Reviews of what you should be reading next.

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Being A Dog by Alexandra Horowitz

being-a-dog

Alexandra Horowitz, the author of the lively, highly informative New York Times bestselling blockbuster Inside of a Dog, explains how dogs perceive the world through their most spectacular organ—the nose—and how we humans can put our under-used sense of smell to work in surprising ways.
To a dog, there is no such thing as “fresh air.” Every breath of air is loaded with information. In fact, what every dog—the tracking dog, of course, but also the dog lying next to you, snoring, on the couch—knows about the world comes mostly through his nose.
In Being a Dog, Alexandra Horowitz, a research scientist in the field of dog cognition and the author of the runaway bestseller Inside of a Dog, unpacks the mystery of a dog’s worldview as has never been done before.
With her family dogs, Finnegan and Upton, leading the way, Horowitz sets off on a quest to make sense of scents, combining a personal journey of smelling with a tour through the cutting edge and improbable science behind the olfactory powers of the dog. From revealing the spectacular biology of the dog snout, to speaking to other cognitive researchers and smell experts across the country, to visiting detection-dog training centers and even attempting to smell-train her own nose, Horowitz covers the topic of noses—both canine and human—from surprising, novel, and always fascinating angles.
As we come to understand how complex the world around us appears to the canine nose, Horowitz changes our perspective on dogs forever. Readers will finish this book feeling that they have smelled into a fourth dimension—breaking free of human constraints and understanding smell as never before; that they have, however fleetingly, been a dog.

Many thanks to NetGalley for providing this ARC!

I’ll have to start this review off by noting the dog’s nose is my favorite part.  I love the wetness, the chilly touch, and the sniffing noises that emanate from it. Imagine my glee when I saw this book’s subject!

Once again, Horowitz does not fail to enthrall with her smooth writing style and excellent wordplay.  She starts off the book by explaining the anatomy of the nose; then we discover why dogs have a better sense of smell than humans. The idea of being a “supersmeller” intrigues the author so much that she tries to develop this sense more. We then read about “sniff walks” and find out that to really get a good whiff of things, you need to bend down and put your nose where it counts. As she describes her sniff walk, we learn that in the beginning, smells may not be obvious, but at the end, after you have trained your nose and psyche to recognize and name scents, they are everywhere.

The background of scent is also discussed at length, with perfumers and dog trainers weighing in. Puppies training to be police sniffers or rescue dogs are slowly molded to track scent and find missing people. Horowitz does research by sniffing jars of unknown smells, and then must attempt to put a name to them (a lot harder than it sounds). I was amazed to hear how her own sense of smell grew stronger with practice. It does seem to go hand in hand – practice makes perfect – but I was fascinated to read the variety of scents she was able to comprehend. It made me want to go out and practice my own sniffing!

The author’s love and admiration of dogs shines through, especially when she is using her own canines as an example. She is even surprised when one of her dogs excels at sniff work, once he trains himself to truly distance himself from his domesticity and embrace his natural canine being.  This part gave me pause: we take our dogs out for a walk, but how many times do we yank them away from a tree or dubious pile of something in the street? We walk to cover ground; they walk to read scent and learn what – or who – has gone before them.

The art of sniffing is described as well, much to my appreciation. We learn the best way to pull a smell in; and why dogs may use one nostril vs another. The sense of smell is mostly a bastard child; it’s the one least discussed and is usually the one chosen in the game of “if you had to lose one of your senses, which one would it be”.  Scent is truly underrated. I fully agree. Anyone who has ever tried to eat while suffering a stuffy nose will understand that scent and taste go hand in hand.

Horowitz has done a fantastic job bringing this body function to the forefront of our awareness. I challenge you to read this and not try to sniff out more things around you, even if only for a day.

BEING A DOG is a must read for lovers of both dogs and scientific things – you can pick up your copy here. 

Magic And Loss by Virginia Heffernan

magic-and-loss

Just as Susan Sontag did for photography and Marshall McLuhan did for television, Virginia Heffernan (called one of the “best living writers of English prose”) reveals the logic and aesthetics behind the Internet.
Since its inception, the Internet has morphed from merely an extension of traditional media into its own full-fledged civilization. It is among mankind’s great masterpieces—a massive work of art. As an idea, it rivals monotheism. We all inhabit this fascinating place. But its deep logic, its cultural potential, and its societal impact often elude us. In this deep and thoughtful book, Virginia Heffernan presents an original and far-reaching analysis of what the Internet is and does.
Life online, in the highly visual, social, portable, and global incarnation rewards certain virtues. The new medium favors speed, accuracy, wit, prolificacy, and versatility, and its form and functions are changing how we perceive, experience, and understand the world.

