilient and resourceful, having endured significant hardships. Her journey is one of survival and self-discovery. Jasmine’s character highlights the struggles of escaping a toxic environment and the courage required to rebuild one’s life. Her connection with Stephanie, despite their diverse backgrounds, underscores the theme of solidarity and shared experiences.

Trent is the enigmatic figure at the center of the mystery. His character is shrouded in ambiguity, making readers question his true intentions. As the book progresses, Trent goes from villain to victim; becoming sympathetic, then someone you love to hate. Trent’s interactions with both Stephanie and Jasmine are pivotal to the plot, driving the suspense and tension. His manipulative nature is gradually revealed, adding layers of complexity to the story.

The novel’s triple narrative, alternating between Stephanie, Trent, and Jasmine’s perspectives, adds to the suspense and tension. As the characters’ stories unfold, readers are drawn into their lives, becoming invested in their fate and unraveling the mystery that binds them together.

The novel touches on the idea of identity and how easily it can be manipulated or misunderstood. The impact of technology on our lives is demonstrated for nefarious purposes, such as the use of text messages as a central plot device. This serves to highlight the ways in which our digital interactions can shape our relationships and our identities. In addition to the psychological suspense, the novel also explores themes of loneliness, isolation, and the search for connection. Stephanie and Jasmine are both seeking something more in their lives, and their encounter on the plane offers them a chance to find a sense of belonging.

Garcia’s writing is both captivating and thought-provoking. She skillfully creates a sense of unease and paranoia, building a palpable atmosphere of suspense. The novel’s pacing is expertly crafted, with each chapter revealing new clues and keeping readers hooked. The alternating perspectives and detailed descriptions create a vivid and immersive reading experience, with a constant undertone of who might be an unreliable narrator. However, some readers might find certain parts of the story overly detailed, which can slow down the pace at times.

The novel’s ending is both satisfying and thought-provoking, leaving readers with a sense of closure while also hinting at the possibility of further consequences. THE BUSINESS TRIP is a well-crafted and compelling debut that will leave readers engaged and entertained from beginning to end. Fans of psychological thrillers will find this book particularly enjoyable.

Want your own copy? You can pick it up here.

GRAY MATTERS by Theodore H. Schwartz

December 17, 2024 / aylah234@hotmail.com / 0 Comments

We’ve all heard the phrase “it’s not brain surgery.” But what exactly is brain surgery? It’s a profession that is barely a hundred years old and profoundly connects two human beings, but few know how it works, or its history. How did early neurosurgeons come to understand the human brain—an extraordinarily complex organ that controls everything we do, and yet at only three pounds is so fragile? And how did this incredibly challenging and lifesaving specialty emerge?

In this warm, rigorous, and deeply insightful book, Dr. Theodore H. Schwartz explores what it’s like to hold the scalpel, wield the drill, extract a tumor, fix a bullet hole, and remove a blood clot—when every second can mean life or death. Drawing from the author’s own cases, plus media, sports, and government archives, this seminal work delves into all the brain-related topics that have long-consumed public curiosity, like what really happened to JFK, President Biden’s brain surgery, and the NFL’s management of CTE. Dr. Schwartz also surveys the field’s latest incredible advances and discusses the philosophical questions of the unity of the self and the existence of free will.

A neurosurgeon as well as a professor of neurosurgery at Weill Cornell Medicine, one of the busiest and most highly ranked neurosurgery centers in the world, Dr. Schwartz tells this story like no one else could. Told through anecdote and clear explanation, this is the ultimate cultural and scientific history of a literally mind-blowing human endeavor, one that cuts to the core of who we are.

Thanks to NetGalley the author, and Dutton for this review copy!

GRAY MATTERS is a fascinating exploration of the brain’s potential, expertly balancing scientific insight with philosophical contemplation. As a practicing neurosurgeon, Schwartz has a unique vantage point into the wonders and mysteries of the human brain, which he translates into an engaging and accessible narrative. The book dives deep into the gray matter—the seat of human cognition, emotion, and identity—and asks profound questions about the nature of consciousness, technology’s impact on the brain, and the future of neuroscience.

One of the strengths of this book is its ability to make complex medical concepts accessible to a general audience. Schwartz explains the anatomy and physiology of the brain in clear and concise terms, making it easy for readers to follow along. He also delves into the history of neurosurgery, tracing the evolution of the field from ancient times to the present day.

Through his writing, the author conveys a deep sense of empathy and compassion for his patients and their families.

Some of the cases he describes are:

The Musician’s Tumor: Schwartz recounts the case of a professional violinist who had a brain tumor. The surgery was particularly challenging because it was crucial to preserve the patient’s fine motor skills and musical abilities. During the operation, the patient was kept awake and played the violin, allowing Schwartz to ensure that the areas of the brain responsible for these skills were not damaged.
The Young Athlete: Another compelling case involves a young athlete who suffered a severe head injury. Schwartz describes the delicate process of removing a blood clot from the brain and the subsequent rehabilitation that allowed the patient to return to sports. This case highlights the resilience of the human brain and the importance of timely medical intervention.
The Phantom Limb: Schwartz also delves into the phenomenon of phantom limb pain through the story of a patient who experienced severe pain in a limb that had been amputated. The case explores the brain’s complex relationship with the body and how neurosurgery can sometimes alleviate such mysterious conditions.
The Epilepsy Patient: One of the most intriguing cases involves a patient with severe epilepsy. Schwartz performed a surgery to remove the part of the brain causing the seizures. The case is notable for the precision required and the dramatic improvement in the patient’s quality of life post-surgery.