Thanks to the author for gifting me this book for review!

To say, “All that is old is new again,” is that same as saying the inverse: “All that is new is old, again.” Note the comma. For Virginia Heffernan, the author of the highly-cerebral Magic and Loss, the critical characteristic of new technologies that supplant their predecessors is not whatever category by which they are categorically different from their parentages. Instead of committing the intellectually lazy act of declaring that a boundary separating incrementalism from interspectralism has been overcome, she presents the compelling thesis that our tech does little to change what is fundamental to our social consciousness. For all time, our technology has been an imperfect mirror.

From the invention of controlled fire up to the present, that mirror has become increasingly exacting in the image of ourselves that it produces. In the United States alone, this mirror now employs over 110,000 miles of heavy fiber-optic cable, and millions of miles of regional and local cable lines. It promotes the easy, pervasive distribution of photos, videos, and alarming, clickbaiting articles. It provides no built-in buffer time for public expression or reactive thoughts and feelings. Pariahs who would have lived in the shadows a generation ago now enjoy the warmth of like minds. Together, they take their seats at the table of public discourse. If we look different today than we did before the internet, it’s because we can see ourselves my clearly. The mirror changed. We did not.

This point, and many others which are related and equally profound, are trotted out in Magic and Loss with language that is never more vigorous than the subject matter seems to warrant. There is a maturity in the voice of this book that lends extra weight to sentences that contain a blow, that serrates the edges of words that cut. Early on, she quotes author Bruce Sterling: “Poor folk love their cell phones.” Heffernan comments: “Connectivity is poverty, eh? Only the poor, defined broadly as those without better options, are obsessed with connections… The connections that feel like wealth to many of us – call us the impoverished, we who brave Facebook ads and privacy concerns – are in fact meager, more meager even than inflated dollars.”

Every word cuts, and especially so if she’s describing you. She’s not cutting for the sake of cutting. She cutting so that you’ll understand that you’re involved in the issues she’s talking about. Heffernan cuts sparingly, but when she does, no word is chosen arbitrarily. That you are more meager than the inflated dollar that pays for your eyeballs should remind you that you aren’t even the consumer. You’re the product.

Finally, Heffernan’s writing is dripping with only the best influences. She quotes Walter Benjamin multiple times, and the structure of the overall work feels like what part of The Arcades Project might have been like had Benjamin lived to finish it. She drops series of short sentences here and there that taste like passages of Theodore Adorno’s Minima Moralia. What an intellectual joy to read this book was!

Want your own copy? You can pick it up [easyazon_link identifier=”1439191700″ locale=”US” nw=”y” tag=”gimmethatbook-20″]here[/easyazon_link].

 

Murder on Moonshine Hill by Joan C Curtis

murder on moon

When Jenna decides to go to a friend’s wedding, she expects to dredge up old secrets and old hurts, and she expects to see people from her past, but she doesn’t expect to stumble on a dead body.
Jenna’s friend is arrested. The wedding is cancelled. And Jenna’s tendency to stick her nose where it shouldn’t be leads her into the path of the killer.
Set in the serene mountains of North Carolina, Murder on Moonshine Hill is filled with suspense, humor, and a quirky cast of supporting characters.

 

Thanks to the author for gifting me this review copy!

One of my favorite things about this book is the extensive cast. From ex-best friend to spoiled trophy wife, author Joan Curtis displays her masterful knowledge of character development. Everyone has an agenda – some are selfish, some are hidden, and one in particular is the thing that Jenna is trying to discover.

Imagine getting a wedding invitation from your best friend – the one that broke your heart when she dropped you like a hot potato after a death in the family. Would you turn a blind eye to the snub to see her on the happiest day of her life? Reluctant at first, Jenna decides to go after a hidden plea for help drops out of the invitation envelope. She becomes immersed in the extensive family drama swirling around the joyous (or not) event, and soon it is up to her to save her friend’s life. Even if her friend doesn’t want to be saved.

Curtis enjoys the setting of North Carolina; it’s evident in the loving and descriptive way she describes the scenery. When a book is written in a way where the setting complements the plot, that adds another level of enjoyment to my reading.

Jenna’s friend Quentin is adorably protective of her, often deflecting her overbearing mom’s attention away from her and onto himself, using tried-and-true methods that had me laughing. What girl doesn’t need a Queer Eye For The Straight Girl BFF?

Another hallmark of Curtis’ writing is that the villain is not always obvious. My mental finger was pointed at quite a few people before the troublemaker was finally exposed. I love when a book is written in this manner; my interest is held all the way until the end, no early boredom sets in!

Jenna’s character is not without flaws – she is a strong woman with feelings that can be hurt, as demonstrated in her internal dialogues detailing her confusion and sorrow after her childhood girlfriend suddenly vanishes from her life without an explanation. Most of us have been there in some way or another – but we may never get the chance for closure like Jenna does.

I strongly recommend picking up this book; it’s an easy, well written mystery that will keep you entertained all the way through. You can pick up your own copy [easyazon_link identifier=”B01HWOR4J6″ locale=”US” nw=”y” tag=”gimmethatbook-20″]here[/easyazon_link].

The Joy Of Nursing by Juliana Adams

joy of nursing

Juliana Adams has lived her dream of being a nurse for 50 years. Her stories are stunning and startling; raw and revealing; heart wrenching and heart soaring. In her eye-opening experiences, she provides a deeper perspective … to always look beyond the diagnosis … because every nurse is more than just a nurse!
The Joy of Nursing: Reclaiming Our Nobility is provocative and riveting as the stories from new nurse to intuitive experienced nurse unfold. Far more than a memoir, it is a rich journey from novice to expert, a concept with historical roots for all who enter this profession.
-Are you a nurse or exploring nursing as a career?
-Are you wondering what is true about being a nurse?
-Does your nursing reality match the dream you once envisioned?

With courage, insight and optimism, Juliana Adams reveals the challenges and barriers that face the profession. To be a nurse is an honor.
She shares stories, her insights, and her dedication to nursing are exactly what the overwhelmed, disillusioned, innocent and anyone entering nursing needs.

Many thanks to the author and JKS Communications for gifting me this book for review!

Nursing is not an easy job – there is heartbreak, stress, and backbreaking work involved. THE JOY OF NURSING illustrates all that, but with an undertone of hope, pride, and strength.

To have a career that spans 50 years is impressing and daunting in itself, never mind having to deal with human suffering for all that time. Imagine the innovations that one would see, watching the field grow and develop! Adams starts with  the beginning of nursing, as created by Florence Nightingale, and discusses how doctors would view these eager young women entering the field. She then ties that in with her own nascent desire to become a nurse, and describes her journey.

Patient care itself has not changed since the first nurse started doing her job; rather, it is the albatross of Health Insurance that has skewed how hospitals are run. The objectives are still the same; ease pain and suffering, provide a friendly face to those who worry about their loved ones, and advocate for those who have no voice.

Adams does all of these things and more – and tells how she tries to find joy in each day. One story that touched me a great deal was the gently used clothing bin she and other nurses created; for indigent patients whose clothing was soiled due to illness, or for those who simply didn’t have another change of clothes available. What a thoughtful thing to do – provide a basic human need at a time when it is needed the most.

As you read through this book, you will see that Adams is intent on keeping nurses in love with their job, by sharing her own struggles and solutions. Words of advice can be found on almost every page, with scenarios that show how Adams grew within her profession and how she overcame her own disillusionment. She is honest and open about her own strengths and weaknesses while telling us the lessons she has learned over the years.  It is easy to see how each of her patients has touched her as their lives intersected.

The underlying intent of THE JOY OF NURSING is obvious – Adams has done a wonderful job of sharing the love she has for her calling – and the message comes through loud and clear. The blurb notes that it is good for either new nursing graduates or for those who are feeling disillusioned.

We all need a bit of encouragement now and then; and this book will certainly provide that for nurses. Who will heal the healers? Adams understands that advice from someone who has “been there” is invaluable. She gives the field of nursing a valuable and necessary gift in this book.

Want your own copy? You can pick it up [easyazon_link identifier=”0997200324″ locale=”US” nw=”y” tag=”gimmethatbook-20″]here[/easyazon_link].