The personal stories of patients provide a humanizing touch to the hard science, making it clear that the brain is more than just an organ—it’s the core of who we are as individuals. These stories give weight to the philosophical questions Schwartz raises: How far can we push the boundaries of human cognition? What are the risks of tampering with the essence of humanity? The discussion of the challenges of making life-and-death decisions and the impact of brain injuries on individuals and their families is unsettling and thought-provoking.

In addition to its medical and personal insights, GRAY MATTERS offers a valuable perspective on the future of neurosurgery. Schwartz discusses emerging technologies, such as brain-computer interfaces and gene therapy, and their potential to revolutionize the treatment of brain disorders. He also addresses the ethical concerns that may arise as these technologies become more advanced.

While the book is primarily focused on the medical aspects of neurosurgery, Schwartz also touches on the personal toll that this demanding profession can take on practitioners. His reflections on the emotional challenges of dealing with life-and-death situations provide a valuable perspective on the human side of medicine.

This is an intellectually stimulating read that merges science and philosophy seamlessly. The book is a compelling blend of memoir and textbook and is a highly recommended read for anyone interested in the brain, medicine, or the human condition. However, those looking for a purely philosophical or speculative work might feel that the book is too grounded in clinical reality.

Regardless, Schwartz’s expertise and passion for his field shine through on every page, making this book a fascinating and informative exploration of the complexities of the human mind and the incredible advancements that have been made in the field of neurosurgery.

Want your own copy? You can pick it up here.

LET ME BE ME by Frances Bildner

December 3, 2024 / Kyle Wendy Skultety / 4 Comments

A colorful collection of children’s poetry by Frances Bildner covers the topics of childhood told from a child’s point of view. LET ME BE ME is a plea to adults to let children develop and become at their own pace. It stresses the importance of play, friendships, imagination, and even advocates messy time! Filled with color and Kris Lillyman’s wonderful illustrations, it will enchant children and adults alike.

Frances Bildner is an artist and writer. She has exhibited internationally. Her other books are THE ADVENTURE OF FOUR CREATIVE WIZ KIDS and EXPRESSIONS OF AN ARTIST – a book of paintings and poetry. She is currently working on her book INTERRUPTED LIVES. Frances started her children’s arts groups in New York City in 1990. She believes children are the best artists, especially with minimum adult intervention! She has loved working with kids and now watches with amazement the wonderful art that her grandchildren produce.

Thanks to the author for this review copy!

LET ME BE ME is a delightful little children’s poetry book that celebrates childhood’s joy, wonder, and individuality. Through her whimsical verses and relatable subjects, the author invites young readers to explore the world around them and embrace their unique selves.

One of the strengths of this collection is its emphasis on self-expression and acceptance (“Let Me Be Me”). Bildner encourages children to follow their dreams and celebrate their differences. This message is particularly important in today’s world, where children can often feel pressure to conform to societal expectations.

The poems explore a wide range of themes, from the mundane to the extraordinary. There are lighthearted rhymes about animals, nature (“Jungle Rain”), and the simple joys of playtime, while other poems offer heartfelt reflections on friendship and family (“Funky Family”). Bildner’s writing is thought-provoking, resonating with both children and adults. Her ability to see the world through the eyes of a child is evident in every line, making each poem a precious glimpse into a world of imagination and possibility.

The accompanying illustrations by Kris Lillyman are equally enchanting and bring the poems to life. They complement the text beautifully, adding depth and visual interest to each piece. The bright colors and lively designs create a warm and inviting atmosphere, making the book a pleasure to read and admire.

I loved each poem’s emphasis on individuality and creativity. These are empowering messages and an excellent opportunity for parents and educators to engage with children in deeper conversations about the budding emotions that rise out of the beginnings of friendship and self-discovery. The poems can serve as a starting point for discussions about self-esteem, resilience, and the importance of being true to oneself. Parents may learn more about their child by asking them which poem is their favorite, and why.

The importance of eating healthy (“Fabulous Foods”), respecting our planet (“Our Earth”) and family dinners (“Millie’s Meal Times”) are discussed in a gentle, yet entertaining way. These poems may strike a chord in the parent’s mind as they read them to their child, opening yet another gateway to relevant conversations about how fruit can be a tasty snack, why littering is wrong, and dinner is best served with just food and no cellphones!

LET ME BE ME would be a wonderful addition to any children’s library, and is the perfect bedtime read. It is a book that will inspire, delight, and entertain readers of all ages.

Want your own copy? You can pick it up here.