 

Patient H.M. by Luke Dittrich

patient hm

 

In 1953, a twenty-seven-year-old factory worker named Henry Molaison—who suffered from severe epilepsy—received a radical new version of the then-common lobotomy, targeting the most mysterious structures in the brain. The operation failed to eliminate Henry’s seizures, but it did have an unintended effect: Henry was left profoundly amnesic, unable to create long-term memories. Over the next sixty years, Patient H.M., as Henry was known, became the most studied individual in the history of neuroscience, a human guinea pig who would teach us much of what we know about memory today.

Patient H.M. is, at times, a deeply personal journey. Dittrich’s grandfather was the brilliant, morally complex surgeon who operated on Molaison—and thousands of other patients. The author’s investigation into the dark roots of modern memory science ultimately forces him to confront unsettling secrets in his own family history, and to reveal the tragedy that fueled his grandfather’s relentless experimentation—experimentation that would revolutionize our understanding of ourselves.

Dittrich uses the case of Patient H.M. as a starting point for a kaleidoscopic journey, one that moves from the first recorded brain surgeries in ancient Egypt to the cutting-edge laboratories of MIT. He takes readers inside the old asylums and operating theaters where psychosurgeons, as they called themselves, conducted their human experiments, and behind the scenes of a bitter custody battle over the ownership of the most important brain in the world.

Patient H.M. combines the best of biography, memoir, and science journalism to create a haunting, endlessly fascinating story, one that reveals the wondrous and devastating things that can happen when hubris, ambition, and human imperfection collide.

 

Many thanks to NetGalley for this ARC.

This book is more than a memoir; more than an expose of the lobotomy trade; more than a poignant tale of a man whose life was largely lived in the present moment. It’s an unsettling view of a medical procedure touted as something to make willful women “compliant” and violent men “placid”. The imagery of the procedure itself is even more eerie – the author describes the hippocampus as “being sucked up” by the vacuum used to perform the surgery. Implements such as a trephine drill, a scalpel, and forceps are used to obliterate parts of the brain responsible for making each of us human. Patients vomit or sing during the surgery, their brain sending out chaotic impulses. Afterwards, they are a shell of their former self, sometimes mute, dull, or forgetful.

Patient H.M.  was the most intensively studied lobotomy “victim”, and his journey from epileptic to amnesiac is well chronicled here. Adding to the drama is that the grandfather of the author (Dr William Scofield) is the surgeon that operated on H.M.

There is backstabbing and intrigue within the medical community as well; one of H.M.’s fiercest protectors, neuroscientist Suzanne Corkin, may have destroyed much of her written notes on H.M., thereby casting a shadow over how much of her research was actually correct and reliable. It is mind boggling to learn about the amount of “experimentation” done on men and women, all in the name of advancing scientific knowledge. Consent at times was dubious, even after the Nuremberg Trials.  The doctors thought they were doing the best for these patients, but as the author puts it, their hubris and audacity changed lives not always for the better.

Towards the end of the book, there is a section on H.M.’s actual thoughts on himself and his memory. He tries to put a positive spin on things, noting that always living in the present makes things interesting. I suppose you can’t miss what you never had; but I also was very deeply touched by the portrayal of this man who underwent a lobotomy because he was desperate to end his constant seizures. Was the quality of his life made better by suctioning out parts of his brain? That’s the gist of PATIENT H.M. – there are uncomfortable questions and sometimes dubious answers that make sense at times, but in actuality heinous, unspeakable deeds were committed against innocent people.

The author does a wonderful job of forcing the reader to consider these broken people as tragic creatures, unknowing fodder (sometimes referred to as “material”) for the surgeons who were all eager to try out this new and groundbreaking procedure.

Also broken are the main characters: the surgeon Scoville, the neuroscientist Corkin, and the brain researcher Jacopo Annese, who took possession of H.M.’s brain after the famous amnesiac died. After live streaming the dissection of the brain, there followed a volatile custody battle between Corkin and Annese over who was the “real” owner of the organ. Everyone wanted a piece of H.M. , either in life or death – and akin to Henrietta Lacks, he was never truly compensated for it.

I dare you to read this book and not be moved. PATIENT H.M. is educational, thrilling, and serves as a reminder of just how far medical science has come – and the depths it has gone to in order to reach this point.

You can pick up your copy [easyazon_link identifier=”0812992733″ locale=”US” nw=”y” tag=”gimmethatbook-20″]here[/easyazon_link].

Weave A Murderous Web By Anne Rothman-Hicks and Ken Hicks

weave

No good deed goes unpunished. When Jane Larson—a hot-shot litigator for a large firm in New York City—helps out a friend, she is sucked into the unfamiliar world of divorce and child support.
Jane’s discovery of the deadbeat dad’s hidden assets soon unravels a web of lies, drugs, and murder that keeps getting more dangerous.
Soon, Jane is involved in a high stakes race to recover a missing suitcase of cash and catch the murderer before she becomes the next victim.

 

 

Many thanks to the authors for gifting me this book for review!

This is the second book in the Jane Larson series and it’s just as fast, furious, and fun as the first one. Jane is still as stubborn as ever. Her client Gail, who seems to be adept at dodging the truth, is seeking child support from her ex husband.  Jane’s friend Francine paints a sob story about Gail needing help, and as always, against her better judgement, Jane takes the case. It’s not a quick open and shut job, however. Jane struggles to find the truth, gets shot at, and meets a handsome stranger.

The authors have done well with Jane Larson: a smart, sarcastic female character who doesn’t let a little danger cramp her style. She argues with the police assigned to the murder, and gets tangled up in the web of a double talking reporter who always seems to be one step ahead of Jane.

This book’s strength lies in its character development. There are many, but they all have very distinct personalities and move in and out of the story, advancing the plot well. The identity of the killer is not easy to figure out, as the authors utilize many red herrings and lead the reader down many paths, only to have those paths double back and head in another direction.

My favorite character is Officer Steinberg; a roly poly man who excels at appearing dumber than he truly is. I could almost see him in the room next to me, picking crumbs off his wrinkled shirt.

MURDEROUS WEB is a classic whodunit with classic New York City characters. There is a great deal of action going on: bribery, arson, drugs and blackmail are just a few of all the evils that befall the aforementioned characters. This was a fairly quick read that started out a bit slow, but once I got past the first few chapters the plot took off and it was a wonderful ride.

I’m looking forward to see what happens next to Jane! Want your own copy? You can pick it up [easyazon_link identifier=”1680462520″ locale=”US” nw=”y” tag=”gimmethatbook-20″]here[/easyazon_link].

 

 

 

The Empress of Tempera by Alex Dolan

tempera

The feud began forty years ago. On one side: one of the wealthiest families in America. On the other: an artist known as Qi, heralded as the next Andy Warhol. After an acrimonious falling out, a Cold War began between these two families, and very few people remember the artist at all. Until a piece by Qi appears in New York.
Outside the Fern Gallery, a man stabs himself in the heart while staring at the last Qi, a painting of a young Chinese empress. Paire Anjou, a young art student fresh to the city, stands so close, her dress is freckled with blood. The resurgence of Qi’s art stirs up widespread curiosity and attention. Much like Michelangelo’s David, the portrait evokes powerful reactions from people. Patrons pass out, write love letters, and try to vandalize it. Since the day she saw it, Paire can’t stop ruminating about the painting.
The descendants of both families converge, and Paire, who covets the Empress, is woven into an escalating blood feud. Paire Anjou is herself a descendant of criminal parents with a predilection for theft. And she has decided that she needs to possess the Qi for herself.

Thanks to Diversion Books for gifting me this book for review!

EMPRESS is the kind of book that has a dark undercurrent running through it. The darkness may ebb and flow, but it’s always there. Paire is a character who may be sympathetic at times, and other times she will make you cringe and wonder what you ever saw in her in the first place.

The titular Empress is the sun around which everyone’s world revolves. Dolan’s description of her is so precise, so fawning, that it makes you wish you could see her for yourself and become obsessed. As Paire slowly sinks into lustful infatuation with the Empress, the darkness flows into her and also makes her stronger. Paire gets involved with illegal activities, all the while with the painting at the back of her mind.

The darkness envelops other characters as well, and begets betrayal, or violence. It seems as though the painting is like a Rorschach drawing; people see what they want to see, while the image affects them all differently. I especially enjoyed this aspect of the book – watching everyone decompensate is a delicious, voyeuristic experience.

Another enjoyable facet of this story is the art and artist setting. New York is the perfect backdrop for this beleaguered gallery and its employees. There also was a great deal of authentic art discussion that taught me things and enriched the reading experience.  Any time I can learn something from a book, it’s a plus for me. This shows that the author is not just trying to create a story; he is doing his hardest to immerse the reader in a believable world where things occur because of the setting, not despite it.

THE EMPRESS OF TEMPERA was a compelling and brilliantly conceived story. I loved it! Definitely a must read this year. You can pick up your copy [easyazon_link identifier=”1682302970″ locale=”US” nw=”y” tag=”gimmethatbook-20″]here[/easyazon_link].

Ruffian: The Story Of A Jockey by Beverly Harrison

ruffian

60 seconds out of the starting gate, Jockey Syd Paul is riding for her life. Blindsided, she’s attacked during a race by a fellow jockey and friend. Forced to fight for her life atop a fast and furious thousand-pound horse galloping at top speed, Syd struggles, fighting in disbelief, while only inches away, the other jockey falls to his death. Shocked and battered and without a moment to think, she turns from the nightmare behind her toward the finish line just ahead and wins the race.
Bloodied and beaten into a bruised lump of flesh, Syd finds herself dazed and standing in the winner’s circle, flashing back at what just happened. WTF, she thinks, watching the instant replay unfold like bad reality tv. From the video replay, there’s no question. Syd looks guilty as the gates burst open just like a hundred times before. Only this time, Syd battled another jockey to the death and then went on to win.
Bleeding and head swimming, the single question remains: Why did my friend attack me? She finds a shocking truth: Some unidentified person will go to any length to control the jockeys and the outcome of certain races. One jockey has died, and others will follow. Syd is forced to accept help from police detective, Joe McQueen. He’s drop dead gorgeous with the tenacity of a pit bull and the sensibility of a good ol’ boy.
Unsure of placing her life and her future into the hands of a complete stranger, (McQueen), Syd sets out to find the answers and keep herself safe, knowing she’s only one golden ticket away from her dream of riding in the Kentucky Derby, but in the next race, she’ll be riding not only for her career, but also, for her life.

Thanks to Word Slinger for giving me this book for review!

I found the plot of this book wonderfully refreshing. Few stories are written with a racing background (unless you are a Dick Francis fan), much less with a female jockey in the leading role. Syd Paul is a feisty girl, making her way among the misogynistic jockeys at the track. She is a talented rider, hoping to find a mount to get her into the Kentucky Derby.

When her good friend attacks her during a race, she is thrown into a race fixing scheme that threatens her very existence. Syd is a loner by nature and is mistrustful of most people, except for a handful of friends. Her best friend convinces her to go to the police, but they don’t seem to be much help. She gets attacked again and doesn’t know why she can’t get anyone to believe that she is danger.

I enjoyed the book, despite the writing being a bit uneven. Perhaps it was the editing, but it pulled me out of the story when I would see odd words capitalized (Owner, Jockey) and the occasional typo here and there. I also wanted to shake the character of Syd a few times when she persisted in going places alone and putting herself in danger. (I suppose that was needed, otherwise there wouldn’t have been a story.)

The same thing that bugged me about her was also her strength: a female jockey who didn’t want to sit on the sidelines while the men took care of business was an excellent choice of main character. Competition is intense in racing, and Syd showed her mettle by holding her own against the guys. She refused to give in to emotion, always keeping her goal firmly in her sights. At times this was also a noticeable quirk – Syd seemed to vacillate at times between grief and being perfectly fine (after the death of someone close to her). I kept thinking that it was very strange for her to be so happy just a few minutes after having tears in her eyes and talking about how much she missed her friend. Personally, if that was me, I would have been home crying and being miserable, not out flirting and going to restaurants.

But that is a small criticism. I’m sure anything she did was to advance the plot, which was quite suspenseful. I wasn’t sure who the bad guys were, and all in all, the idea of race fixing was quite plausible. Many people believe horse racing is fixed in some way, but never think of the people that may be caught up in it without their consent.

The race descriptions and personalities (and names) of the horses left me in thrall – I love horses and felt as if I were behind the scenes at a large track. Syd’s skill as a jockey was also a plus; she always raced to win and never compromised who she was.

My verdict? A good story, well rounded characters, and some suspense. Definitely an enjoyable and unique read that horse racing fans (and mystery lovers) will enjoy. You can pick up your copy here.

Just Life by Neil Abramson

Just-Life-Jacket_book

Veterinarian Samantha Lewis and her team are dedicated to providing a sanctuary for unwanted, abused, and abandoned dogs in New York City. But every day it gets harder to operate her no-kill shelter. Sam is already at her breaking point when she learns of an unidentified, dangerous virus spreading through their neighborhood. The medical community can only determine that animals are the carriers. Amid growing panic and a demand for immediate answers, suspicion abruptly falls on dogs as the source. Soon the governor is calling in the National Guard to enforce a quarantine—no dog may leave the area.

Samantha knows from her own painful history that, despite the lack of tangible evidence against the dogs, a quarantine may only be the beginning. As questions about the source of the virus mount and clash with the pressure for a politically expedient resolution, Sam is forced to make life-altering choices. She finds allies in a motley crew of New Yorkers — a local priest, a troubled teen, a smart-mouthed former psychologist, and a cop desperate to do the right thing — all looking for sanctuary from their own personal demons. But the person Sam needs the most to unravel the mystery of the virus and save the dogs is the last one she’d ever want to call on—because contacting him will mean confronting the traumatic past she has fought so hard to escape.

Thanks to the author and publisher for providing this review copy.

Imagine a neighborhood in Manhattan in the grips of panic over a virus – one that is killing children and could possibly be spread by dogs. Imagine a shelter vet pushed to her breaking point by lack of money and no lack of politics. Add in a priest who may be losing his faith, an orphaned teen, and a few stray dogs who need homes.

Put yourself in the shoes of the veterinarian, who deeply loves her faltering shelter and all the dogs who call it home. Feel the only emotions that seem to be present in the first half of the book: incredible sadness, defeat, and frustration. Think about the sources of help available to you: none. At least none you can trust.

Welcome to JUST LIFE.

Not a happy, comfortable read, for sure. It is, however, a thought provoking and emotional story about making choices, standing up for what you believe in, letting go of your personal demons, and learning to trust.

Each character is deeply flawed but holds a spark inside them: the priest who throws a rock through his own church window because he is feeling distant from his Savior; the teen who was abused in foster homes and who is determined to save all the dogs at risk, no matter what; the assistant deputy mayor who is practicing good politics by shutting down the shelter.  The sun in their world is Sam, the veterinarian who gives everything she has to the stray dogs, her only family.

As the virus swirls around the neighborhood the tension ratchets up, and Sam is forced to make hard choices to save the dogs. Who will back her up?

My attention was held during the entire reading of this book. The veterinary medicine is correct, and the possibility of a bird flu – like virus (but with deadlier complications) was plausible. Each character’s story is revealed bit by bit, and sometimes they are sympathetic, sometimes not.

The character of Beth Cohen provides much needed comic relief during many dark times. She is a disgraced psychologist forced to either submit to a jail sentence or “volunteer” at the shelter. She asks probing questions, making Sam confront her fears and doubts. As I mentioned, she is also sarcastic and self-effacing, adding a lighter touch here and there.

Gabriel, the priest, provides one of the most human touches in JUST LIFE. He is suffering from dementia, and his portrayal is poignant and heartbreaking. His backstory is the platonic love he held for his best friend and confidant Channa, who died recently. He wonders if he will be able to remember her, and the emotions she stirred in him. He questions his God, in a crisis of faith that pervades the entire book until the end. The scene with him in chapter 35 made my heart well up and brought tears to my eyes. Well done, Mr Abramson.

JUST LIFE is a tightly woven story that will not leave you easily. It is not a story with a bright shiny ending, nor is it a depressing tale of failure. It is a tour de force of the human condition and the bond we share with our animal friends; and the lengths we will go to in order to protect them.

You can get your copy here. 

The End Of The Suburbs by Leigh Gallagher

End-of-the-Suburbs-for-web

 

“The government in the past created one American Dream at the expense of almost all others: the dream of a house, a lawn, a picket fence, two children, and a car. But there is no single American Dream anymore.”

For nearly 70 years, the suburbs were as American as apple pie. As the middle class ballooned and single-family homes and cars became more affordable, we flocked to pre-fabricated communities in the suburbs, a place where open air and solitude offered a retreat from our dense, polluted cities. Before long, success became synonymous with a private home in a bedroom community complete with a yard, a two-car garage and a commute to the office, and subdivisions quickly blanketed our landscape.
But in recent years things have started to change. An epic housing crisis revealed existing problems with this unique pattern of development, while the steady pull of long-simmering economic, societal and demographic forces has culminated in a Perfect Storm that has led to a profound shift in the way we desire to live.
In The End of the Suburbs journalist Leigh Gallagher traces the rise and fall of American suburbia from the stately railroad suburbs that sprung up outside American cities in the 19th and early 20th centuries to current-day sprawling exurbs where residents spend as much as four hours each day commuting. Along the way she shows why suburbia was unsustainable from the start and explores the hundreds of new, alternative communities that are springing up around the country and promise to reshape our way of life for the better.
Not all suburbs are going to vanish, of course, but Gallagher’s research and reporting show the trends are undeniable. Consider some of the forces at work:

• The nuclear family is no more: Our marriage and birth rates are steadily declining, while the single-person households are on the rise. Thus, the good schools and family-friendly lifestyle the suburbs promised are increasingly unnecessary.
• We want out of our cars: As the price of oil continues to rise, the hours long commutes forced on us by sprawl have become unaffordable for many. Meanwhile, today’s younger generation has expressed a perplexing indifference toward cars and driving. Both shifts have fueled demand for denser, pedestrian-friendly communities.
• Cities are booming. Once abandoned by the wealthy, cities are experiencing a renaissance, especially among younger generations and families with young children. At the same time, suburbs across the country have had to confront never-before-seen rates of poverty and crime.
Blending powerful data with vivid on the ground reporting, Gallagher introduces us to a fascinating cast of characters, including the charismatic leader of the anti-sprawl movement; a mild-mannered Minnesotan who quit his job to convince the world that the suburbs are a financial Ponzi scheme; and the disaffected residents of suburbia, like the teacher whose punishing commute entailed leaving home at 4 a.m. and sleeping under her desk in her classroom.
Along the way, she explains why understanding the shifts taking place is imperative to any discussion about the future of our housing landscape and of our society itself—and why that future will bring us stronger, healthier, happier and more diverse communities for everyone.

Leigh Gallagher’s The End of the Suburbs is a book of social history in the same vein as, and of similar caliber to, the ancestral classic of its genre, Crabgrass Frontier by Kenneth T. Jackson. Like that book, this one avoids several of my pet peeves. It shuns ostentatious language in favor of highly function, dense, understandable sentences. No word seems to be solely dedicated to creating emphasis without also fleshing out the meaning of what is being said.  The discipline in research displayed in this book, unfortunately, did not match the the discipline in language.

I understand that it is unfair to expect of any book the thorough and relentless inclusion of data and primary source material provided by Mr. Jackson in Crabgrass Frontier. However, I must note that the difference in reading experiences between these two books is probably founded in this lack. In Crabgrass, the reader doesn’t feel like he or she is being convinced of anything. There is hardly any deductive step in that wonderful book about which the reader must say, “I’ll give Mr. Jackson that one.” Instead, Mr. Jackson would support a statement with publicly accessible data or primary source material, deduce something from that statement, and then support the deduction with MORE data or primary source material. What is different in Gallagher’s work is that reading it is like crossing a bridge of ordinary construction, with what looks to me like enough structural support to safely get me from one side to the other. But hey, what do I know? I don’t build bridges for a living, and she does, so I’ll trust her and drive over the bridge. Reading Mr. Jackson’s book is like driving on what seems to be an ordinary road on solid ground, and then have your rendezvous partner at the end of your journey ask, “How was your passage over the river?” You reply, “There was a river?”

If you don’t mind deductive passages spanning fractions of entire chapters without references to sources (and I imagine that most will not mind) there is much to love in the potentially mind-expanding subject matter here. Mrs. Gallagher connects the decline in childhood outdoor activity not to the advent of television and electronic entertainment, but to changes in the design of suburban landscapes. She investigates the pressures of the Millennial generation on the demand for suburban accommodation, and she provides a rich historical backdrop for the future she predicts. The average reader of Mrs. Gallagher’s book will finish it much more informed about American modern history, demographics, architectonics, and demographics than he or she was before. Furthermore, the relative paucity of primary source material helps to make The End of the Suburbs more fluidly readable than Crabgrass Frontier. This accessibility, and Mrs. Gallagher’s lighter tone, will hearten her work to more casual readers than myself, i.e. nearly everyone.

Want your own copy? You can pick it up [easyazon_link identifier=”B00HTKAEDM” locale=”US” nw=”y” tag=”gimmethatbook-20″]here[/easyazon_link].

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